How could the company that pioneered 3d movies and brought us masterpiece after masterpiece decline so badly?
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How could the company that pioneered 3d movies and brought us masterpiece after masterpiece decline so badly?
all of that shit aged poorly especially the early stuff
the only good disney movie is fantasia
Soul was good i thought
Answer: John Lasseter and Brad Bird were the key to all this.
Cars is kino
It's not as neat as that. There's no real differences between the decline and the decomposing corpse.
I'm correct. The only good movies in The Decline are Coco and arguably Toy Story 3. The rest is trash.
everything that goes up must come down
Luca was comfy and cute and surprisingly didn't have forced diversity. Haven't seen their other recent shit.
Loved the first row.
I haven't watched a single one from the second row.
I have only watched Soul from the third row, and I really enjoyed it.
>Disney=Vulture
>Pixar=Starving Ethiopian Child
Disney has been picking at the corpse of Pixar for the past decade padding out their own moronic animation studio.
Then
>Wide array of locations and characters, from fish in the ocean to robots in space to monsters running an energy company in another world
Now
>Ethnic minority protag has an internal struggle or identity crisis and the 'villain' is their own psyche
>Or just a sequel/spinoff of Golden Age things
Monster's University was so disappointing
Ratatouille is nothing great outside the ending
Man, what happened to Pixar? Back when I was a kid, the kids' movies they made were all fantastic. Now that I'm a grown man, all the kids' movies they make are terrivle and unrelatable.
>what's generational gap
The golden age started with monsters inc and ended with TS3.
Toy Story 3 is a lame Marxist parable.
How indeed
I refuse to watch a bugs life no matter how much you shill it.
Toy Story 3 is the last of the Golden Age tho. It isn't even on the same level as Cars 2.
Someone should make a dreamworks chart. And a disney chart.
Luca
Soul
Onward are underrated
Onward's only problem is that weird new trend (probably ESG from WEF related) of shows where the main character is a klutz whose only interaction with the world is to make things worse. Weird demoralization there.
Soul spent too much time in "soul-land" and then the main conceit - the man in the cat's body - was a weird twist that wasn't properly telegraphed. But it was a lot better than MU or Brave of whatever.
Luca was, other than being a bit narrow and boring, pretty comfy. Pasta pesto alfredo, etc.
watch the making of toy story 3 or other ones and look what kind of people they had working there
not hard to see why
also they kicked out john lasseter, so no surprised they went to shit
John Lassiter was Pixar. Anything that didn’t have his name on it was bad.
So Cars 2 is better then the Incredibles by merit of being a Lasseter movie and not a Brad Bird one?
>Turning Red is actually the memorable one
fricking wow
I love in Toronto in the 90s/00s. That movie does nothing to capture it besides the obnoxiously diverse friend groups.
Wall•E was the peak
Aside from the decline in the product, Pixar have really cheapened their overall brand by releasing 3 movies straight to Disney+.
It's why the likes of Chris Nolan and Tom Cruise fought hard to get theatrical releases for their latest stuff - once you get that rep as a 'straight to streaming' company it's hard to wipe it off.