>this is all you need to make one of the most visually stunning films of all time

>this is all you need to make one of the most visually stunning films of all time

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  1. 2 weeks ago
    Anonymous

    You can do that with your phone.

    • 2 weeks ago
      Anonymous

      Even with the best digital tech, it's always "almost, but not quite". I don't expect that to change anytime soon.

      • 2 weeks ago
        Anonymous

        What I meant was OP can start making films like right now with his phone, it doesn't need to be visually stunning.

        • 2 weeks ago
          Anonymous

          how do you assemble a crew and get some decent actors though as your average Cinemaphile poster with no friends and social skills?

    • 2 weeks ago
      Anonymous

      And yet no-one has.

      Sure Harry Dean Stanton's dead, but there's gotta be other dudes with a similar feeling of worldly weight to them.

  2. 2 weeks ago
    Anonymous

    Technicolor was like a cheat code to making things look cool

    • 2 weeks ago
      Anonymous

      That’s not technicolor. Technicolor as a process was phased out in like 1966.

      • 2 weeks ago
        Anonymous

        You're off by 8 years.

  3. 2 weeks ago
    Anonymous

    no I think they could have done the same without this person

    • 2 weeks ago
      Anonymous

      >old and ugly
      She was clearly instrumental to this process

    • 2 weeks ago
      Anonymous

      >old and ugly
      She was clearly instrumental to this process

      Judging by what's in her lap, she's the script girl (or in this case, lady). Her job is to make sure the crew remembers to shoot everything that's on the page and that the actors say their lines exactly as written, unless the director allows for some improvisation.

      • 2 weeks ago
        Anonymous

        Script supervisor, moron.

  4. 2 weeks ago
    Anonymous

    >Müller came to the conclusion early in his career that there had to be something more to making an image than having high-tech equipment at your disposal. “So, I brought myself back to looking, really looking and thinking over what it’s all about. And when you strip everything down, it really is a lens, film, a camera and one knob - on and off.” Looking and thinking are essential to the Müller way of working and are the subjects he returns to again and again in discussing photography.

    • 2 weeks ago
      Anonymous

      https://theasc.com/articles/robby-muller-paris-texas
      https://theasc.com/articles/remembering-robby-m%C3%BCller

      > “The magic of the film image depends upon the viewer believing in the reality of the light,” he said. “I tend to very much respect the light that is already there on location…. I like to give the audience the chance to discover things in the frame for themselves, rather than patronizing them by artificially pointing it out with the lighting and framing. To make formal, beautiful pictures [is] not difficult. I think it’s much more interesting to walk on the edge. If you go for the sure thing, you stop at that place in your own development.”

    • 2 weeks ago
      Anonymous

      https://theasc.com/articles/robby-muller-paris-texas
      https://theasc.com/articles/remembering-robby-m%C3%BCller

      > “The magic of the film image depends upon the viewer believing in the reality of the light,” he said. “I tend to very much respect the light that is already there on location…. I like to give the audience the chance to discover things in the frame for themselves, rather than patronizing them by artificially pointing it out with the lighting and framing. To make formal, beautiful pictures [is] not difficult. I think it’s much more interesting to walk on the edge. If you go for the sure thing, you stop at that place in your own development.”

      Wise man. Wish there were more like him.

  5. 2 weeks ago
    Anonymous

    i was watching wim winders shit and was like hey this is like ripleys game lol and it was, it was like ripleys game

  6. 2 weeks ago
    Anonymous

    Paris texas was one of the only films to give me actual feels.

  7. 2 weeks ago
    Anonymous

    >“Because I’m not an American and not living in this country, and because I don’t even know the country that well, every place I go I’m kind of baffled by what I see.”

    I wonder if that's why Paris, Texas is one of my favorite movies while I've seen others call it boring. I just love the Americana aesthetic that for Americans is probably mundane.

    • 2 weeks ago
      Anonymous

      the middle really drags but it's worth it for the ending

      • 2 weeks ago
        Anonymous

        kinda funny how to me the ending is the worst part because I liked the road trip aspect the most

  8. 2 weeks ago
    Anonymous

    >90% white men working on project
    >its actually good
    we already knew this, just look at human history up until 10 years ago

  9. 2 weeks ago
    Anonymous

    is this Jurassic Park?

    • 2 weeks ago
      Anonymous

      yes

  10. 2 weeks ago
    Anonymous

    Yes it is as simple as having Robby Muller

  11. 2 weeks ago
    Anonymous

    Uhm, no actually sweetie. We have to wait for AI to get good enough to give us permission to make films, chud.

  12. 2 weeks ago
    Anonymous

    that equipment is quite expensive
    also you need permits for everything now

    • 2 weeks ago
      Anonymous

      pretty sure half the point of filming with such small crew and out in the open was precisely to bypass the permits

    • 2 weeks ago
      Anonymous

      You need permits only if you're essentially disrupting things like blocking sidewalks and traffic. If you're in nature, private property or buttfrick ville then you're good to go.

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