He's got your number now.
He knows just what you've done.
You've got no place to hide.
You've got nowhere to run.
He knows your life of crime.
I think it's suppertime!
Cum on, cum on
Think about all our practice
Cum on, cum on
Your future with Audrey!
Cum on, cum on
Ain't no time to turn prudish!
C-c-c-cum on!
Just honey, no more thorns
When he's mine the girl will be yours.
Suddenly Semen
Is shot deep inside you
You don't need a condom
When he does your end
If beetlejuice could get one, so could Tooie.
Though, BJ was just a bit of an asshole and tried to marry a goth while Tooie ate people. But only Orin really needs to die, Mushnik can stick around.
Little Shop cartoon already happened. It was forgettable.
>Little Shop cartoon already happened. It was forgettable
Hence why one less shit that actually plays to the themes and setting of the tragedy should be made instead of some shit. Hell, even just something episodic showing everyone around the city falling to the faustian bargain before the plantpocalypse in a Laughing Salesman kinda fashion would work out. I love waifuhomosexualry as much as the next guy but its not necessary.
I never got this faustian deal with the plant, He kills a guy and somehow it brings him fortune? that doesn't happen, people think the plant is neat but him getting the girl was because he killed her boyfriend.
Tooie was (supposedly) attracting all the attention to the shop even before getting the first drop of blood supernaturally which is why they were selling out even when nobody knew about it. I mean really, a big flytrap isn't interesting enough so that dozens of people come in buying 50 roses when it just showed up. Obviously the fact that the only shit he's promising seymour is shit that comes basic with fortune and fame mean's he's probably not actually warping reality but he needs to have something, a pheromone at least, or else the tragedy sorta comes apart. Seymour needs to be undone by failing his character, not by trusting the space plant.
>somehow it brings him fortune? that doesn't happen
It does though. Once mushnik is dead seymour gets television parts and marketing deals. It all goes into selling more Tooies but still, he gets rich enough that he could've fucked off to the countryside with Audrey and could've stopped Tooie if the plant reseller also wasn't greedy as shit, taking clippings and selling them without Seymours permission.
I haven't watched more than dozen episodes so i can't say. Once I finish through tales from the darkside i'll keep go back to it but i just posted it because Tooie and Moguro are more similar than they first appear more than just being Faustian devils.
4 weeks ago
Anonymous
That’s alright, but what made you decide to watch him now?
4 weeks ago
Anonymous
That i remembered he existed after a few years and it's spooky time.
4 weeks ago
Anonymous
You’re not just watching the 2017 reboot, right?
>0W04KG
4 weeks ago
Anonymous
I'm not watching it at all yet, i'm still on Tales from the Darkside and will be for a while
But probably no, not before going through a few seasons of the original stuff.
I fucking love you. Everything about this post makes me love you. You appreciate Laughing Salesman and LSOH as much as I do. f I ever run into you, I'm buying you a beer.
I never got this faustian deal with the plant, He kills a guy and somehow it brings him fortune? that doesn't happen, people think the plant is neat but him getting the girl was because he killed her boyfriend.
He becomes successful because the plant brings a ton of people to the shop, a fraction of whom buy things while they're there. This will continue indefinitely, so long as the plant stays alive, but the plant feeds on human blood, so he has to cut himself.. then it gets too big, so he has to kill people. It gets to a point where he's offered lecturing tours, magazine cover stories, and a TV show.
In the stage show, Mushnik adopts Seymour so that Seymour doesn't take the plant to another shop uptown. This is how Seymour comes to the conclusion that plant = success = love. His final mistake was at the end of the show when Audrey told him straight up that she'd still love him even if he was poor, and he still decided to keep the plant alive for one more payday because he wanted to take her to the suburbs.
A common critique I hear of LSOH is that there's no way that the plants should have been able to manipulate people into committing murder at the end of the story, because Audrey II was no longer one of a kind and therefore couldn't be used to become rich and famous.
The out of universe/Doyalist explanation is that during the workshop stage, Ashman showed off a nearly finished version of the script, and he got low marks because people found the ending where humanity goes extinct depressing. Every song that's in the final version of the show had been written at this point except Don't Feed the Plants. The original finale was called "All Gone", and it was just about all of the humans being dead because plants are them.
One of the notes said something like "you need to end the show with a Rod Serling moment, or else the story will just feel pointless". So Ashman wrote a new song that tells the audience not to make the same mistakes Seymour did. On the nose, but effective.
cunt
(quote link to the first part)
The Watsonian/in-universe explanation is that Audrey II's pitch to Seymour wasn't uniquely better than the pitch he'd give to anyone else. He's the fast-talking used car salesman stereotype, the guy who can sell you on anything if he wants to. Jordan Belfort, Saul Goodman, Billy Mays, that kind of guy. We're just only privy to his exchange with Seymour, but if we were to hear any of his other pitches, they'd be just as compelling.
Accepting this explanation requires you to suspend some disbelief, but if you agreed with Seymour's decision to sit there and do nothing while Orin asphyxiated, and ESPECIALLY if you agreed with his decision to feed Mushnik to the plant, then it should be pretty fucking easy to believe that Audrey II could convince most people to do his bidding.
4 weeks ago
Anonymous
I'm for orin dying because he's a real cunt.
Mushnik, at least in the movie i don't know about the stageplay, is decent enough as a human being that he doesn't deserve it. He's a bit of of a cock, and greedy, but he could easily get some backstory showing him growing up in skidrow how poor he was. The very mild abuse he gives to seymour is undone by the fact that he's the adoptive father to both Seymour and audrey, legitimately caring about both their fates to some extent. Seymour had to be pushed by the threat of jail to panic and make the tragic mistake he did.
Overall it's a little far of a stretch but we're never shown a timetable so the idea of there being half a dozen murderers (it only takes 3 missing people) out of the thousands of Audrey IIs sold per city is reasonable enough to believe. The vast majority of people will not go far enough to even Seymour's incidental trolley problems but you only need 1% for world conquest.
Is amazing how one of the last and best examples of practical effect in film before CGI became the rule got cut from the movie.
4 weeks ago
Anonymous
at least we finally got an official Director's Cut release
4 weeks ago
Anonymous
Sadly, the Director's Cut was subpar, as apparently they didn't have anyone on staff, including the director, who actually remembered or had written down what the changes made in the process of neutering the ending were. So the Director's Cut only makes the big obvious changes to the ending, and doesn't make any of the smaller-but-still-pretty-big changes earlier in the movie to set it up. The most obvious thing they failed to restore was the extended version of The Meek Shall Inherit, which was still in the film when they decided to neuter it.
4 weeks ago
Anonymous
Did they improve the ending in the stage plays?
4 weeks ago
Anonymous
The stage musical has always had the "plants win" ending.
It was the movie that created the happy ending for Seymour and Audrey.
4 weeks ago
Anonymous
I’m confused. I thought the happy ending was the final cut and the director’s cut was the plants win ending. Did anyone see the 1950’s version?
4 weeks ago
Anonymous
You are confused. Yes, the happy ending was the final cut and the director's cut was the correct ending. Where did anyone say anything different?
4 weeks ago
Anonymous
1960 movie = plants win, kinda
Stage musical = plants win
1986 movie theatrical cut = happy ending
1986 movie directors cut = plants win
4 weeks ago
Anonymous
You are confused. Yes, the happy ending was the final cut and the director's cut was the correct ending. Where did anyone say anything different?
Thanks. I just wanted to know if the stage musical did it better because of the heavy editing that screwed over the director’s cut
4 weeks ago
Anonymous
The musical is worth seeing if it comes through your town. It has a few extra songs that didn't make it into the movie and the puppetry for Audrey II is usually pretty impressive.
4 weeks ago
Anonymous
The original stage play does the plant win better because it makes Seymour far, far less sympathetic to start. The deaths aren't incidental that he lets happen but shit he actively causes making the greek tragedy work better. Plus there's another song or two.
4 weeks ago
Anonymous
Good to know
4 weeks ago
Anonymous
Notorious P.I.G.
—
Today at 1:43 AM
Seymour is equally hands off when killing Orin in both the play and in the movie. In the play, Seymour gets a whole song about the decision to sit and do nothing. In the movie, he doesn't sing Now (It's Just the Gas), and the version of the scene on home video has Orin die so fast that Seymour barely has time to react. In thinking workprint version of the scene (which is one of several things that should've been restored for the director's cut but wasn't), Orin takes some time to suffocate and explicitly begs Seymour for help, only to be ignored.
On stage, Mushnik doesn't witness Seymour chopping up Orin, but still suspects him because he found a dentist's uniform in the garbage outside and little red dots on the floor of the shop. He asks Seymour to come to the police and give his side of the story so his conscience can rest easy. Seymour suggests depositing the day's receipts first, and says he put them inside the plant because he forgot the combination.
In the film, Mushnik's death is more in line with Orin's, where Seymour just watches him die. In the workprint, though, Seymour spends more time bullshitting and nudging Mushnik into the plant.
4 weeks ago
Anonymous
>Orin takes some time to suffocate and explicitly begs Seymour for help, only to be ignored
This was in the version i watched recently (pirated) that i'm pretty sure was the director's cut.
4 weeks ago
Anonymous
1950s version, the original non-musical black & white movie, basically has Audrey II be sterile; the plant eats several people, including the dipshit who created it (yeah, he MADE Audrey II in the OG movie, instead of it being an alien) but it's inferred that the cops just burned it down, since the movie is framed as the recollection of a cop who investigated the whole mess after the fact.
4 weeks ago
Anonymous
I've seen the Howard Ashman documents available at the Library of Congress. There's a record of all the new footage that was shot after the ending change. There's also workprint footage that could've been used as a model for the director's cut, but wasn't.
I have a Fangoria magazine from the 80's that literally says the "plants destroy the city" segment is meant to be 2 minutes, but they still went with the longer 5 minute version in the Director's Cut because that's what people were familiar with. (A rough, untrimmed, black and white version with no sound effects was accidentally included on the 1998 DVD then recalled after two days.)
He’s not the only one, man. What’s your favorite episode?
Message Dialing. If you've ever been on dating apps, it hits close to home.
4 weeks ago
Anonymous
That one was thoroughly creepy. It reminds me a bit about this site too.
My favorite is the one with the kid voiced by Monkey D. Luffy, Imani Miterou, and his never ending quest for revenge
If beetlejuice could get one, so could Tooie.
Though, BJ was just a bit of an asshole and tried to marry a goth while Tooie ate people. But only Orin really needs to die, Mushnik can stick around.
>Tooie doesn't need blood to live, just to grow and germinate >Bonds to Seymour after being fed exclusively his all the way until she's six feet tall, falls in love with him after being named after the love of his life >wants to monopolize seymour and give him the world but also wants him to grow as a man first >seymour sees this as preparation for marrying Audrey I >Tooie doesn't actually mind Audrey being seymours too much so long as she's the primary >mushnik still around, keeping his hold on seymour to profit off Tooie (and partially because he does see himself as father to the pair), tooie wants Seymour to off Mushnik, or at least take over the business from him >Dentist still dead and eaten (only one), his ghost talks with tooie telling her wrong ways to 'help' Krellborn just because he's a cunt not even that he's mad about dying or he just respawns like some weird pod person every so often from another space plant as biofuel >wacky shenanigans ensue >second season jumps the shark and moves them out of skidrow into the suburbs with a bunch of Zombies Ate My Neighbors additions
>Tooie doesn't need blood to live, just to grow and germinate
Will she settle for BRAWNDO!? It's got what plants crave, after all. It has electrolytes!
Meh. At the very least make her thick enough so i can believe the 12 foot size she's meant to be at that point. She shouldn't be so uguu-thin when bitch is meant to be a amazonian mini-gts able to swallow a man whole untroubled by then.
It kinda makes sense in the way that they're interpreting it as an idol trying to take over the world with its singing. Also, I don't know what the dub sounds like.
As for that one, the katakana sounds like “grab boys”
4 weeks ago
Anonymous
Neat. It's a graboid from Tremors.
4 weeks ago
Anonymous
Wow, there’s so many movie monsters I’ve never even heard of. Are they here to grab boys for themselves?
4 weeks ago
Anonymous
Tremors gets weird. They call the monsters in some of the sequels assblasters. I don't have a cute anime girl of that. I've got assloads of Godzilla and adjacent monster girls, especially from this artist, but it'd be easier to just go to pixiv and look them up yourself. Their name is Okamura, I think you can just search that.
4 weeks ago
Anonymous
Ok, but I’m not into the kawaii gijinka stuff, I’m looking for full-blown monster girls. It’s nice he’s so inspired by American media and not the bad kind.
4 weeks ago
Anonymous
Thanks for the name of the artist Anon. All those Godzilla girls are great.
Meh. At the very least make her thick enough so i can believe the 12 foot size she's meant to be at that point. She shouldn't be so uguu-thin when bitch is meant to be a amazonian mini-gts able to swallow a man whole untroubled by then.
The cartoon sucks anyway. Instead of a man grappling with his morality in exchange for all his heart’s desires and the sake of the woman he loves, it’s yet another nerdy kid overcoming bullies and (not) getting the girl with supernatural means. It’s lame.
Little Shop of Horrors is my favorite work of fiction. I don't know how much my obsession with it changed me, but I'm sure, at the very least, my taste in media would be different if I hadn't discovered it as a kid. I'm certainly not the only person unhealthily obsessed with it, as I've met a few others over the years, but I'm sure I'm in the top, like, 3%.
I feel like posting some trivia since we've got a thread up, but I dunno what people don't already know and would be interested in knowing.
>Alan Menken's father was a dentist and he was upset that the musical made nitrous oxide look dangerous. >Audrey went from brunette to blonde because Ellen saw a wig for sale during rehearsals and thought it'd be perfect. She even cut it into shape. >John Landis had agreed to direct the film version, but got dropped because of the helicopter incident.
There was almost another film adaptation of the musical. It was gonna film in 2021, but COVID protocols made it too expensive and it got cancelled. Greg Berlanti was directing. Chris Evans had signed on as Orin, and Billy Porter as Audrey II. Sadly, there is no evidence anywhere that Ben Platt was ever considered for Seymour, even though it's the role he was born to play.
Honestly, I think Frank Oz's film was as good a live-action adaptation as we could ever get. The only problems it had were due to scenes left on the cutting room floor, which are available online in workprints of various quality.
If there's another LSOH movie, I think it should be hand-drawn, as a throwback to the Disney renaissance that most people know Ashman and Menken for. Alternatively, they could do a production of the show as a virtual reality CG movie, like the Google Spotlight shorts. I've been waiting for a feature length VR movie, and an adaptation of a stage show fits perfectly, since all those shorts were theater in the round experiences.
What about it?
It was a strange cartoon
Do you have more Audrey II to spare?
Nothing safe for work
Link please
FEED ME FEEDMOUR
How much of it is vore? Genuinely curious about what that fandom thinks of the movie.
Share, damn it
So that's vore
SEED ME FEEMORE!
Little white dots, in the alleyway
Little florescent dots, all over the linoleum
I'm talking about CUM krellborn
I'm talking about a serial coomer!
He's got your number now.
He knows just what you've done.
You've got no place to hide.
You've got nowhere to run.
He knows your life of crime.
I think it's suppertime!
Cum on, cum on
Think about all our practice
Cum on, cum on
Your future with Audrey!
Cum on, cum on
Ain't no time to turn prudish!
C-c-c-cum on!
Just honey, no more thorns
When he's mine the girl will be yours.
Suddenly Semen
Is shot deep inside you
You don't need a condom
When he does your end
Little Shop cartoon already happened. It was forgettable.
>Little Shop cartoon already happened. It was forgettable
Hence why one less shit that actually plays to the themes and setting of the tragedy should be made instead of some shit. Hell, even just something episodic showing everyone around the city falling to the faustian bargain before the plantpocalypse in a Laughing Salesman kinda fashion would work out. I love waifuhomosexualry as much as the next guy but its not necessary.
I never got this faustian deal with the plant, He kills a guy and somehow it brings him fortune? that doesn't happen, people think the plant is neat but him getting the girl was because he killed her boyfriend.
Tooie was (supposedly) attracting all the attention to the shop even before getting the first drop of blood supernaturally which is why they were selling out even when nobody knew about it. I mean really, a big flytrap isn't interesting enough so that dozens of people come in buying 50 roses when it just showed up. Obviously the fact that the only shit he's promising seymour is shit that comes basic with fortune and fame mean's he's probably not actually warping reality but he needs to have something, a pheromone at least, or else the tragedy sorta comes apart. Seymour needs to be undone by failing his character, not by trusting the space plant.
>somehow it brings him fortune? that doesn't happen
It does though. Once mushnik is dead seymour gets television parts and marketing deals. It all goes into selling more Tooies but still, he gets rich enough that he could've fucked off to the countryside with Audrey and could've stopped Tooie if the plant reseller also wasn't greedy as shit, taking clippings and selling them without Seymours permission.
I can’t believe someone posted the Laughing Salesman here. Which episode is your favorite. Is it the one where he gives the guy a plant?
I haven't watched more than dozen episodes so i can't say. Once I finish through tales from the darkside i'll keep go back to it but i just posted it because Tooie and Moguro are more similar than they first appear more than just being Faustian devils.
That’s alright, but what made you decide to watch him now?
That i remembered he existed after a few years and it's spooky time.
You’re not just watching the 2017 reboot, right?
>0W04KG
I'm not watching it at all yet, i'm still on Tales from the Darkside and will be for a while
But probably no, not before going through a few seasons of the original stuff.
Good.
I fucking love you. Everything about this post makes me love you. You appreciate Laughing Salesman and LSOH as much as I do. f I ever run into you, I'm buying you a beer.
He becomes successful because the plant brings a ton of people to the shop, a fraction of whom buy things while they're there. This will continue indefinitely, so long as the plant stays alive, but the plant feeds on human blood, so he has to cut himself.. then it gets too big, so he has to kill people. It gets to a point where he's offered lecturing tours, magazine cover stories, and a TV show.
In the stage show, Mushnik adopts Seymour so that Seymour doesn't take the plant to another shop uptown. This is how Seymour comes to the conclusion that plant = success = love. His final mistake was at the end of the show when Audrey told him straight up that she'd still love him even if he was poor, and he still decided to keep the plant alive for one more payday because he wanted to take her to the suburbs.
A common critique I hear of LSOH is that there's no way that the plants should have been able to manipulate people into committing murder at the end of the story, because Audrey II was no longer one of a kind and therefore couldn't be used to become rich and famous.
The out of universe/Doyalist explanation is that during the workshop stage, Ashman showed off a nearly finished version of the script, and he got low marks because people found the ending where humanity goes extinct depressing. Every song that's in the final version of the show had been written at this point except Don't Feed the Plants. The original finale was called "All Gone", and it was just about all of the humans being dead because plants are them.
One of the notes said something like "you need to end the show with a Rod Serling moment, or else the story will just feel pointless". So Ashman wrote a new song that tells the audience not to make the same mistakes Seymour did. On the nose, but effective.
cunt
(quote link to the first part)
The Watsonian/in-universe explanation is that Audrey II's pitch to Seymour wasn't uniquely better than the pitch he'd give to anyone else. He's the fast-talking used car salesman stereotype, the guy who can sell you on anything if he wants to. Jordan Belfort, Saul Goodman, Billy Mays, that kind of guy. We're just only privy to his exchange with Seymour, but if we were to hear any of his other pitches, they'd be just as compelling.
Accepting this explanation requires you to suspend some disbelief, but if you agreed with Seymour's decision to sit there and do nothing while Orin asphyxiated, and ESPECIALLY if you agreed with his decision to feed Mushnik to the plant, then it should be pretty fucking easy to believe that Audrey II could convince most people to do his bidding.
I'm for orin dying because he's a real cunt.
Mushnik, at least in the movie i don't know about the stageplay, is decent enough as a human being that he doesn't deserve it. He's a bit of of a cock, and greedy, but he could easily get some backstory showing him growing up in skidrow how poor he was. The very mild abuse he gives to seymour is undone by the fact that he's the adoptive father to both Seymour and audrey, legitimately caring about both their fates to some extent. Seymour had to be pushed by the threat of jail to panic and make the tragic mistake he did.
Overall it's a little far of a stretch but we're never shown a timetable so the idea of there being half a dozen murderers (it only takes 3 missing people) out of the thousands of Audrey IIs sold per city is reasonable enough to believe. The vast majority of people will not go far enough to even Seymour's incidental trolley problems but you only need 1% for world conquest.
Well thanks for the well though out explanation, I didn't know the last bit of info. asshole.
Is amazing how one of the last and best examples of practical effect in film before CGI became the rule got cut from the movie.
at least we finally got an official Director's Cut release
Sadly, the Director's Cut was subpar, as apparently they didn't have anyone on staff, including the director, who actually remembered or had written down what the changes made in the process of neutering the ending were. So the Director's Cut only makes the big obvious changes to the ending, and doesn't make any of the smaller-but-still-pretty-big changes earlier in the movie to set it up. The most obvious thing they failed to restore was the extended version of The Meek Shall Inherit, which was still in the film when they decided to neuter it.
Did they improve the ending in the stage plays?
The stage musical has always had the "plants win" ending.
It was the movie that created the happy ending for Seymour and Audrey.
I’m confused. I thought the happy ending was the final cut and the director’s cut was the plants win ending. Did anyone see the 1950’s version?
You are confused. Yes, the happy ending was the final cut and the director's cut was the correct ending. Where did anyone say anything different?
1960 movie = plants win, kinda
Stage musical = plants win
1986 movie theatrical cut = happy ending
1986 movie directors cut = plants win
Thanks. I just wanted to know if the stage musical did it better because of the heavy editing that screwed over the director’s cut
The musical is worth seeing if it comes through your town. It has a few extra songs that didn't make it into the movie and the puppetry for Audrey II is usually pretty impressive.
The original stage play does the plant win better because it makes Seymour far, far less sympathetic to start. The deaths aren't incidental that he lets happen but shit he actively causes making the greek tragedy work better. Plus there's another song or two.
Good to know
Notorious P.I.G.
—
Today at 1:43 AM
Seymour is equally hands off when killing Orin in both the play and in the movie. In the play, Seymour gets a whole song about the decision to sit and do nothing. In the movie, he doesn't sing Now (It's Just the Gas), and the version of the scene on home video has Orin die so fast that Seymour barely has time to react. In thinking workprint version of the scene (which is one of several things that should've been restored for the director's cut but wasn't), Orin takes some time to suffocate and explicitly begs Seymour for help, only to be ignored.
On stage, Mushnik doesn't witness Seymour chopping up Orin, but still suspects him because he found a dentist's uniform in the garbage outside and little red dots on the floor of the shop. He asks Seymour to come to the police and give his side of the story so his conscience can rest easy. Seymour suggests depositing the day's receipts first, and says he put them inside the plant because he forgot the combination.
In the film, Mushnik's death is more in line with Orin's, where Seymour just watches him die. In the workprint, though, Seymour spends more time bullshitting and nudging Mushnik into the plant.
>Orin takes some time to suffocate and explicitly begs Seymour for help, only to be ignored
This was in the version i watched recently (pirated) that i'm pretty sure was the director's cut.
1950s version, the original non-musical black & white movie, basically has Audrey II be sterile; the plant eats several people, including the dipshit who created it (yeah, he MADE Audrey II in the OG movie, instead of it being an alien) but it's inferred that the cops just burned it down, since the movie is framed as the recollection of a cop who investigated the whole mess after the fact.
I've seen the Howard Ashman documents available at the Library of Congress. There's a record of all the new footage that was shot after the ending change. There's also workprint footage that could've been used as a model for the director's cut, but wasn't.
I have a Fangoria magazine from the 80's that literally says the "plants destroy the city" segment is meant to be 2 minutes, but they still went with the longer 5 minute version in the Director's Cut because that's what people were familiar with. (A rough, untrimmed, black and white version with no sound effects was accidentally included on the 1998 DVD then recalled after two days.)
Message Dialing. If you've ever been on dating apps, it hits close to home.
That one was thoroughly creepy. It reminds me a bit about this site too.
My favorite is the one with the kid voiced by Monkey D. Luffy, Imani Miterou, and his never ending quest for revenge
He’s not the only one, man. What’s your favorite episode?
YOU NEED CUM AND I'VE GOT MORE THAN ENOUGH
>I NEED CUM AND YOU'VE GOT MORE THAN ENOUGH
YOU NEED CUM AND I'VE GOT MORE THAN ENOOOOUUUUUUGGGGGHHHHHH
>I NEED CUM AND YOU'VE GOT MORE THAN ENOOOOUUUUUUGGGGGHHHHHH
So go and give it!
Mmm a audrey 2 with a female voice
Dose seem interesting
It also could see a interpretation of it wanting Seymour's attention
Same voice.
If beetlejuice could get one, so could Tooie.
Though, BJ was just a bit of an asshole and tried to marry a goth while Tooie ate people. But only Orin really needs to die, Mushnik can stick around.
Smash but only if the voice is the same still
>he wouldn't smash the alraune vore girl regardless of what she sounded like
Besides, she'd probably sound like earth kitt. You'd turn that down?
bump
Correct, Levi Stubbs or nothing. We do things his way or we don't do things at all.
Gay
The lot of you
?si=bSk0H6TzDGtfq7PS
There's been some black female Audrey two performances and I got to say they are boner inducing.
?si=ov9pW5BuTJPKJnkV
>"Feed me Seymour!" in that voice.
Remember, don't actually put your dick in the alien plant no matter what.
No
Look at those DSP(Dick Sucking Petals).
Please use a different acronym
BKB(Ball Kissing Buds)
Thank you.
Wha..No.
Please use a different acronym.
I want to bare knuckle her box
Plant punching
KFC (Kissable Fellators of Cock)
Perfect! Can’t imagine that one anywhere else.
would Audrey II love fried chicken since she’s based on black jazz singers back in the day?
>Tooie doesn't need blood to live, just to grow and germinate
>Bonds to Seymour after being fed exclusively his all the way until she's six feet tall, falls in love with him after being named after the love of his life
>wants to monopolize seymour and give him the world but also wants him to grow as a man first
>seymour sees this as preparation for marrying Audrey I
>Tooie doesn't actually mind Audrey being seymours too much so long as she's the primary
>mushnik still around, keeping his hold on seymour to profit off Tooie (and partially because he does see himself as father to the pair), tooie wants Seymour to off Mushnik, or at least take over the business from him
>Dentist still dead and eaten (only one), his ghost talks with tooie telling her wrong ways to 'help' Krellborn just because he's a cunt not even that he's mad about dying or he just respawns like some weird pod person every so often from another space plant as biofuel
>wacky shenanigans ensue
>second season jumps the shark and moves them out of skidrow into the suburbs with a bunch of Zombies Ate My Neighbors additions
>Tooie doesn't need blood to live, just to grow and germinate
Will she settle for BRAWNDO!? It's got what plants crave, after all. It has electrolytes!
Semen made of blood
Semen and blood are practically the same when you get down to it
Ok
>mfw finding good plant vore is a bitch
I see a lot of Kanna vore on /aco/ plant general. Speaking of, have you heard of the Fat Gardens on /trash/?
Nta, but looks like I’ll have to check those threads out then
You won’t regret it. Be sure to drop off an Audrey II so we know it’s you
Courtesy of Japan.
Everything is an anime anime
Ruined.
It kinda makes sense in the way that they're interpreting it as an idol trying to take over the world with its singing. Also, I don't know what the dub sounds like.
What monster is that one?
The thing from it conquered the world. You recognize this one? Without looking at the filename.
Found it, thanks.
As for that one, the katakana sounds like “grab boys”
Neat. It's a graboid from Tremors.
Wow, there’s so many movie monsters I’ve never even heard of. Are they here to grab boys for themselves?
Tremors gets weird. They call the monsters in some of the sequels assblasters. I don't have a cute anime girl of that. I've got assloads of Godzilla and adjacent monster girls, especially from this artist, but it'd be easier to just go to pixiv and look them up yourself. Their name is Okamura, I think you can just search that.
Ok, but I’m not into the kawaii gijinka stuff, I’m looking for full-blown monster girls. It’s nice he’s so inspired by American media and not the bad kind.
Thanks for the name of the artist Anon. All those Godzilla girls are great.
Meh. At the very least make her thick enough so i can believe the 12 foot size she's meant to be at that point. She shouldn't be so uguu-thin when bitch is meant to be a amazonian mini-gts able to swallow a man whole untroubled by then.
>Still has the same voice.
Oh baby.
Why not a pop idol
Cute
Doesn't even look like the cartoon
The cartoon sucks anyway. Instead of a man grappling with his morality in exchange for all his heart’s desires and the sake of the woman he loves, it’s yet another nerdy kid overcoming bullies and (not) getting the girl with supernatural means. It’s lame.
True
this show was weird.. fucking weird. I drew fanart of it when I was six. I didn't even know the movie.
Who of?
This show moves at 2 frames a second at some points, is like a cheap sesame street short.
Little Shop of Horrors is my favorite work of fiction. I don't know how much my obsession with it changed me, but I'm sure, at the very least, my taste in media would be different if I hadn't discovered it as a kid. I'm certainly not the only person unhealthily obsessed with it, as I've met a few others over the years, but I'm sure I'm in the top, like, 3%.
I feel like posting some trivia since we've got a thread up, but I dunno what people don't already know and would be interested in knowing.
>Alan Menken's father was a dentist and he was upset that the musical made nitrous oxide look dangerous.
>Audrey went from brunette to blonde because Ellen saw a wig for sale during rehearsals and thought it'd be perfect. She even cut it into shape.
>John Landis had agreed to direct the film version, but got dropped because of the helicopter incident.
There was almost another film adaptation of the musical. It was gonna film in 2021, but COVID protocols made it too expensive and it got cancelled. Greg Berlanti was directing. Chris Evans had signed on as Orin, and Billy Porter as Audrey II. Sadly, there is no evidence anywhere that Ben Platt was ever considered for Seymour, even though it's the role he was born to play.
Honestly, I think Frank Oz's film was as good a live-action adaptation as we could ever get. The only problems it had were due to scenes left on the cutting room floor, which are available online in workprints of various quality.
If there's another LSOH movie, I think it should be hand-drawn, as a throwback to the Disney renaissance that most people know Ashman and Menken for. Alternatively, they could do a production of the show as a virtual reality CG movie, like the Google Spotlight shorts. I've been waiting for a feature length VR movie, and an adaptation of a stage show fits perfectly, since all those shorts were theater in the round experiences.
Is it considered a fruit or vegetable
Very cool.