I mean yeah, she's definitely hotter than millie but that's not exactly a high standard.
you know that's not her normal face right? that she's scowling in reaction to something? because if you didn't that'd be really embarassing and you'd look like a moronic incel with impossible standards and the intelligence of a tiny child.
No matter how many times they try and remake this, they'll never ever match the original let alone best it
I don't think they'll ever be a horror movie on the level of quality of TCM ever again
There's a nearby shot including Jerry. It's pretty much the only medium frame, clearly lit "daytime" shot in which you get a good, clear look at all of their faces together in the same shot. Of course, what they all react to together in the shot is the symbol on the side of the van. The gang aren't too far off from Scooby Doo, they even have their own green Mystery Machine.
When Sally and Franklin leave the van at night, despite their very justifiable fear and concern, and despite the odds that someone's running around fricking with them, they LEAVE THE DOOR OPEN AND THE LIGHTS ON. It's like they know subconsciously that there's no point anymore.
The only character who wants to pick up the hitchhiker is Kirk, everyone else knows it's a bad idea. Kirk "invites the stranger into his house" (the van) AND SHUTS THE VAN'S METAL DOOR BEHIND THE GUEST. The hitchhiker demands "two dollars" for a bad snapshot (a typical hobo grift) and this is where Kirk puts his foot down and says no.
Later, Kirk finds the other house and hopes to barter for some gas, saying that maybe they can trade "a couple bucks" for some gas. Now, Kirk has done an about-face and now Kirk is willing to pay them two bucks, or something like it. Kirk then goes uninvited into the OTHER people's house, and they SLAM THE METAL DOOR SHUT BEHIND HIM.
>The gang aren't too far off from Scooby Doo, they even have their own green Mystery Machine.
It's because the victims represent the dying laidback hippie culture of the 60s with the cynical "real world" of the 70s.
-The layout of the bones for the "sofa" is very similar to a Black Sabbath album cover.
-There's a shrine with like four or five HUMAN skulls laid out, as opposed to the various animal bones. The animal bones are creepy enough but the human skulls underline what was just made explicit a moment before: these people are experienced murderers. Also, the basic layout of this shrine is VERY similar to what Dahmer was planning, but Dahmer was caught before he could complete his (which would have called for like ten or so skulls). So much so that I wonder whether Dahmer watched TCM and if anyone ever made this connection explicit to his case. As we know, Dahmer had a VCR so it would have been easy for him to rent a copy.
-In the old Franklin house, Sally comments about "animal print" wallpaper in the children's room, which is just visible. In the other house of course, there are real animal parts on the walls. BOTH HOUSES HAVE ANIMALS ON THE WALLS.
-Sally auto-defenestrates two times. The first time, she crashes out a second floor BACK window, and is chased BACKWARDS, in RETROGRADE. She'll never get out this way. The way out is through. In the end, she survives by crashing out the FRONT window, through the living room. Before they go back to the house, Leatherface HANGS A LITTLE CURTAIN ON THE DAMAGED UPSTAIRS WINDOW, in an effort to "fix" it. This is visible as they bring Grandpa downstairs. A great little detail of continuity.
>The animal bones are creepy enough but the human skulls underline what was just made explicit a moment before: these people are experienced murderers.
I like how it lets you slowly start to notice that some of the bones are human and then it hits you. Great scene. >Sally comments about "animal print" wallpaper in the children's room >In the other house of course, there are real animal parts on the walls. BOTH HOUSES HAVE ANIMALS ON THE WALLS.
Interesting.
i miss when women were pretty, and when they were women
????
she's hotter than any dakota fanning or millie bobby brown or whatever else Hollywood is trying to force down our throats.
I mean yeah, she's definitely hotter than millie but that's not exactly a high standard.
I'd force something down her throat if you understand my implication.
you know that's not her normal face right? that she's scowling in reaction to something? because if you didn't that'd be really embarassing and you'd look like a moronic incel with impossible standards and the intelligence of a tiny child.
She's not pretty even when she's not scowling.
ummmm she's clearly reacting to something in that picture too you fricking chud
She's always reacting to something because a lot of weird shit happens in the movie and then she gets murdered.
It's not a turd, it's a cooked human penis.
Better looking than any zoomer film bawd by far.
So do I but this movie aint it, America peaked in the 2000s
Mentally ill homosexual
try looking outside of your own country
ew bugs
i hate asiaticshills so fricking much
Koreaboos aren’t human
No matter how many times they try and remake this, they'll never ever match the original let alone best it
I don't think they'll ever be a horror movie on the level of quality of TCM ever again
those are some excellent breasts
this is true but can someone please post the tracking shot following red shorts' ass when she goes into the house
Smoshed
holy smoshed
Why not just schway?
Locked
Nice
Is that a Garloid in his mouth?
yeah looks like the water he's giving it is too alkaline though thats fricked
Franklin out here eating a dick
Who's the cutie at the bottom?
turd chewing movies?
looks like this niga chewing a turd
why was he eating a dick the whole time? do americans really?
That looks like a turd in his mouth.
that's what i said. this a turd chewer movie
Wtf was Sally's problem?
There's a nearby shot including Jerry. It's pretty much the only medium frame, clearly lit "daytime" shot in which you get a good, clear look at all of their faces together in the same shot. Of course, what they all react to together in the shot is the symbol on the side of the van. The gang aren't too far off from Scooby Doo, they even have their own green Mystery Machine.
When Sally and Franklin leave the van at night, despite their very justifiable fear and concern, and despite the odds that someone's running around fricking with them, they LEAVE THE DOOR OPEN AND THE LIGHTS ON. It's like they know subconsciously that there's no point anymore.
The only character who wants to pick up the hitchhiker is Kirk, everyone else knows it's a bad idea. Kirk "invites the stranger into his house" (the van) AND SHUTS THE VAN'S METAL DOOR BEHIND THE GUEST. The hitchhiker demands "two dollars" for a bad snapshot (a typical hobo grift) and this is where Kirk puts his foot down and says no.
Later, Kirk finds the other house and hopes to barter for some gas, saying that maybe they can trade "a couple bucks" for some gas. Now, Kirk has done an about-face and now Kirk is willing to pay them two bucks, or something like it. Kirk then goes uninvited into the OTHER people's house, and they SLAM THE METAL DOOR SHUT BEHIND HIM.
>The gang aren't too far off from Scooby Doo, they even have their own green Mystery Machine.
It's because the victims represent the dying laidback hippie culture of the 60s with the cynical "real world" of the 70s.
>NOOOO HELP ME ANON
Who was in the wrong here?
The scene where she walks into the bone and chicken room and falls is one of the greatest in cinematic history. It feels like you're there.
A few personal thoughts on the "living room":
-The layout of the bones for the "sofa" is very similar to a Black Sabbath album cover.
-There's a shrine with like four or five HUMAN skulls laid out, as opposed to the various animal bones. The animal bones are creepy enough but the human skulls underline what was just made explicit a moment before: these people are experienced murderers. Also, the basic layout of this shrine is VERY similar to what Dahmer was planning, but Dahmer was caught before he could complete his (which would have called for like ten or so skulls). So much so that I wonder whether Dahmer watched TCM and if anyone ever made this connection explicit to his case. As we know, Dahmer had a VCR so it would have been easy for him to rent a copy.
-In the old Franklin house, Sally comments about "animal print" wallpaper in the children's room, which is just visible. In the other house of course, there are real animal parts on the walls. BOTH HOUSES HAVE ANIMALS ON THE WALLS.
-Sally auto-defenestrates two times. The first time, she crashes out a second floor BACK window, and is chased BACKWARDS, in RETROGRADE. She'll never get out this way. The way out is through. In the end, she survives by crashing out the FRONT window, through the living room. Before they go back to the house, Leatherface HANGS A LITTLE CURTAIN ON THE DAMAGED UPSTAIRS WINDOW, in an effort to "fix" it. This is visible as they bring Grandpa downstairs. A great little detail of continuity.
>The animal bones are creepy enough but the human skulls underline what was just made explicit a moment before: these people are experienced murderers.
I like how it lets you slowly start to notice that some of the bones are human and then it hits you. Great scene.
>Sally comments about "animal print" wallpaper in the children's room
>In the other house of course, there are real animal parts on the walls. BOTH HOUSES HAVE ANIMALS ON THE WALLS.
Interesting.