no you wouldnt. You would make a movie about a team of people facing a threat we cant understand in a unfamilar setting with a never before tested strategy, and we will learn about your characters through flashbacks.
I’d add a twist where the Thing is actually a troony’s festering axewound that somehow gained sentience, devoured it’s host and wrecks havoc on everything.
The best sequel is me taking all the money to hide in a 3rd world country, frick 3rd world girls, and never make the sequel.
Reply to my post with "Godspeed anon" so I can indefinitely stall The Thing sequel in production hell, by spending the money hiding and fricking 3rd world girls.
The thing is hidden in a small city, away from basically everything, completely isolated by a storm or something
The villagers find out about the Thing and slowly become paranoid, suspecting their neighbors of being a monster
Then they start killing each other, chaos ensue
For the protagonist, and the tone of the movie, I'd take the James Cameron route and go full Terminator 2 / Aliens, thus making the sequel more action-oriented, less horror but with more heart
I'd take the common Cameron theme, as in the Family theme, with the protagonist, a Male, ex-military, a small child and a woman
They're the only survivor at the end and they manage to kill the thing by trusting each other and letting the storm destroy the whole town
ofc the town would be a metaphor for society or some bullshit like that
The thing is in a secure area 51 like facility being studied by the government, and speaks once or twice while disguised as a human; with the actor not ever looking at who its talking to and generally being fricking weird
halfway through we discover the thing managed to break containment in the first scene of the movie and has been biding its time, all hell breaks loose.
The Thing escaped to some 3rd world shithole/island during epidemy. Everyone are closed in hospital. Turns out new disease fricked up his assimilation process. Doctors thought that they are fighting with new strain, but they'll discover that it's more than just a disease. So in the movie the thing assimilating sick patients and try to escape from the hospital/island while doctors slowly study the thing.
Do the Thing's backstory where he's actually LGBTQIA, that's why he needs to transform into other species because he's trying to find his identity. The main character is a black woman who don't need no man. And in the end she teams up with the Thing to defeat the government because they're trying to make the Thing into a bio-weapon.
There will also need to be a cameo or two from the original movie, but they'll only be there so the black girl can shit on them and call them racists because they will be old and from a racist time you see.
Also most of the Thing's transformations have to look like veganas.
1980's, a group of Russian scientists and Spetsnaz investigate the ruins of the outpost where McReady was. A kgb agent with a prominent nose played by Adrien Brody knows something other worldly has happened, with the intent of finding it, infecting his men and smuggling it into the USSR. The spetsnaz are lead by Scott Adkins, who tries to keep his men alive while treading carefully with Brody's character, but he will eventually have to decide between following orders or saving Russia from being taken over by the Thing.
I like this. It can take place on the transports back with the ticking clock of arriving back at society.
Would you keep MacReady / any Americans alive? Communication through the language barrier seems like a good outgrowth of the trust / really knowing the other person themes from the original
Cast a bunch of blacks, gays, and one troony. Plot is a lazy Drumpf allegory.
brilliant, fund it
>it was the Democrats all along
>Revert cast to teenagers
>Never show the monster
>Get Eminem to write theme song
>Monster is good, we are the real monsters
there i just wrote a box office smash for todays audience
Whatever the case I'd make the special effects practical
set in a bunker underground like in day of the dead
?t=23
This homie would have made the 2011 version better no cap
>would u make a sequel to John carpenter's thing
ftfy
Romantic comedy where average everyman meets and falls in love morphogenic alien horror trying to break from her past. Call it 'the good thing'.
This exact movie already exists and it's called Spring
it's not a comedy but still
musical
i wouldn't. id rather just come up with a concept for an entirely new sci fi horror film
no you wouldnt. You would make a movie about a team of people facing a threat we cant understand in a unfamilar setting with a never before tested strategy, and we will learn about your characters through flashbacks.
an urban remake. Dat Thing
Da Thizzang
I’d add a twist where the Thing is actually a troony’s festering axewound that somehow gained sentience, devoured it’s host and wrecks havoc on everything.
maccready was th thing
The cancelled video-game sequel had some great ideas
The best sequel is me taking all the money to hide in a 3rd world country, frick 3rd world girls, and never make the sequel.
Reply to my post with "Godspeed anon" so I can indefinitely stall The Thing sequel in production hell, by spending the money hiding and fricking 3rd world girls.
Like the final arc in Monster (the anime)
The thing is hidden in a small city, away from basically everything, completely isolated by a storm or something
The villagers find out about the Thing and slowly become paranoid, suspecting their neighbors of being a monster
Then they start killing each other, chaos ensue
For the protagonist, and the tone of the movie, I'd take the James Cameron route and go full Terminator 2 / Aliens, thus making the sequel more action-oriented, less horror but with more heart
I'd take the common Cameron theme, as in the Family theme, with the protagonist, a Male, ex-military, a small child and a woman
They're the only survivor at the end and they manage to kill the thing by trusting each other and letting the storm destroy the whole town
ofc the town would be a metaphor for society or some bullshit like that
The Thing in da hood
Directed by Jordan People
actual kino
The thing is in a secure area 51 like facility being studied by the government, and speaks once or twice while disguised as a human; with the actor not ever looking at who its talking to and generally being fricking weird
halfway through we discover the thing managed to break containment in the first scene of the movie and has been biding its time, all hell breaks loose.
The Thing escaped to some 3rd world shithole/island during epidemy. Everyone are closed in hospital. Turns out new disease fricked up his assimilation process. Doctors thought that they are fighting with new strain, but they'll discover that it's more than just a disease. So in the movie the thing assimilating sick patients and try to escape from the hospital/island while doctors slowly study the thing.
The thing but the thing is actually an allegorism for white supremacy
The thing can disguise itself as any organic material. The Thong.
Godzilla vs The Thing
Just adopt the plot lines from comics
I wouldnt.
Do the Thing's backstory where he's actually LGBTQIA, that's why he needs to transform into other species because he's trying to find his identity. The main character is a black woman who don't need no man. And in the end she teams up with the Thing to defeat the government because they're trying to make the Thing into a bio-weapon.
There will also need to be a cameo or two from the original movie, but they'll only be there so the black girl can shit on them and call them racists because they will be old and from a racist time you see.
Also most of the Thing's transformations have to look like veganas.
1980's, a group of Russian scientists and Spetsnaz investigate the ruins of the outpost where McReady was. A kgb agent with a prominent nose played by Adrien Brody knows something other worldly has happened, with the intent of finding it, infecting his men and smuggling it into the USSR. The spetsnaz are lead by Scott Adkins, who tries to keep his men alive while treading carefully with Brody's character, but he will eventually have to decide between following orders or saving Russia from being taken over by the Thing.
hints of kino here
I like this. It can take place on the transports back with the ticking clock of arriving back at society.
Would you keep MacReady / any Americans alive? Communication through the language barrier seems like a good outgrowth of the trust / really knowing the other person themes from the original
OP here. THIS was what I was looking for.
Kino
Bonus points if it 90% practical effects
make it a sexy lady thing