My fucking boss acts like this cunt. He is constantly drinking alcohol and smoking blunts in front of everybody despite it being forbidden to do either for all employees. It makes me seethe so much. He does not even wear a uniform either, he is usually in a robe. Fuck this cunt.
Don't want to go all /misc/ here... but why is it you can just tell that some movie is made by a israelite? There's always something about the overall tone of the move that gives it away... same with Woody Allen movies, for example.
>point
It’s a funny farce version of a detective story. It takes its time to let each character have some time to develop, it pays attention to the basics like setups and payoffs (the toe, the hammered plank for instance). Even nothing characters like the landlord are more than throwaway gags.
There is no point. It's literally the point and it's spelled out in the film.
Interestingly your question is very similar to Roger Eberts initial 2 star review of the film, which he changed to 4 Stars years later after he understood the point was literally there is no point.
>Some may complain "The Big Lebowski'' rushes in all directions and never ends up anywhere. That isn't the film's flaw, but its style. The Dude, who smokes a lot of pot and guzzles White Russians made with half-and-half, starts every day filled with resolve, but his plans gradually dissolve into a haze of missed opportunities and missed intentions. Most people lead lives with a third act. The Dude lives days without evenings. The spirit is established right at the outset, when the narrator (Sam Elliott) starts out well enough, but eventually confesses he's lost his train of thought.
The Coen Brothers have become excellent filters for this board and predditors.
They should make Barton Fink mandatory viewing for zoom zooms before they can post about Andor or Batman.
Great characters and good dialogue can allow a movie to not follow the normal narrative standards of storytelling.
This is literally slice of life 101.
If the dude was so chill why didn't he just let the thing with his rug go? The main conflict that drives the movie goes against the core values of the so-called "Dudeism".
I love this movie but I don't understand it. I understand the character Barton Fink well and his complete disconnect with the common man that he's so obsessed with portraying in his book, that part is not subtle at all. But the ending filters me
what was with the painting? is it just that its trite, but effortless in a way he never will be?
Filtered
If you seriously are asking then youll never know
It's to weed out plebs.
It's a deconstruction of film noir
>deconstruction
My fucking boss acts like this cunt. He is constantly drinking alcohol and smoking blunts in front of everybody despite it being forbidden to do either for all employees. It makes me seethe so much. He does not even wear a uniform either, he is usually in a robe. Fuck this cunt.
stop "working" for your dad and move out
Holy based. seethe more wagie
Based boss. Keep seething, wagecuck. lol
I just act like that and my boss hates it. U got owned. LMAO
Seething wagie
coen bros liked the long goodbye and wanted to do their own more modern version of it.
>coen bros liked the long goodbye and wanted to do their own more modern version of it
Don't want to go all /misc/ here... but why is it you can just tell that some movie is made by a israelite? There's always something about the overall tone of the move that gives it away... same with Woody Allen movies, for example.
majority of films are directed/written by israelites
Name five.
Arizona Jr
Fargo
A Serious Man
Barton Fink
True Grit
Name five movies directed by israelites? Name 5 that aren't would be more of a challenge
imagine not “getting” The Dude
is this really how fargone zoomers are?
anon what the fuck is the point of any movie... man?
It's a somewhat subtle blackpill about how women control, and take advantage of, men in various ways. Whether it be directly or indirectly.
It's how life works
You just want to chill and every other person is an insufferable cunt that will constantly destroy your plans
>point
It’s a funny farce version of a detective story. It takes its time to let each character have some time to develop, it pays attention to the basics like setups and payoffs (the toe, the hammered plank for instance). Even nothing characters like the landlord are more than throwaway gags.
There is no point. It's literally the point and it's spelled out in the film.
Interestingly your question is very similar to Roger Eberts initial 2 star review of the film, which he changed to 4 Stars years later after he understood the point was literally there is no point.
Wherever you go there you are, man
>Some may complain "The Big Lebowski'' rushes in all directions and never ends up anywhere. That isn't the film's flaw, but its style. The Dude, who smokes a lot of pot and guzzles White Russians made with half-and-half, starts every day filled with resolve, but his plans gradually dissolve into a haze of missed opportunities and missed intentions. Most people lead lives with a third act. The Dude lives days without evenings. The spirit is established right at the outset, when the narrator (Sam Elliott) starts out well enough, but eventually confesses he's lost his train of thought.
The Coen Brothers have become excellent filters for this board and predditors.
They should make Barton Fink mandatory viewing for zoom zooms before they can post about Andor or Batman.
Yeah well that’s just like your opinion man.
It's a small side story to a much larger plot
Great characters and good dialogue can allow a movie to not follow the normal narrative standards of storytelling.
This is literally slice of life 101.
How did he even had money?
Lived off an inheritance maybe.
maybe royalties from his music band
I thought he was disabled because he parked his car in the disabled spot and thus had NEETbux or something
He literally explains it in the movie
I watched it a long time ago.
>How do people without jobs in California get money?
i live like this and i have money. it's just how it goes
Scene that made me kek so hard I thought my lungs were going to explode was when they went to scatter Donny's ashes.
I lmaoed at that too
>to the bosom of this sea
>ends up in dudes beard
>Walter this isn't a guy who built the railroads here
What the fuck are you talking about Dude?
Bulk of the series
mark it zero
If the dude was so chill why didn't he just let the thing with his rug go? The main conflict that drives the movie goes against the core values of the so-called "Dudeism".
cause he was a passive agressive fuck
if things dont go the way he likes, he starts to cry
Because his friend t8ld him to
The rug really tied the room together
not the chinamen that built our railroads
>whats the point?
thats the point
redd*t: the movie
I love this movie but I don't understand it. I understand the character Barton Fink well and his complete disconnect with the common man that he's so obsessed with portraying in his book, that part is not subtle at all. But the ending filters me
what was with the painting? is it just that its trite, but effortless in a way he never will be?
to truly understand some of the cohens movies you need to familiarize yourself with the concept of israeli neuroticism
entertainment