There was a time not very long ago when you'd go to the cinemas for the sake of it and catch whatever random flick caught your intrigue.
The whole megablockbuster domination is a surprisingly recent thing and it's one of the reasons why Hollywood is collapsing.
>computer effects became expensive a longo time ago
They became """expensive""", yeah. Not better looking, though. It's so easy to do Hollywood accounting when CGI are involved.
This.
Directors today only know to waste money on useless shit.
Pick any classic film that was critically acclaimed and financially successful from the 40s, 50s and 60s and adjust their budget for inflation. The best movies of the era were made with the equivalent of just a few millions today.
For example: The Maltese Falcon had a budget of 375,000 in 1941, adjusted to today's dollars that's only 7,7 millions.
Unironically though. White men are too smart to be tricked into wasting money like this. They need to exclusively target the black and female demographics known for throwing money down drains on frivolous bullshit.
The ShitPee Corporation is playing a real life game.
The Mad Magazine Game, later reissued as Mad Magazine: The "What-Me Worry?" game, is a board game produced by Parker Brothers in 1979. Gameplay is similar, but the goals and directions often opposite, to that of Monopoly; the object is for players to lose all of their money.
Pretty depressing after how good Fury Road was. It could've rebooted the entire Max franchise with George Miller giving us a whole new set of films just as good, with Hardy as Max, but nah instead we get woke feminism immediately.
The goal was to always replace Max with a female lead. Making a Furiosa prequel was dipping their toe into the concept, thinking that people liked this character.
Nobody cares about Furiosa, even if they liked her. Fury Road was her movie and it told us everything we needed to know about her character and motivations, and people didn't care to know more.
Fury Road wasn't that popular while in theaters it gained way more traction with home/streaming releases. Tom hardy was really difficult to work with, he was even shitty toward Georges and Tom had to apologize for his behavior afterwards. He might not be coming back, I think George is going to cast an Australian Max for Wasteland. for the 1000th time these movies aren't work or feminist, this shit gets argued down in every Mad Max thread.
>these movies aren't work or feminist
https://www.vanityfair.com/hollywood/2015/05/mad-max-fury-road-george-miller-interview >DIRECTOR OF THE MOVIES: "I Can’t Help but Be a Feminist"
>feminist
That does not make the films feminist. They clearly aren't feminist pieces. And the definition of feminist is so broad that it fits anyone who is a normal adult human being.
nta but fury road is a feminist film in the sense that the women are shown as being capable of contributing, and not in a cringe "we don't need men" kind of way, furiosa's plan becomes heavily reliant on max very quickly
furiosa doesn't have any feminist shit in it and was just poorly marketed and the cgi made the trailers look like shit
2 weeks ago
Anonymous
there's actually a checklist of how a woman is supposed to act and certain things that cannot happen to women in movies.
like one of the things is a man is never allowed to take away a woman's agency. or if he does, she must ultimately take it back and prove herself stronger than the man who took it.
also, men, especially white men, must be made to look like incompetent boobs when compared to a woman, who can never, ever fail or look stupid.
2 weeks ago
Anonymous
>that the women are shown as being capable of contributing
One woman is shown to be able to contribute and then at the very end a bunch of old hags help out and get steamed rolled into oblivion. The rest of the women are literally chattel slaves, sex prisoners, and peasants.
2 weeks ago
Anonymous
>fury road is a feminist film
same as fall guy
2 weeks ago
Anonymous
>same as fall guy
if it has a woman in it, on some level, it's a feminist film.
just like how virtually every single movie or tv show has to have a homosexual, homosexual couple and they must always be portrayed in a normal and positive light.
>replace Mad Max with a lame, gay chick in his own fricking franchise >while the director goes on a simping PR tour telling everyone who will listen that he's a feminist >it's not a feminist movie though
>woke feminist media is when creator says they are feminist
sorry chudbro, but if this is your standard, 99% of your favorite media slop is also feminist. So keep consuming you woke shill.
I promise you, if confronted, they'd all proudly declare house feminist they are. Cause chudbros abandoned the arts cause they thought it was only for gays and the lefties embraced it.
>if this is your standard, 99% of your favorite media slop is also feminist.
yes, obviously. are you pretending it's not??
>Cause chudbros abandoned the arts cause they thought it was only for gays
not the causality is that art is created in CITIES and CITY PEOPLE are leftist for various reasons. it's the politics of oversocialized hive people. all of the arts are flooded with this kind of thinking because the places creating the arts breed this kind of ideology inherently. there is no such thing as a right-wing city population. there may be right wing artists but they would have to keep their opinions hidden away so in the end their works would also just reflect the leftist city hivemind.
What movie math are they using for Furiosa because it's much worse than that. Knowing that they get less from international what they got back right now in profit worldwide is about $64m against a 168m budget and that is not including marketing. Their domestic cratered so their profit loss has to be at least over $100m minimum.
They always do that, The Marvels was allegedly a $180 million loss when it's clear to the naked eye it was $250 million in the red at least. The biggest bomb of all time regardless but they always try to minimize
>So the Jeuce have been amassing vast fortunes until now so they can start making shitty movies to demoralise the white race?
they've always been subversive and demoralizing and anti-White. It's just that they've accelerated in recently years. think of an avalanche, gaining speed as is grows.
Also, ESG and DEI was a huge leap forward in their beliefs and actions.
>So the Jeuce have been amassing vast fortunes until now so they can start making shitty movies to demoralise the white race?
Those "vast fortunes" that they manage at Black Rock and Vanguard are your pensions and 401k's. So even more hilarious that they would use your own money to demoralize you.
Furiosa highlights one of my issues with current year storytelling. Not everything needs a backstory. I don't give a frick about the "lore" of storm trooper #14881337, I don't care about the backstory of most side characters. Most of them aren't interesting enough or are just comic relief or fodder to make the MC Gary/Mary Sue look more perfect.
The Flop Guy
Flopiosa
>Reddit screencap
worse than a twitter screencap, you should commit suicide immediately
kys Cinemaphile
>being familiar enough with reddit to even recognize a screencap of it
yeah it's time to go back
stop making expensive movies.
But anon, how will they skim money off the top and hire friends and relatives to do nothing for 300k a month???
a movie has to be an event by this point to convince anyone to go and see it anymore unless it's a shitty blumhouse movie.
There was a time not very long ago when you'd go to the cinemas for the sake of it and catch whatever random flick caught your intrigue.
The whole megablockbuster domination is a surprisingly recent thing and it's one of the reasons why Hollywood is collapsing.
How can Furiosa be so expensive anyway when most of it was computer-generated garbage?
this. literally how. don't tell me it's
>le PRACTICAL
the only practical parts of furiosa were the vehicles
computer effects became expensive a longo time ago
>computer effects became expensive a longo time ago
They became """expensive""", yeah. Not better looking, though. It's so easy to do Hollywood accounting when CGI are involved.
>Not better looking, though
that's just because the films get rushed through post
>stop making woke garbage movies
ftfy
>stop making expensive movies.
It's all a ponzi scheme anyways. they can't make movies for under $100m because then they couldn't steal as much money.
this, since 2010 it's been that way
an argument could be made for longer than that but that's when it became real noticeable
This.
Directors today only know to waste money on useless shit.
Pick any classic film that was critically acclaimed and financially successful from the 40s, 50s and 60s and adjust their budget for inflation. The best movies of the era were made with the equivalent of just a few millions today.
For example: The Maltese Falcon had a budget of 375,000 in 1941, adjusted to today's dollars that's only 7,7 millions.
This proves that audiences don't want movies with white protagonists anymore.
Hollywood needs to make more movies like Black Panther and Get Out if they want to revert this box office crisis.
as an accelerationist I agree completely.
Unironically though. White men are too smart to be tricked into wasting money like this. They need to exclusively target the black and female demographics known for throwing money down drains on frivolous bullshit.
You're joking but Bad Boys is the only action movie making money at the theaters right now.
>You're joking but Bad Boys is the only action movie making money at the theaters right now.
only nostalgia sells anymore.
>b-but Barbenheimer
nostalgia for dolls and Nolan movies
dune made $700m
>right now
Ryan said he hated us, so we shit on his movie. Furiosa was a woman. Idk what the Ryan Reynolds movie is
> Ryan said he hated us
Is there a link to this, or is this more of a “trust me, bro” thing?
Longlegs will make profit. Cagekino will save cineplex
The ShitPee Corporation is playing a real life game.
The Mad Magazine Game, later reissued as Mad Magazine: The "What-Me Worry?" game, is a board game produced by Parker Brothers in 1979. Gameplay is similar, but the goals and directions often opposite, to that of Monopoly; the object is for players to lose all of their money.
White people don't sell movies anymore.
I WANT MORE MAD MAX KINO REEEEEEE FRICKING NORMIES REEEEEEEEEEEEEEEEEEEEEE
Woke
Broke
It's furiover...
Enjoy your next Bad Boys film I guess.
Pretty depressing after how good Fury Road was. It could've rebooted the entire Max franchise with George Miller giving us a whole new set of films just as good, with Hardy as Max, but nah instead we get woke feminism immediately.
The goal was to always replace Max with a female lead. Making a Furiosa prequel was dipping their toe into the concept, thinking that people liked this character.
Nobody cares about Furiosa, even if they liked her. Fury Road was her movie and it told us everything we needed to know about her character and motivations, and people didn't care to know more.
Fury Road wasn't that popular while in theaters it gained way more traction with home/streaming releases. Tom hardy was really difficult to work with, he was even shitty toward Georges and Tom had to apologize for his behavior afterwards. He might not be coming back, I think George is going to cast an Australian Max for Wasteland. for the 1000th time these movies aren't work or feminist, this shit gets argued down in every Mad Max thread.
>these movies aren't work or feminist
https://www.vanityfair.com/hollywood/2015/05/mad-max-fury-road-george-miller-interview
>DIRECTOR OF THE MOVIES: "I Can’t Help but Be a Feminist"
woke weasel lying as per usual
>feminist
That does not make the films feminist. They clearly aren't feminist pieces. And the definition of feminist is so broad that it fits anyone who is a normal adult human being.
nta but fury road is a feminist film in the sense that the women are shown as being capable of contributing, and not in a cringe "we don't need men" kind of way, furiosa's plan becomes heavily reliant on max very quickly
furiosa doesn't have any feminist shit in it and was just poorly marketed and the cgi made the trailers look like shit
there's actually a checklist of how a woman is supposed to act and certain things that cannot happen to women in movies.
like one of the things is a man is never allowed to take away a woman's agency. or if he does, she must ultimately take it back and prove herself stronger than the man who took it.
also, men, especially white men, must be made to look like incompetent boobs when compared to a woman, who can never, ever fail or look stupid.
>that the women are shown as being capable of contributing
One woman is shown to be able to contribute and then at the very end a bunch of old hags help out and get steamed rolled into oblivion. The rest of the women are literally chattel slaves, sex prisoners, and peasants.
>fury road is a feminist film
same as fall guy
>same as fall guy
if it has a woman in it, on some level, it's a feminist film.
just like how virtually every single movie or tv show has to have a homosexual, homosexual couple and they must always be portrayed in a normal and positive light.
>replace Mad Max with a lame, gay chick in his own fricking franchise
>while the director goes on a simping PR tour telling everyone who will listen that he's a feminist
>it's not a feminist movie though
>woke feminist media is when creator says they are feminist
sorry chudbro, but if this is your standard, 99% of your favorite media slop is also feminist. So keep consuming you woke shill.
I promise you, if confronted, they'd all proudly declare house feminist they are. Cause chudbros abandoned the arts cause they thought it was only for gays and the lefties embraced it.
>if this is your standard, 99% of your favorite media slop is also feminist.
yes, obviously. are you pretending it's not??
>Cause chudbros abandoned the arts cause they thought it was only for gays
not the causality is that art is created in CITIES and CITY PEOPLE are leftist for various reasons. it's the politics of oversocialized hive people. all of the arts are flooded with this kind of thinking because the places creating the arts breed this kind of ideology inherently. there is no such thing as a right-wing city population. there may be right wing artists but they would have to keep their opinions hidden away so in the end their works would also just reflect the leftist city hivemind.
Fury road was a feminist film
>Fury road was a feminist film
They got one of the biggest israeli feminists in the world to give advice on the movie, Gloria Steinem.
What movie math are they using for Furiosa because it's much worse than that. Knowing that they get less from international what they got back right now in profit worldwide is about $64m against a 168m budget and that is not including marketing. Their domestic cratered so their profit loss has to be at least over $100m minimum.
Most of these estimates tend to include lifetime ancillaries (which is extrapolatory) and streaming licensing in its predictions.
They always do that, The Marvels was allegedly a $180 million loss when it's clear to the naked eye it was $250 million in the red at least. The biggest bomb of all time regardless but they always try to minimize
Too bad all you dummies who have capeshit fatigue and are allegedly sick of quipping will run out to make RR a billy cause he edgy.
Hollywood deserves it.
What is their endgame?
>What is their endgame?
The genocide of the White race.
So the Jeuce have been amassing vast fortunes until now so they can start making shitty movies to demoralise the white race?
>So the Jeuce have been amassing vast fortunes until now so they can start making shitty movies to demoralise the white race?
they've always been subversive and demoralizing and anti-White. It's just that they've accelerated in recently years. think of an avalanche, gaining speed as is grows.
Also, ESG and DEI was a huge leap forward in their beliefs and actions.
>So the Jeuce have been amassing vast fortunes until now so they can start making shitty movies to demoralise the white race?
Those "vast fortunes" that they manage at Black Rock and Vanguard are your pensions and 401k's. So even more hilarious that they would use your own money to demoralize you.
Not-Woke bros! We still went broke! How can this be?
It seems a bit silly that they had a such high expectations for a remake of a television show that people hardly remember nowadays.
I get that b***hes love Ryan Gosling but that's not enough.
You laugh but all this does is ensure movie studios take less and less risks and just churn out Marvel and Star Wars movies to guarantee a profit
Since when do Marvel and Star Wars make profit?
What are they laundering? Drugs? Child trafficking? Selling weapons of mass destruction to third world countries?
Burn it all down, rebuild it from the ashes with people who deserve to be there not DEI rot and feminists
Both were good
Cinema is pure slop.
Just think about it: we are now in an era where low budget indie productions feel more professional than megahuge mainstream productions...
This is how powerfully awful anti-meritocracy is. No amount of money fixes unqualified people in critical roles and positions.
Furiosa highlights one of my issues with current year storytelling. Not everything needs a backstory. I don't give a frick about the "lore" of storm trooper #14881337, I don't care about the backstory of most side characters. Most of them aren't interesting enough or are just comic relief or fodder to make the MC Gary/Mary Sue look more perfect.
you gotta fill up dem 3hours slop with something though