>EWJ and Catscratch was called a failure by the woke crowd
No Doug you doofus, people just hated your politics, thats it. I remember seeing artists draw Earthworm Jim saying “Trans Rights”. People still love the characters of Doug, they just hate his politics
This. I always disliked John’s personal art, and sometimes he would butcher beloved classic cartoon characters like Bugs Bunny by fricking up the character’s anatomy. Doug on the other is a damn good artist. I swear, politics is to an artist, what heroin is to a rockstar
If they actually comprehend the work of artists like Doug they will stop "liking" it. One's Faith affects your work in ways greater and smaller. And you should remember that their feelings carry over from when they were younger and had more unpretentious and innocent approaches to religion and politics
You do realize in office settings you have to work WITH people right? And not only that, that is a lie as stated in the previous post. Many vets still get work because they actually know how to helm a project correctly instead of whining on twitter and sexually assaulting people.
I'm not talking about an assembly line hack job, I'm talking about actual real cartoons. With Looney Tunes or Ralph Bakshi's work they didn't expect people to all be friends.
If you're spending hundreds of hours animating the same characters, how the frick is an office environment important. Your view of things come from Modern Studios which are really Adult Day Care for people who can't draw and don't care about kids. And I don't think over in Korea where they actually animate they all try to be friends either
Typical, the real issue isn't interacting with people you shouldn't even interact with much on the job, it's just being basically brain dead and looking for excuses as to why you don't want to let competent people make cartoons and upstage you
I've seen networking trolls complain about Hideo Kojima, which was a real jump the shark moment
I mean, this is an actually successful guy who had standards and stuck to them even when it was a huge fight to do so and never sold out. I respect this.
>>One hit wonder
This isn't a bad thing though. Not everyone can pull a show as big and successful than his. That's already bigger than most artist will achieve in their lifetimes. Hell, any creator would kill to have their shows being made at all.
>one hit wonder that had 9 seasons and played for a decades, is instantly recognizable by millions and is considered part of a golden age for the network
I know you're b8ing (you)s but don't you dare lump in Antonucci with the other literal whos
>People who used to make something decent now have to watch in irrelevance as half baked turs get unversal praise for things unrelated to good writing, animation and art.
I've never seen good creators from that generation or older feel the need to posts such things on social media. You would only get your answer if you were lucky enough to be their apprentice or coworker. I however have noticed a trend of mid to mediocre creators of anytime voicing their opinion unprompted into the abyss that is the internet. Not a lot of studios let you push into a nice art direction or seasoned writers. All they see is this art style is simple and kids don't seem to care because the ratings are good/excellent.
>taking credit for Doug Langdale's work on the EWJ cartoon >absolutely no one remembers the Catscratch cartoon
How's that Earthworm Jim game for the Intellivision Amico coming along, Doug?
Some Zoomers will laugh but cartoons in the 90s were more clever, even the slapstick ones. Cartoons today are nothing but gross out humor and LOL SO RANDUMB
What the frick is he talking about with "the WOKE called my shows a failure"? I remember everyone calling Catscratch shit because it was shit, regardless of politics, years and years and years ago.
Do those people just pretend all of the grievances in their lives are caused by college kid gays?
Ain't a lie, multiple sources are reporting Meta is gonna drop low performers/ coasters cause Silicon valley is imploding and the recession is already gonna frick them more.
2 years ago
Anonymous
I’m literally a coaster, I ain’t fired
I hate Facebook and Meta too, but no reason to make up shit
>The ones that are still actually good at making cartoons aren't b***hing about things because they actually have work to do
No actual creator from the 90s is doing anything except the occasional nostalgia revival. It's a young person's industry.
Zoomers tried to chase Butch Hartman out of animation with pitchforks and torches for being a Christian, you literally couldn't pick a worse example
I don't believe anyone even cared enough about Doug or Catscratch to even bother to call it a failure.
Okay Zoomer
I've never seen good creators from that generation or older feel the need to posts such things on social media. You would only get your answer if you were lucky enough to be their apprentice or coworker. I however have noticed a trend of mid to mediocre creators of anytime voicing their opinion unprompted into the abyss that is the internet. Not a lot of studios let you push into a nice art direction or seasoned writers. All they see is this art style is simple and kids don't seem to care because the ratings are good/excellent.
> excellent ratings in modern animation
LMAO. They mainly have excellent Twitter feedback, and even that is becoming a thing of the past. Just look at lightyear
>No actual creator from the 90s is doing anything except the occasional nostalgia revival.
Genndy Tartakovsky literally has one running show, one on the way, and works on one of the biggest animated movie franchises from the 2010s.
Lauren Faust helmed DC Superhero Girls and was about to get an animated series on netflix until they slashed that department
Joe Murray created and is working on a show for PBS along with Peter Hannan
Notice how all these people who are 90s are actually likable and can be worked with and not washed up hacks that cry on twitter all day about "wokeness"?
Likeability, "can work with", these things are the least important thing. When you're making stuff for kids you should prioritize children over yourself. But instead we have stunted man children making cartoons who don't even understand that their opinion of "likability" comes largely from already fricking knowing the people they work with. They are legitimately so stupid they don't even realize that. They expect people to pretend like they aren't morons
You do realize in office settings you have to work WITH people right? And not only that, that is a lie as stated in the previous post. Many vets still get work because they actually know how to helm a project correctly instead of whining on twitter and sexually assaulting people.
Joe Murray sucks and got hard carried by Hillenburg, Marsh and Povenmire. It's no coincidence that those three managed to have successful shows of their own without Murray while Murray's big show without them was the dull piece of shit Camp Lazlo.
plenty of lesser known tv cartoon veterans work on features now as it's the only part of the industry where there's still some demand for people who can draw worth a damn
>Twitter thread
What? I'll frickin', I'll frickin' tie you to a frickin' bedpost
With your ass cheeks spread out and shit, right?
Put a hanger on a frickin' stove and let that shit sit there for like a half hour, take it off and stick it in your ass slow like "tsss"
It's a literal mockery of the art. Make no mistake, 90s cartoons were the result of decline in the industry as well, but cartons now are the point where you can smell the decay.
It's not a 90s cartoonist thing, it's an artists in general thing. To be a passionate and revolutionary creator requires complete faith in what you do, which means you believe your way is the best way and every other way is wrong. If you didn't believe that, you wouldn't try to change things.
With age, that can become wieneriness or closeminded-ness. Treat them as you would the the WWII veteran grandpa who sometimes says salty words. You shouldn't give a frick what creators think of each other. Cartoons aren't made for other cartoonists, they're made for audiences, and audiences change with the times.
>There's 1248 minutes of She-Ra >Catscratch + Earthworm Jim combined are only 1015.
Man runs into a gym, points at a random stranger that was minding their own business, yells "I bet I can lift more with TWO hands than you can lift with ONE!" and STILL loses.
Say what you will about Doug, he can still occasionally provide laughs.
Also gotta laugh at Clownfish trying to spin "it concluded its story after 52 episodes and a few shorts, therefore it's canceled!" Wonder if the chucklefricks would point at something like Gurren Lagann and go "it was canceled, and after only 27 episodes!" Must suck going through life unable to grasp that stories can just have endings.
What has Bill Kopp done of actual note?
>Complains about derivative crap
>Created a Ren and Stimpy knock off
Not the one to talk.
The first season of loud house was the only good season
Funny how this is coming from someone who ripped off Ren and Stimpy and voiced a character on a rip off of Slayers for Cartoon Network.
the energy
Doug is a better John K but this is so lame
>EWJ and Catscratch was called a failure by the woke crowd
No Doug you doofus, people just hated your politics, thats it. I remember seeing artists draw Earthworm Jim saying “Trans Rights”. People still love the characters of Doug, they just hate his politics
This. I always disliked John’s personal art, and sometimes he would butcher beloved classic cartoon characters like Bugs Bunny by fricking up the character’s anatomy. Doug on the other is a damn good artist. I swear, politics is to an artist, what heroin is to a rockstar
If they actually comprehend the work of artists like Doug they will stop "liking" it. One's Faith affects your work in ways greater and smaller. And you should remember that their feelings carry over from when they were younger and had more unpretentious and innocent approaches to religion and politics
I'm not talking about an assembly line hack job, I'm talking about actual real cartoons. With Looney Tunes or Ralph Bakshi's work they didn't expect people to all be friends.
If you're spending hundreds of hours animating the same characters, how the frick is an office environment important. Your view of things come from Modern Studios which are really Adult Day Care for people who can't draw and don't care about kids. And I don't think over in Korea where they actually animate they all try to be friends either
>I'm talking about actual real cartoons
What is a fake cartoon?
Typical, the real issue isn't interacting with people you shouldn't even interact with much on the job, it's just being basically brain dead and looking for excuses as to why you don't want to let competent people make cartoons and upstage you
I've seen networking trolls complain about Hideo Kojima, which was a real jump the shark moment
>competent people make cartoons and upstage you
Hows is Doug Tennipples better than Genndy?
>Facebook boomer rant
Ok
Antonucci has hated CG forever and you can go back and find him b***hing about the toy story movies. This is not new
>redesign
But
I mean, this is an actually successful guy who had standards and stuck to them even when it was a huge fight to do so and never sold out. I respect this.
>Creator whose most successful work was a mid platformer
>Did a Ren and Stimpy rip off
Did a Ren and Stimpy rip off + a Garfield rip off
>One hit wonder
Why should I care about these people's opinion again?
t-they made muh childhood!
>>One hit wonder
This isn't a bad thing though. Not everyone can pull a show as big and successful than his. That's already bigger than most artist will achieve in their lifetimes. Hell, any creator would kill to have their shows being made at all.
>Did a Ren and Stimpy rip off + a Garfield rip off
No.
Explain why Antonucci is wrong about the Addam's Family movies
>one hit wonder that had 9 seasons and played for a decades, is instantly recognizable by millions and is considered part of a golden age for the network
I know you're b8ing (you)s but don't you dare lump in Antonucci with the other literal whos
This is less "hate" and more "lack of interest"
>People who used to make something decent now have to watch in irrelevance as half baked turs get unversal praise for things unrelated to good writing, animation and art.
because a lot of modern cartoons are shit. plain and simple
the cartoons of the 90s were riding the coattails of the "modern" comics era, when some things could be more serious and adult. it was a success.
now we have "we bare bears" and calarts bullshit that teaches kids to be domesticated and subservient
>don't stand up to that bully sasquatch, deus ex machina will save you from bullies, because all violence is wrong
>don't kill the racist that wants to genocide the animal mutants, that would be "wrong"
hilda is a superb modern cartoon because it's both benevolent and but also has dark moments. one more season isn't enough
>addams family cgi
objectively speaking, that animation is fricking hideous, and not in a scary or creepy way, but a fricking moronic way
Hilda is Fantastic.
>NOOOO CENTRISM LE BAD BECAUSE MUH STRAW MAN
have a nice day redditor
You do realize thats not a pro-centrism comic right?
>Doug TenNapel
Are we supposed to trust the Cheeto loving trans hating boomer?
I don't know, he sounds based to me for hating on troons.
>See he hates trannies so that's based! *sucking his wiener*
Yea it is
Pretty much. Its like saying that you shoot terrorists in Middle East. You can't get unbased
So the US government is based?
Well, that depends... what administration are we walking about?
?niaga sihT
Doug and Rhett need to be reunited.
Didn’t Catscratch have only one?
>Doug is doing NFTS and is anti-vax
Damn, disappointing to see people drinking the kool-aid.
I cant remember the last time a cretor who started ranting aobut politics ever bounced back to normality, they just get more extreme
Are those Clownfish homies still seething over She-RA in 2022
That post is from a couple of years ago, but it is still moronic.
Didn't even the ~~*woke*~~ acknowledge Earthworm Jim was a big success back in the day? Is he just inventing reasons to piss himself off?
He became a grifter
Why are cartoon creators so bitter? Are they incapable of being happy?
They’re bad and all politically flavored.
The world was so much better when it was harder for the people who made the stuff we enjoy to express their opinions
They are just mad that their shows aren't the center of attention anymore.
I've never seen good creators from that generation or older feel the need to posts such things on social media. You would only get your answer if you were lucky enough to be their apprentice or coworker. I however have noticed a trend of mid to mediocre creators of anytime voicing their opinion unprompted into the abyss that is the internet. Not a lot of studios let you push into a nice art direction or seasoned writers. All they see is this art style is simple and kids don't seem to care because the ratings are good/excellent.
Is keon still lbeing chucked by that harpy?
The woke didn't fricking exist when earthworm jim was on, this guy is on crack.
>taking credit for Doug Langdale's work on the EWJ cartoon
>absolutely no one remembers the Catscratch cartoon
How's that Earthworm Jim game for the Intellivision Amico coming along, Doug?
Some Zoomers will laugh but cartoons in the 90s were more clever, even the slapstick ones. Cartoons today are nothing but gross out humor and LOL SO RANDUMB
What the frick is he talking about with "the WOKE called my shows a failure"? I remember everyone calling Catscratch shit because it was shit, regardless of politics, years and years and years ago.
Do those people just pretend all of the grievances in their lives are caused by college kid gays?
The loudest critics tend to be woke homosexuals, yes. If you haven't noticed most of us keep our criticism on Cinemaphile
>clownfishTV
Those same clowns that for almost 6 years now told us Kathleen Kennedy is totally going to be fired?
GO WOKE GO... UH...
Uuuuhh...
J-just go broke already okay?!
That was Doomwiener and his "sources" from Cinemaphile. Clownfish have pretty accurate prediction based on whats happening
>Clownfish have pretty accurate prediction based on whats happening
LMAO, Literally there lastest video is flase info
Whats it about?
Keon and Geeky are happily married.
This shit
Ain't a lie, multiple sources are reporting Meta is gonna drop low performers/ coasters cause Silicon valley is imploding and the recession is already gonna frick them more.
I’m literally a coaster, I ain’t fired
I hate Facebook and Meta too, but no reason to make up shit
>a business is going to get rid of it's lowest-performing employees
This is ... news?
c'mon doug, you weren't even particularly happy with the ewj cartoon
because by 90s cartoons creators you mean the ones that worked in the 90s but aren't still successful now
The ones that are still actually good at making cartoons aren't b***hing about things because they actually have work to do
>The ones that are still actually good at making cartoons aren't b***hing about things because they actually have work to do
No actual creator from the 90s is doing anything except the occasional nostalgia revival. It's a young person's industry.
which is why McCracken, and Genndy and Hartman and McFarlen are all still working because its a young person's industry
nah these are just the bitter failures, the actual artists from that generation are still working
Zoomers tried to chase Butch Hartman out of animation with pitchforks and torches for being a Christian, you literally couldn't pick a worse example
Okay Zoomer
> excellent ratings in modern animation
LMAO. They mainly have excellent Twitter feedback, and even that is becoming a thing of the past. Just look at lightyear
>Zoomers tried to chase Butch Hartman out of animation with pitchforks and torches for being a Christian
Why are you posting your fan fiction?
>No actual creator from the 90s is doing anything except the occasional nostalgia revival.
Genndy Tartakovsky literally has one running show, one on the way, and works on one of the biggest animated movie franchises from the 2010s.
Lauren Faust helmed DC Superhero Girls and was about to get an animated series on netflix until they slashed that department
Joe Murray created and is working on a show for PBS along with Peter Hannan
Notice how all these people who are 90s are actually likable and can be worked with and not washed up hacks that cry on twitter all day about "wokeness"?
Likeability, "can work with", these things are the least important thing. When you're making stuff for kids you should prioritize children over yourself. But instead we have stunted man children making cartoons who don't even understand that their opinion of "likability" comes largely from already fricking knowing the people they work with. They are legitimately so stupid they don't even realize that. They expect people to pretend like they aren't morons
You do realize in office settings you have to work WITH people right? And not only that, that is a lie as stated in the previous post. Many vets still get work because they actually know how to helm a project correctly instead of whining on twitter and sexually assaulting people.
Joe Murray sucks and got hard carried by Hillenburg, Marsh and Povenmire. It's no coincidence that those three managed to have successful shows of their own without Murray while Murray's big show without them was the dull piece of shit Camp Lazlo.
>Lauren Faust
>likeable
Why would you mention Faust but omit Craig?
Just needed a few examples to get the point across, but yes him too he's still successful.
plenty of lesser known tv cartoon veterans work on features now as it's the only part of the industry where there's still some demand for people who can draw worth a damn
>Why do 90s cartoon creators hate modern cartoons?
because they got kicked out of the industry and replaced them with woke artists.
None of these people were "kicked out" the industry. Catschracted fricking sucked dick and nobody remembers it.
>Twitter thread
What? I'll frickin', I'll frickin' tie you to a frickin' bedpost
With your ass cheeks spread out and shit, right?
Put a hanger on a frickin' stove and let that shit sit there for like a half hour, take it off and stick it in your ass slow like "tsss"
Catscratch was based, don't care what the homosexuals in this thread say.
I don't believe anyone even cared enough about Doug or Catscratch to even bother to call it a failure.
its the other way around, Calart teachers hate old animators and love anime despite not knowing about either.
It's a literal mockery of the art. Make no mistake, 90s cartoons were the result of decline in the industry as well, but cartons now are the point where you can smell the decay.
It's not a 90s cartoonist thing, it's an artists in general thing. To be a passionate and revolutionary creator requires complete faith in what you do, which means you believe your way is the best way and every other way is wrong. If you didn't believe that, you wouldn't try to change things.
With age, that can become wieneriness or closeminded-ness. Treat them as you would the the WWII veteran grandpa who sometimes says salty words. You shouldn't give a frick what creators think of each other. Cartoons aren't made for other cartoonists, they're made for audiences, and audiences change with the times.
>There's 1248 minutes of She-Ra
>Catscratch + Earthworm Jim combined are only 1015.
Man runs into a gym, points at a random stranger that was minding their own business, yells "I bet I can lift more with TWO hands than you can lift with ONE!" and STILL loses.
Say what you will about Doug, he can still occasionally provide laughs.
Also gotta laugh at Clownfish trying to spin "it concluded its story after 52 episodes and a few shorts, therefore it's canceled!" Wonder if the chucklefricks would point at something like Gurren Lagann and go "it was canceled, and after only 27 episodes!" Must suck going through life unable to grasp that stories can just have endings.