Based, DDL btfo
Based, DDL btfo
This phonograph "reads" a rock’s rough surface and transforms it into beautiful ambient music pic.twitter.com/PYDzYsWWf8
— Surreal Videos (@SurrealVideos) March 3, 2023
Based, DDL btfo
This phonograph "reads" a rock’s rough surface and transforms it into beautiful ambient music pic.twitter.com/PYDzYsWWf8
— Surreal Videos (@SurrealVideos) March 3, 2023
I'm sorry, who is that?
Zed from Men in Black.
That was Rip Torn.
Hannibal Lecter
>Method acting that leads to great performances
De Niro, DDL, Jeremy strong
>method acting that leads to shit performances
Jared Leto
>On Quentin Tarantino: "I find his work meretricious. It’s all surface. Plot mechanics in place of depth. Style where there should be substance. I walked out of PULP FICTION. That said, if the phone rang, I’d do it."
>On Johnny Depp: “Personable though I’m sure he is, is so overblown, so overrated. I mean, EDWARD SCISSORHANDS. Let’s face it, if you come on with hands like that and pale, scarred-face makeup, you don’t have to do anything. And he didn’t. And subsequently, he’s done even less.”
>On Christopher Walken and Jonathan Pryce: “Christopher Walken was somewhat bemused by Jonathan Pryce, which is understandable, Jonathan being an interesting fish, kind of dark and gloomy at times. And if you can freak out Christopher Walken...“
>On Steven Seagal: “As ludicrous in real life as he appears on screen. He radiates a studied serenity, as though he’s on a higher plane to the rest of us, and while he’s certainly on a different plane, no doubt about that, it’s probably not a higher one.”
>On David Bowie: “A skinny kid, and not a particularly good actor. He made a better pop star, that much is for certain.”
>On Michael Caine: “I wouldn’t describe Michael as my favourite, but he’s Michael Caine. An institution. And being an institution will always beat having range.”
>On Edward Norton: "A nice lad but a bit of a pain in the arse because he fancies himself as a writer-director.”
>On Ian McKellen: "He's a front foot actor and he's been extremely successful for it. I would not take it away from him. But sometimes, there's just a little bit of heart missing. A little bit of just what I call 'expiation.'"
>Cox, who also takes swipes at Gary Oldman, Daniel Day-Lewis, John Hurt and Michael Gambon in his book, told the press that none of his friends who appeared in his book had read it yet. "I'm expecting probably never to hear from some people again. But that's the way it goes," he said.
>On Steven Seagal: “As ludicrous in real life as he appears on screen. He radiates a studied serenity, as though he’s on a higher plane to the rest of us, and while he’s certainly on a different plane, no doubt about that, it’s probably not a higher one.”
BTFO
Pretentious gay - literally all of those actors have more soul and character than him. Cox has gone up his own arse since every reddit basedboy started watching Succession (which is slop)
King shit.
uppity brit
>Cox praises some actors in his memoir, however. The late Alan Rickman is described as "one of the sweetest, kindest, nicest and most incredibly smart men I've ever met, with a considered, laser-like precision to his work."
>Keanu Reeves is called a "seeker" who has "actually become rather good over the years," while Scarlett Johansson is described as "divine, funny, smart, wonderful and delightful."
>Cox also calls Morgan Freeman "an absolute gentleman" who, amid a very troubled shoot, remained "the very epitome of Morgan Freeman. The Morgan Freeman you would hope to meet. The Morgan Freeman you encounter in your dreams."
>Cox also says that director Spike Lee is “simply one of the best directors” he’s ever worked with, whose knowledge of cinema is "second to none". He also lauds Lee’s classic DO THE RIGHT THING as a “flawless movie and absolutely timeless", and champions Lee for “very firmly” putting Norton in his place on the set of 25TH HOUR when Norton demanded that his character eat the bulbs of a flower bouquet and filmed numerous takes against Lee's wishes. ”the whole flower thing didn’t sit right with Lee or me. I stayed out of but stayed around to watch. He really did eat the flowers. I have to admire his dedication to the craft but if the director says not to eat flowers - you put those flowers down.”
>>Cox praises some actors in his memoir, however. The late Alan Rickman is described as "one of the sweetest, kindest, nicest and most incredibly smart men I've ever met, with a considered, laser-like precision to his work."
>Cox also says that director Spike Lee is “simply one of the best directors” he’s ever worked with, whose knowledge of cinema is "second to none". He also lauds Lee’s classic DO THE RIGHT THING as a “flawless movie and absolutely timeless",
Talking trash about Tarantino and then sucking Spike Lee's dick is pretty embarrassing honestly.
that was so out of left field when you read how demanding he is of other actors & directors and suddenly Spike fucking Lee is the high bar. I think he only praises him for putting Norton in his place
I'd say Tarantula and Lee are the same level. Lee has more substance but his films aren't as entertaining as QT's.
>>Cox also says that director Spike Lee is “simply one of the best directors”
Nevermind, fuck this cuck.
First part based, the rest if just drivel. utter drivel.
>The Morgan Freeman you encounter in your dreams
Do British people really?
>praises overrated moron
DROPPED
>Criticises My Cocaine for not having range
>Praises Rickman, Freeman and Keanu - the fucking three musketeers of no range.
Also lmao at the Spike Lee nog worship, typical Scottish cuck genetics.
wow he slags off every top tier british actor except for rickman but sucks off a bunch of american goyslop actors. sickening
Man what a chump.
t. Ian McKellen
Imagine getting this much of an ego after 1 notable role in a TV show and a few secondary characters in a couple movies.
Based Cox pissing in overpaid hack's cheerios.
Every actor works a different way, why is he so uptight about how other actors approach their roles?
Celtic genes
Because he has to deal with them every day.
If there was one guy at your work who insisted he couldn't do his job unless he was upside down and weeping, you would get sick of that shit pretty damn quick
Most people who criticize "method acting" don't even know what it is. They think it means you have to do crazy shit like act like your character 24/7 throughout filming.
>Most people who DO "method acting" don't even know what it is. They think it means you have to do crazy shit like act like your character 24/7 throughout filming.
ftfy
This, Leto does all sorts of meme shit and it hasn’t resulted in one good performance. Sending used condoms to construe isn’t going to make you a better joker
HOLY BASED
metheddit """actor""" amerimutts BTFO
Dude's pretty uppity for someone who did a Broken Lizard movie.
>lazy thread opener
>twitter screencap
>igay
OP has been shilling for DiscussingFilm every single fucking day and the mods haven't banned him yet.
Have you tried just acting?
I'm not convinced acting is even that hard
isnt DDL like some european gay? i mean all eauropean men are gays, but you know what i mean
He's English but method acting is more popular with American actors
Ironically it originated in Russia
I thought he was Irish
He's half Anglo Irish/half garden gnome
Doesn't have a drop of actual Irish blood in him
Hes Scottish yee tard
He was great as Aggamemnon
>In Celebration
>This movie is one of Brian Cox's first starring roles. Cox, a natural stage actor, found the transition to screen to be very difficult, and Director Lindsay Anderson had to repeatedly get him to tone down his performance to make it more suitable for the camera.
>Can't be arsed putting effort into his work
>Scottish
Checks out.
Method acting is gimmicky shit, if you need to pull all these stunts when playing pretend, maybe you’re not a good natural actor
my favorite actors are the ones that hate being actors
>DDL btfo
What do you have against direct downloads?
that's russian shit thoughever
>These techniques are built on Stanislavski's system, developed by the Russian actor and director Konstantin Stanislavski and captured in his books An Actor Prepares, Building a Character, and Creating a Role.[4]