it's not your fault that you're a terrorist, the system has failed you and it failed me too. I'm here to listen to what you have to say without any prejudice, you're in a safe space.
The city is not mine. I am hers. Sexually and emotionally. When it becomes legal, I will marry her. I will also take her last name and become Bruce City.
that would have been the more rational response but I gotta say there's really something epic in a man that leaves the life/death of millions of people in a fistfight with a guy that fucked you up
Nah I came back to fuck your waifu again. Oh didn't she mention that? Yeah I gave her the bat dick a while ago. Hell that's probably why you beat me last time. Didn't get enough sleep cause I was too busy railing her. You know I'm a big guy as well
>You won’t kill me and I can’t be saved.
I feel that shows good resolve. >No. I’m a symbol. Everlasting. Now and forever. And I won’t be stopped. I am legend.
Might as well go all in with the cringe and call-backs.
>I'm here to teach you a lesson... >*Starts fighting with Bane, he overpowers me* >Bane: And what's that? >Mysterious voice: That you should always shoot a man before throwing him out of a plane >*CIA suddenly appears and we double team Bane and beat him off* >Bane: You're a sneaky guy... >CIA: ... For you
The Dark Knight Rises is arguably even more ideological than the Dark Knight, featuring a bizarre allusion to the French Revolution that Christopher Nolan drew from Charles Dickens': A Tale of Two Cities.
Bane seemingly represents the French Revolutionary Robespierre. He frees prisoners, alluding to the storming of the Bastille, and uses populist rhetoric about wealth inequality corruption and oppression. Now having a revolutionary as a villain could have made a really interesting plotline for a Batman movie, raising all kinds of questions about society's structural problems, collective action, and the extent to which political violence is called for in a truly corrupt society. But those kinds of questions would undermine the very ideology base of the trilogy and so they must be blocked.
Instead, Bane is made out to be using revolutionary rhetoric only as a dishonest tactic with his true motive being the destruction of Gotham using a nuclear bomb. This plotline is completely ridiculous except as a representation of how right-wing counter-revolutionaries view revolutionaries: as immoral duplicitous villains who talk of freedom and Liberation but in truth want nothing but the destruction of civilization. Their critique as always tries to redirect the focus away from society's social conditions and material problems and to the immoral character of the Revolutionary who must be stopped and punished to restore law and order.
"Actually I just came to take the hard drive out of the bat server... You didn't browse it right? There was nothing on it, just boring detective stuff.."
>No, I came back to watch you blow up this crime ridden shithole. Gotham has seen an enormous influx of migrants over the past few years, it's gotten so that I don't feel like I even know this place anymore. Just last week I went to the alley where my parents were shot to pay my respects and some strung out nagger was taking a shit right where they died, I can't wait to see New Africa become engulfed in nuclear fire.
NAAAW, I CAME BACK TO BREAK YAAA BROTHER
>No... I came back to give your corpse a proper burial
it's not your fault that you're a terrorist, the system has failed you and it failed me too. I'm here to listen to what you have to say without any prejudice, you're in a safe space.
I know there's a lot wrong with Rises but I still love it because Bruce getting his shit pushed in and coming back to fuck up Bane is always great
>WHAT THE FUCK IS THAT BEHIND YOU!
>What are you--
>*kicks Bane right in his theatricality and deceptions"
>right in my league of shadows!
Nolan can't write dialogue
Nolan and his brother lock themselves in hotel rooms and do blow for three days straight and write their movies like that.
I am not making this up
after watching Batman Begins I'll bet they're fucking each other half the time
Christopher Nolan is asexual
Y-yes
for you
>That's a big implication
>"No you are Dunheir"
>shut the fuck up incel. you will never be a real big guy.
>say "penis"
>this confuses him so you can get the first few blows in
>win the fight from there
>no I just left the oven on
>laughtrack
>no i came back for you to die with your city, i mean you'll die with my city, i mean i'll die with you for then to die for my city
>I'm gay
>no u
>You're not a big guy like they say you are on Cinemaphile
>*unzips pants*
>Bane: So you came back to die with your city?
>Batman: Uhh... Yeah, sure. I guess.
>You been a bane in my ass for too long
>*winks at camera*
Kino
I climbed out of the pit, like you didn't.
Up yours, nagger.
>SNEEEEEEEEED
>I came back FOR YOU.
>LAST TIME WE FOUGHT, I WAS BACK BROKEN
>AFTER THIS FIGHT, YOU'LL BE BUCK BROKEN, BANE *Hans Zimmer starts playing*
>They say you're a big guy
>I thought you'd be taller
ooooh that one cuts deep
I wouldn't say a single word to him. I would listen to what he had to say, and that's what no-one did.
No, I came back to leave.
>Your response?
BANG BANG
Just start punching him.
You're not clever for saying "Your response?" instead of spamming "how do you respond without sounding mad?" threads.
>M-M-MOOOOOOOOM, IT'S N-NOT IN THE MEEEEEME FORMAAAAAT! HELP MEEEEEE!
I would say a single word to him. I wouldn't listen to what he had to say, and that's what everyone did.
What is the single word I said to him?
...I'll never tell. =)
No, I came back to stop you.
>shits self aggressively
>MY PARENTS ARE DEAD
>If necessary.
Not a chance. We built this city on Rock and Roll, bub
The city is not mine. I am hers. Sexually and emotionally. When it becomes legal, I will marry her. I will also take her last name and become Bruce City.
>Yes.
>Pulls out bat pistol and shoots self
>no motherfucker I forgot my xbox controllers, what the fuck is all this shit?
>I came back lookin for mans booty, IM A WARRIOR!
I just came from a training seminar with Daniel Jackson and Wesley Wyndham-Pryce.
Your move.
No, I came back to kill you.
*draws bat shotgun*
that would have been the more rational response but I gotta say there's really something epic in a man that leaves the life/death of millions of people in a fistfight with a guy that fucked you up
No, I came back to live in it. Hold my cape, I'm going shopping.
Nah I came back to fuck your waifu again. Oh didn't she mention that? Yeah I gave her the bat dick a while ago. Hell that's probably why you beat me last time. Didn't get enough sleep cause I was too busy railing her. You know I'm a big guy as well
>no, I came back to fight with my city
Was that so hard Nolan
That's actually worse than what's in the movie
>You won’t kill me and I can’t be saved.
I feel that shows good resolve.
>No. I’m a symbol. Everlasting. Now and forever. And I won’t be stopped. I am legend.
Might as well go all in with the cringe and call-backs.
>haha no… how you doing mate how have you been?
bane... what's going on, big guy? you just broke my back
>Blame society all you want for your problems. You're still a privileged white male.
>I'm here to teach you a lesson...
>*Starts fighting with Bane, he overpowers me*
>Bane: And what's that?
>Mysterious voice: That you should always shoot a man before throwing him out of a plane
>*CIA suddenly appears and we double team Bane and beat him off*
>Bane: You're a sneaky guy...
>CIA: ... For you
damn now that's kino
The Dark Knight Rises is arguably even more ideological than the Dark Knight, featuring a bizarre allusion to the French Revolution that Christopher Nolan drew from Charles Dickens': A Tale of Two Cities.
Bane seemingly represents the French Revolutionary Robespierre. He frees prisoners, alluding to the storming of the Bastille, and uses populist rhetoric about wealth inequality corruption and oppression. Now having a revolutionary as a villain could have made a really interesting plotline for a Batman movie, raising all kinds of questions about society's structural problems, collective action, and the extent to which political violence is called for in a truly corrupt society. But those kinds of questions would undermine the very ideology base of the trilogy and so they must be blocked.
Instead, Bane is made out to be using revolutionary rhetoric only as a dishonest tactic with his true motive being the destruction of Gotham using a nuclear bomb. This plotline is completely ridiculous except as a representation of how right-wing counter-revolutionaries view revolutionaries: as immoral duplicitous villains who talk of freedom and Liberation but in truth want nothing but the destruction of civilization. Their critique as always tries to redirect the focus away from society's social conditions and material problems and to the immoral character of the Revolutionary who must be stopped and punished to restore law and order.
No I kill the bus driver
>IM NOT WEARIN HOCKEY PANTS
I'M GONNA SMASH YOUR BIG GUY
NO U
"Actually I just came to take the hard drive out of the bat server... You didn't browse it right? There was nothing on it, just boring detective stuff.."
>No, I came back to watch you blow up this crime ridden shithole. Gotham has seen an enormous influx of migrants over the past few years, it's gotten so that I don't feel like I even know this place anymore. Just last week I went to the alley where my parents were shot to pay my respects and some strung out nagger was taking a shit right where they died, I can't wait to see New Africa become engulfed in nuclear fire.
For being a fake revolution, Bane had a shit-ton of support.
FOR YOU
>No. I came for you.
Yeah, I did. Are you retarded?
>uuhhh... well let me ask you, have you ever heard the story about jet fuel melting steel beams and the implications of wooden doors?
>>I came to ligma
>Very funny, Bru--
balls