Nowhere near what you posted, but there's that suicide for hire one. This is the epitome of that sort of cringe edgy of the 2000s that aged really bad.
It gets better. The artist made their own Terriful wiki and edited it hundreds of times. The creator of Terriful has potential to be the next Chris-chan if he plays his cards right and continues being cringe.
https://terrifulcomics.fandom.com/wiki/TerrifulComics_Wiki
Nowhere near what you posted, but there's that suicide for hire one. This is the epitome of that sort of cringe edgy of the 2000s that aged really bad.
Maybe it's because I'm getting old but that 2000s DeviantArt crenergy has a heartwarming effect on me now. It's bad, it's edgy, but it's got a spirit to it, that genuine teenage angst channeled into something creative and unfiltered. Now it's like people can't express themselves outside of corpo code and if they do something like this it's because they're trying to become a meme or something.
Inhuman. Pic related. Peak late 90's/early 2000's edge.
There was something special about the early internet, populated entirely by nerds, channeling all their sweaty energy into earnest, new amateur content. Because there was nothing there but the nerds, and without any real established audience, rules, or even outside scrutiny people just did whatever the frick they wanted. These early webcomics were awash in furry and gamer content precisely because it didn't already exist in print (aside from the furry zines, in which Freefall appeared originally in the early '80s, making it by far the oldest active webcomic by actually predating the consumer internet). Or Amerimanga because people desperately wanted it to exist in print. Those old zines are full of ads for obscure manga, too.
It's the fact that people were doing everything they did with a sincerity that just isn't there anymore. Even just the fact that you KNOW what is popular because it has N followers on social media is going to warp your mind at least a little bit. Back then there were really no likes, you had to find sites with search engines, no aggregators, no centralization, everything was like walking into a large city that you didn't know. The internet today is like a guided bus tour. Honestly, they were just better times. I had a Final Fantasy fan site on Geocities. Neocities doesn't work for this reason, it's all a pretense. You're not really wandering this strange city, you're just pretending. All is lost, like tears in the rain.
>It's the fact that people were doing everything they did with a sincerity that just isn't there anymore.
Case in point, Isaac is just cringe cringe because I can see the cheap deceitful intent of the character.
It's raw expression which is rare now because of cringe culture and social media. Everybodys fricking terrified. It's terrible for art because nobody wants to do anything risky. It might be 'cringe' to joyless c**ts.
Inhuman. Pic related. Peak late 90's/early 2000's edge.
There was something special about the early internet, populated entirely by nerds, channeling all their sweaty energy into earnest, new amateur content. Because there was nothing there but the nerds, and without any real established audience, rules, or even outside scrutiny people just did whatever the frick they wanted. These early webcomics were awash in furry and gamer content precisely because it didn't already exist in print (aside from the furry zines, in which Freefall appeared originally in the early '80s, making it by far the oldest active webcomic by actually predating the consumer internet). Or Amerimanga because people desperately wanted it to exist in print. Those old zines are full of ads for obscure manga, too.
It's the fact that people were doing everything they did with a sincerity that just isn't there anymore. Even just the fact that you KNOW what is popular because it has N followers on social media is going to warp your mind at least a little bit. Back then there were really no likes, you had to find sites with search engines, no aggregators, no centralization, everything was like walking into a large city that you didn't know. The internet today is like a guided bus tour. Honestly, they were just better times. I had a Final Fantasy fan site on Geocities. Neocities doesn't work for this reason, it's all a pretense. You're not really wandering this strange city, you're just pretending. All is lost, like tears in the rain.
EXACTLY. people are scared to post anything that could even potentially be "cringe" in fear of being dog-piled and harassed on social media. i mean yeah, before algorithms and monetization and "e-celebrities" were a thing, people got shat on then but it's not quite to the same degree, you wouldn't be fired for having a bad take, or have literal thousands of people laughing at you.
so many modern "webcomics" are glassy and bland 4-panel pieces devoid of any real soul or originality because they're all trying to aim for marketability. appeal to "relatability," capitalize on trends. gotta get on the algorithm's good side. too afraid to be rough around the edges or show imperfections. oversimplify the art, draw faster, faster, because the algorithm demands a consistent schedule. no more hobbies, only content.
It's not that people are scared to look cringe, it's that if you're not hellbent on catching every single opportunity to wedge yourself into attention somehow, be it hopping onto a growing fandom or pandering to coomers or the alphabet mafia, you might as well not exist. That's a whole lot more demoralizing than the thought of someone messaging you to say your comic is cringe.
i mean, think about what people consider "cringe" in webcomics.
overly edgy blood-and-swearing-makes-it-mature-fests, overpowered totally-not-author-insert OCs with harems the size of a small country's population, and gay furries galore.
sex scenes derailing the plot left and right, sensitive subjects handled with the tact of a runaway train, tangled love dodecagons, and personality/plot/relationships that are about as consistent as the weather in denver.
blatant political propaganda, religious screeds, and arguments retold to make the author look smarter.
pages of worldbuilding to justify a character being permanently nude, feet that are just a little too conspicuously detailed, a plot that entirely hinges around people turning into giant dragons, sex powered magic, and fetishes that the writer just didn't even bother to disguise.
metal armor clinging to bodies like spandex, people shrinking and growing between panels, hands that were put on backwards. designs too complex to draw more than once, worlds populated by clones(distinguishable only by their shirt color), shadows with no light sources. And just plain bad art.
there are numerous professionally published comics that contain all these things, you just don't hear about them because they don't pull in enough money to make it past issue 2 and stores aren't exactly chomping at the bit to carry them. hell, sometimes you do hear about them, and they do sell by the truckload and every store in town carries them and they're still shit.
in other words, cringe is in the eye of the beholder. so called professionals churn out cringe by the gallon.
...and I really need to stop posting when I'm over-caffeinated and under-slept because the prose is a vibrant shade of tyrian...and I completely forgot what the point I meant to make was by the time I typed the second comma.
Got you Famalam
https://ko.hentai-img.com/image/caytlin-vilbrandt-tamberlane-ongoing/attachment/65/
You can search for more penor here:
https://fr.hentai-img.com/story/caytlin-vilbrandt-tamberlane-ongoing-2/
She changed it. There were dicks all over for the first like 100 pages. I guess she got some kind of blowback over drawing kids with penises. Which is actually pretty silly to me since it was never done in a sexual way.
Got you Famalam
https://ko.hentai-img.com/image/caytlin-vilbrandt-tamberlane-ongoing/attachment/65/
You can search for more penor here:
https://fr.hentai-img.com/story/caytlin-vilbrandt-tamberlane-ongoing-2/
Thanks.
I'm still not sure what surprises me more.
That she had the balls to draw explicit child dick (regardless of how tamely it was done), or that no one really batted an eye until so much later.
Ones that make $4320 a month on Patreon alone, I'd guess. That's good money even if you discount product sales, the recent Kickstarter, and commissions. Check out the Patreon benefits, too. She knows what she's selling. There's at least a few people dropping $250 a month on this. I don't know what I'd like more: The ability to earn a decent living pursuing my deviant interests, or having the kind of frick-off money to drop 250 buckaroos a month on my deviant interests.
All the more's the mystery that she decided to name the comic after a ruthless conqueror.
I mean there's really no point. The same insanity that would have been peak lolcow material 10-15 years ago is now tragically mundane. Whats really sad is that even the GOOD ones can't even garner attention or generate hype anymore, and people looking to start new comics are pretty much fricked.
Nah this one's right. It takes a certain level of either cognitive dissonance or nihilistic cynicism to eat animals once you realize that there is no actual hard line between man and animal. Any sort of test for intelligence we can come up with, we can find an animal that passes, and it never stops us from killing them.
>last post is from 2008 >it's about Dresden Codak
Well, there's a blast from the past. It's hard to think I actually used to enjoy Dresden Codak, and that there was a time when its art was some of the best in webcomics. And that train wreck just kept rolling downhill, too.
Ah man all the links to the comics themselves are long dead.
Some may be in the Internet Archive. Pic sorta related. Old Dresden Codak pages are in there, and for some reason I wondered if Diaz had fixed some of the shit he caught flak over and found that he did.
Oh man! Dresdan Codak was great. The clever science gags were top notch. Progressive, open-minded, liberal. Joke about it all you want, but it was right up my alley. Then he went into a long-arc format aaaaand, it wasn't bad. I really didn't mind Hob. It wasn't as good as his early stuff, but it wasn't terrible. The time-travel schtick was... eh... not great but it wasn't yet overplayed as much as it soon became. And there was an attractive lead. The output rate went down as he tried to be a better artist.
....And then the dark science arc. It started out a little crazy, but alright. World-building. I can suspend disbelief for a while. But he had no idea where he was going with the actual antagonists. He got caught up in some bullshit feminism push and hated his early use of sex appeal.
And then... Hoooo boy. The webcomic artist went bat-shit fricking crazy. Abandoned plot, tossed in new characters, became a troony, and used his comic to shoe-horn in the god-damned agenda. Siiiiiiigh. Such a fricking train-wreck.
Being a webcomic artist is a rough job. Solitude, online criticism, and dealing with Internet anons is abuse. It drives a lot of people made. Like that poor Goblins guy. /tg/ loved him and he just fricking LOST it. But Dresden followed the pit that Questionable Content fell into. Trying to appeal to more and more radical progressives loops all the way around back into an oppressive mentality. It'll never be good enough to appease the jack-booted thugs who worship victim-hood status. Anyone below them on the marginalized hierarchy is doomed to be a pariah and enemy.
Maybe they'll eventually go down the Sinfest route and pull a full fricking flip once they wake up and smell the turd. But JESUS fricking christ that guy is full unhinged now.
The science gags weren't clever, though. It was the heyday of the SCIENCE! era and you saw that shit in a lot of webcomics, and it basically launched Mythbusters (and Brainiac). Dresden Codak was a cut above the average by having slightly smarter and more obscure references, but in retrospect it was never actually clever. If the jokes were about sports it would be athletes performing superhuman feats based on their reputations or something. The humor hinges on the fans being familiar with the subject matter and getting an ingroup feeling.
But I kinda checked out with Hob. I was a homosexual who ate up the SCIENCE! shit and the more esoteric humor. I still read it, but when Dark Science started I dropped the comic entirely.
>He got caught up in some bullshit feminism push and hated his early use of sex appeal.
The problem was, he was really REALLY loud about feminism himself. And it stood out because he'd make these shitty, pedantic blog posts about how he's redesign Zelda or superheroes or whatever while he was at the height of his popularity and people were waiting for another update. So seeing him drop half a comic's worth of art just sniffing his own farts already pissed people off. But then he goes and does all of the shit he claims is bad in his own damn comic. And comes up with one of those "celebrating the female form" excuses. Dude could have just said "I like drawing breasts" and that would have been that. The top two webcomics on Top Webcomics (which isn't a god measure anymore, but still) are Grrl Power and TwoKinds. Both are incredibly horny. Both earn a firmly above average wage on Patreon. Nobody bats an eye, because neither claim to be doing it for feminism (and TwoKinds has loooooong since removed its "not a furry" disclaimer).
Aaron went full nutso. Maybe he always had some kind of personality disorder. Though, I'm surprised to see he still pulls in almost 4k a month on Patreon. The comic is still paying his bills.
>It was the heyday of the SCIENCE! era and you saw that shit in a lot of webcomics, and it basically launched Mythbusters (and Brainiac)
. . . The heyday is over? Do kids not have this sort of thing anymore?
When I was a young there was Mr Wizard and Bil Nye and Beakman. Kids have like an unlimited amount of Internet and anyone can put on a show. What do we have?
>a cut above the average by having slightly smarter and more obscure references
You're working real hard on agreeing with me here.
"Not clever" though? Ancient messages embedded into life DNA and it's... propagate the species spam? c'mon, that IS a clever gag. Monetizing sleep cycles, very clever.
"Me am play god", sure, isn't clever. That's just a religion-bashing cheap gag, but it's still pretty funny and a good set of comics. D&D philosophers are really just references, but hey, the art was good.
>So seeing him drop half a comic's worth of art just sniffing his own farts already pissed people off
See, I thought those were fine. Good even. They weren't his long-arc comics. They were short-form without an attempt at drama and plot, which he was never very good at. I vaguely remember a Superman redesign which was pretty legit.
Part of me thinks the mental gymnastics he went through to justify his hypocrisy is what made him jump off the deep-end. But I never thought it was a big deal as people have made it out to be. Another part just thinks he's following the money and appealing to his paying customers. Because holy shit, $4K/mo for that? Maybe the dude has just found a vein and is mining it for all it's worth.
11 months ago
Anonymous
>The heyday is over?
It is on the internet. It was a result of the internet being full of nerds.
>You're working real hard on agreeing with me here.
Point is that most of the clever stuff was referential. It leaned on the audience being aware of a certain scientific principle rather than saying clever stuff about the science itself.
>Monetizing sleep cycles, very clever.
That in itself isn't clever. It's the joke about working in your dreams still being work, with the resulting disadvantage of it being tiring, that's clever. Of course, it's a very small joke for an entire page.
>"Me am play god"
Honestly, it's his best comic. I wouldn't say it's a "religion bad" joke through and through because the thing it lampoons is a relatively common bottom tier science fiction trope, namely science going too far. It also shows that Diaz actually knows his art, giving the cavemen and their props appropriately comedic looks.
>See, I thought those were fine.
On their own, sure. But he already had a reputation of slow updates.
>Maybe the dude has just found a vein and is mining it for all it's worth.
He used to be one of the most prominent webcomic artists, and I think being well established counts for a lot. He probably schmoozes with the right people, but I honestly don't know. Surely there are plenty of people who want to drop money on things that appeal to them, including trans virtue signalling.
God I fricking hated that shitty comic. There's nothing I hate more than pretentious drivel lazily propped up by breasts and ass, by someone who postures as an SJW to boot. Have some dignity and just draw a fricking porn comic FFS.
Anon that was a pasta, I know this place is so inundated with homosexualry that it's hard to tell sometimes but that was a blatant pasta all the ellipsis are a dead giveaway
It's not obscure but it's doomer fuel.
Sinfest has five eras as I see it.
Early sinfest: really good, sometimes skirts the line of good taste, pretty funny. Pretty rough topicwise
Medium sinfest: the golden years, just clever and funny comics, the characters are endearing, also really good. Wholesome but edgy at the same time.
ExtremeFeminist era: something happens to tats and he snaps and goes full blown smash the patriarchy mode. The change is so harsh regular readers and non-extremist sane feminists start to read the strip as a lolcow.
Le deep era: a very short time where the comics try to return to form but tats ends up creating a bunch of random new characters who lack substance, complains about society through strange metephors. It's alright but nothing near the first two.
Alt right era: Tat does a complete 180 and goes fullblown Qanon internet theory truther.
Although I agree that the government is incredibly fricked up, and I think transgender ideology is terrible. Tats tackles these topics with no grace whatsoever and somehow becomes a lolcow for both far sides of the political spectrum.
It's a fricking trainwreck of a comic that has the ability to be good, but is held back by it's creator who just uses it as a blog to whine about things. Posts almost every other two days for the last 20 years.
I want old sinfest back, but I still keep reading because it's fricking insane. Also it puts a little echo in my chamber regarding my views on trans people.
>It's a fricking trainwreck of a comic that has the ability to be good, but is held back by it's creator who just uses it as a blog to whine about things.
Stand assured that the only reason it's still afloat is that the author went political.
I know so many amazing webcomics drawn by god tier artists who despite incredible talent and lots of work didn't get anywhere.
I followed a guy's account, fantastic art, drew incredible poses and fisheye stuff all the time. Never broke 5k followers despite having started all the way back on Tumblr. Pages of the webcomic would get single or double digit likes, he had another side project with GITS style cyborg girls and if there was an ass somewhere those pics would get like 5k which is still nothing. AFAIK he never switched to porn, and he never stirred any drama, he'd just draw and make work. Even when he drew the cyborg girls stuff he wasn't just trying to draw some chick, he did crazy work with mechanics and wiring. He dropped off the web in 2020 and the webcomic is lost. I could mention another dozen at least. All the good webcomics I loved are dead while trash skill porn peddlers and alphabet people who have no right to draw anything are making bank or at least getting some visibility. It's such a sadness. The squeaky wheel gets the grease.
It really depends on what you consider a good webcomic. For example I really enjoy OOPs but I know it's an acquired taste. There's still decent stuff out there but it's much harder to find compared to 10+ years ago.
Every webcomic is someone's favorite. Webcomics considered bad have thousands of more eyes on them than the best. Discussion bait aside I don't think the cringe in the subject matters at all if you're putting all your heart into an online comic someone will consider it cringe.
S.S.D.D.
Furry shit made by some brit who can't stop reminding the audience he's british every week or so. I guess he's worried people might forget? Artwork started off horrible and barely improved. Has been going on for years and years and years now.
Started off as just a goofy roommate joke-of-the-day comic sort of deal, then it suddenly decided it wanted to have a real plotline. Years later is has plotlines such as "MC's girlfriend attempts to figure out a way to have sex with someone she's training at work without considering herself a bawd" and "wacky criminal roommate will end up taking over the world in the future so people have come back in time to stop him:.
https://www.poisonedminds.com/
Apparently the artist/writer attempts to lure people to his patreon with horribly drawn porn of his characters. Consider yourself warned OP. You asked for this.
I think these are strange questions. They have a site and you can look. Anyway, it seems to be on hiatus. One post seems to hint at the artist leaving, though neither the site's news nor the artist's twitter mention anything.
Turns out playing the "I'm just an innocent girl who was manipulated by a scary man" defense works 9 times out of 10, even if the evidence is completely stacked against you.
I'm amazed this b***h managed to completely skirt accountability when that sex offender stuff came out
Turns out playing the "I'm just an innocent girl who was manipulated by a scary man" defense works 9 times out of 10, even if the evidence is completely stacked against you.
I've noticed people tend to focus more on the author than the webcomic itself, there's nothing to talk about even in a cringe humor way without further context. Floraverse comes across like it's meant for what friends the creator has left at this point and not being understandable at all from an outsider perspective. They come off like another heavily autistic person with a internet presence that's been brain damaged further by scrutiny, and an unreachable goalpost of "accountability"
I don't know why they bother posting at all anymore, no one outside their personal circle wants to talk about their comic and it only sparks more controversy and gossip about their personal life by a handful of people that can't let go.
If you get halfway through before realizing it, it's more than barely disguised. But I have to say my biggest surprise was Grrl Power. The author used to be a prolific furry bondage artist before starting the comic
Like back in the day, putting a comic online was like... stapling something together and handing it out at people in the street. Putting a comic online on the internet today is like trying to make it in showbiz. You simply cannot ignore things like "marketing" and "networking" unless you're drawing porn, but even then if you're not abusing some popular IP or hopping onto a bandwagon your chances are much slimmer. Nothing has changed in the publishing itself, actually it's probably way easier today, but there's a whole barrier of algorithms and hashtags and other bullshit that will ensure whatever you put out will be drowned. Audiences now are also rabidly consuming one thing after another without even looking back. I have seen how zoomers look at things, it's brutal. Back in the day audiences were a lot more engaged. Your only chance for engagement now is finding some mega autist who will obsess over something in your comic and I'm not sure if that's something you'd want.
>Finally forced myself to stop reading it because each update was either boring or rage-inducing. >Author takes it on hiatus and admits he was writing page-by-page for years, promises he'll script the entire finale arc before drawing a single page. >Come back hoping for decency. >It's a fricking mess that shoehorns in every fetish and indulgence the author has, using his characters as mouthpieces against criticism from the first fricking update. >Ends it on the main characters forcefully transforming half the planet into animals, which everyone affected by is okay with and only dummies say is bad. >Wanks off his boyfriend's self-insert harder than ever before as a final frick you.
In the end I was as angry at the morons praising Rick Griffin as I was at him.
It was, just not by what you're thinking of, cause that's the year Rick admitted he started writing page-by-page or small batches of pages at best with no real plan.
Politics had nothing to do with it. It was ruined by the creator being a lazy homosexual who was more interested in jerking off then writing a good story.
That comment was saying it WASN'T ruined by politics.
The creator isn't exactly lazy, he just stopped giving a shit and kept pumping out pages to milk it as long as he could because it's how he got known.
His other comics aren't much better, I can't stand his comedic style and it doesn't help that he'll shove in his lousy poly relationship obsession wherever he can to internally justify why it's okay for his boyfriend to cheat on him.
And I was trying to say it dosen't matter because he fricked it up all on his own regardless.
11 months ago
Anonymous
At least, it wasn't muh fricking Drumpf, muh Burn Loot Murder, or muh fricking walmart women's rights!
11 months ago
Anonymous
That dosen't make it better. We still had to watch a fun comic turn into the world's most boring softcore porno because the author truly stopped giving a shit and had nothing but contempt for his audience. Ffs a TDS meltdown would have at least been entertaining compared to the lazy shit we got.
11 months ago
Anonymous
>Ffs a TDS meltdown would have at least been entertaining compared to the lazy shit we got.
TDS is so painfully common and supporting BLM is too disgusting.
11 months ago
Anonymous
It would have at least been something to talk about as opposed to the slow death we got
11 months ago
Anonymous
>Anon mad that some web comic artist's brain WASN'T melted by politics >Turns out it's because Anon was the one whose brain had melted due to politics
Many such cases
That artist nailed himself into his hugboxes so hard he doesn't understand that it's filled with dick suckers who wouldn't call him out on anything after years of iron fist mods scared off or banned all actual critics on his forum and he removed the ability to comment from the pages. He can't handle criticism anymore, the last time he acknowledged it he threw a fit and said it confuses him because everyone suggests something different, which is what happens when you milk a property for the sake of it and have no actual story to tell and no vision for how to tell it. If he knew what story he wanted to tell and why, he'd be able to apply that against any criticism to know if listening to it would help or harm him.
The sad part is that it really didn't have to end this way. If he wanted to just make it a vehicle to explore his fetishes he could have made it work. Instead he very clearly stopped giving a shit and was perfectly content to just milk it as long as he could. If you want an example of the right way to do something like that look at out of placers by valsalia. Yeah its weird, but it's immediately obvious that the person behind it is serious about his work and is giving it their all to produce a legitimately interesting story.
What audience do you want? There's so many choices that will get you zero views and yet if you post to DeviantArt with the right bait keywords you could get thousands
I just want to draw superhero/comedy shit similar to 80's cartoon shows in terms of scenario and quality (monsters of the week, adventures and all that). Not very heavy on world building and power explanations.
DeviantArt is obvious choice, I even have an old account there from which I haven't posted anything in eons, I just don't know if there are still somebody else besides 12yos with inflation fetish.
I pointed that out more to show how every other website has fallen for visibility. Making webcomics is a fools errand unless it's for your dick or personal satisfaction.
The Duck Webcomics for the true experience. Back when it was Drunk Duck it was already the focal point of shitty webcomics, because every artist worth their salt made their own page, and nothing has changed since then.
Come to think of it, it's honestly amazing that with the massive success of Webtoons, the first actual, real big service-providing aggregator/host never managed to capitalize on an idea it had literal decades before the opposition.
Swedish nazi webcomic neo germania made by a legit chud
http://web.archive.org/web/20130403131247/http://fireworkcomic.com/comics/first/
Does anyone else remember Firework and the constant drama surrounding it?
I want more fascist-made entertainment. Not, propaganda, I mean like art MADE by fascists and national socialists and right wingers. I want to see what intricacies far right wingers make with their cartoons. It's always such an interesting perspective, since most artists are some form of left or center-left.
There was this one i forget the name of where it was basically a shitty and moronic ripoff of happy tree friends with sparkledog animal gary stues torturing all of their patients in a hospital for fun and are supposed to be taken as serious villains but had names like dr.smileyhugs or dr.Glitterface or some shit.
A good one that I would like to find more on the quality or story and characters level of is the property of hate.
I remember someone in school that was several years our class' junior had a tapas comic about two gay dudes trying to survive in the apocalypse, was a massive fujo to the point she tried shipping some of my classmates together. She later drove a well-off classmate of mine to suicide thanks to some false sexting allegations. He did it just a few weeks before graduation.
Suffice to say frick fujoshit. Comic was called Apocalyptic if anyone wants to try finding an archived version.
I really like how the Dresden Codak guy would on one hand lecture people about the male gaze and female empowerment, and then abandoned his comic to draw pages and pages of amputee porn of his OCs, justifying it with paragraphs of cope, saying they were strong women in charge of their sexuality. Apparently he trooned out as well and now dresses like one of his characters and calls himself a xer. Life imitates art! Atleast he heckin loved the sciencerino!
Have you seen the lengths furries will go to to justify why their webcomic must be about a roaming macro futa anubis that soul vores cities with their magnum dong and then cut to a sad backstory about loss?
all the webcomics i like are cringe
https://tapas.io/series/Terriful
It's a brown sonic reskin made by an autistic moron. Enjoy the cringe.
This is the obscure good shit
And this is a classic
It gets better. The artist made their own Terriful wiki and edited it hundreds of times. The creator of Terriful has potential to be the next Chris-chan if he plays his cards right and continues being cringe.
https://terrifulcomics.fandom.com/wiki/TerrifulComics_Wiki
We do not need a next Chris-chan. The first one was a mistake.
>Obscure
The homosexual shitposts in /hyw/. I wouldn't even be surprised if you're him trying to advertise the series
inner london?
you know the one, weird furry troons making compost for magic mushrooms.
Nowhere near what you posted, but there's that suicide for hire one. This is the epitome of that sort of cringe edgy of the 2000s that aged really bad.
Maybe it's because I'm getting old but that 2000s DeviantArt crenergy has a heartwarming effect on me now. It's bad, it's edgy, but it's got a spirit to it, that genuine teenage angst channeled into something creative and unfiltered. Now it's like people can't express themselves outside of corpo code and if they do something like this it's because they're trying to become a meme or something.
That was why Jack lasted as long as it did
It's technically speaking still going
He's working on the final arc now.
Do not kill the part of you that is cringe
Kill the part of you that cringes
Reminds me of this.
Still kinda curious if there's more, or if this was just a one-off thing.
Inhuman. Pic related. Peak late 90's/early 2000's edge.
There was something special about the early internet, populated entirely by nerds, channeling all their sweaty energy into earnest, new amateur content. Because there was nothing there but the nerds, and without any real established audience, rules, or even outside scrutiny people just did whatever the frick they wanted. These early webcomics were awash in furry and gamer content precisely because it didn't already exist in print (aside from the furry zines, in which Freefall appeared originally in the early '80s, making it by far the oldest active webcomic by actually predating the consumer internet). Or Amerimanga because people desperately wanted it to exist in print. Those old zines are full of ads for obscure manga, too.
It's the fact that people were doing everything they did with a sincerity that just isn't there anymore. Even just the fact that you KNOW what is popular because it has N followers on social media is going to warp your mind at least a little bit. Back then there were really no likes, you had to find sites with search engines, no aggregators, no centralization, everything was like walking into a large city that you didn't know. The internet today is like a guided bus tour. Honestly, they were just better times. I had a Final Fantasy fan site on Geocities. Neocities doesn't work for this reason, it's all a pretense. You're not really wandering this strange city, you're just pretending. All is lost, like tears in the rain.
>It's the fact that people were doing everything they did with a sincerity that just isn't there anymore.
Case in point, Isaac is just cringe cringe because I can see the cheap deceitful intent of the character.
Be glad you got to experience it
Modern kids will never know what it used to be
That looks like a cute version of Drip
I know what you mean. I don't know if I should call it Chuunibyou kino or cringe kino.
Cringe kino, Chuunibyou doesn't roll off the tongue as well
It's raw expression which is rare now because of cringe culture and social media. Everybodys fricking terrified. It's terrible for art because nobody wants to do anything risky. It might be 'cringe' to joyless c**ts.
EXACTLY. people are scared to post anything that could even potentially be "cringe" in fear of being dog-piled and harassed on social media. i mean yeah, before algorithms and monetization and "e-celebrities" were a thing, people got shat on then but it's not quite to the same degree, you wouldn't be fired for having a bad take, or have literal thousands of people laughing at you.
so many modern "webcomics" are glassy and bland 4-panel pieces devoid of any real soul or originality because they're all trying to aim for marketability. appeal to "relatability," capitalize on trends. gotta get on the algorithm's good side. too afraid to be rough around the edges or show imperfections. oversimplify the art, draw faster, faster, because the algorithm demands a consistent schedule. no more hobbies, only content.
It's not that people are scared to look cringe, it's that if you're not hellbent on catching every single opportunity to wedge yourself into attention somehow, be it hopping onto a growing fandom or pandering to coomers or the alphabet mafia, you might as well not exist. That's a whole lot more demoralizing than the thought of someone messaging you to say your comic is cringe.
i mean, think about what people consider "cringe" in webcomics.
overly edgy blood-and-swearing-makes-it-mature-fests, overpowered totally-not-author-insert OCs with harems the size of a small country's population, and gay furries galore.
sex scenes derailing the plot left and right, sensitive subjects handled with the tact of a runaway train, tangled love dodecagons, and personality/plot/relationships that are about as consistent as the weather in denver.
blatant political propaganda, religious screeds, and arguments retold to make the author look smarter.
pages of worldbuilding to justify a character being permanently nude, feet that are just a little too conspicuously detailed, a plot that entirely hinges around people turning into giant dragons, sex powered magic, and fetishes that the writer just didn't even bother to disguise.
metal armor clinging to bodies like spandex, people shrinking and growing between panels, hands that were put on backwards. designs too complex to draw more than once, worlds populated by clones(distinguishable only by their shirt color), shadows with no light sources. And just plain bad art.
there are numerous professionally published comics that contain all these things, you just don't hear about them because they don't pull in enough money to make it past issue 2 and stores aren't exactly chomping at the bit to carry them. hell, sometimes you do hear about them, and they do sell by the truckload and every store in town carries them and they're still shit.
in other words, cringe is in the eye of the beholder. so called professionals churn out cringe by the gallon.
...and I really need to stop posting when I'm over-caffeinated and under-slept because the prose is a vibrant shade of tyrian...and I completely forgot what the point I meant to make was by the time I typed the second comma.
...maybe the real cringe was inside me all along...
http://badwebcomicswiki.shoutwiki.com/wiki/Main_Page
https://tvtropes.org/pmwiki/pmwiki.php/Horrible/Webcomics
Have fun.
Shut up Butz.
>Inb4 Homestuck
Tamberlane.
Jesus christ.
Liar.
Or maybe she changed it.
https://www.tamberlanecomic.com/comic/64/#comic-page
It's a very cute comic that is going nowhere.
>she actually changed it
Well shit, I almost regret covering it now.
Wonder if anyone has the original.
You can still see it in the non-age-restricted timelapse video on youtube. It's literally just one line, though.
Kinda funny how one line is the difference between a Ken bulge and drawing a child's dick in your comic.
She changed it. There were dicks all over for the first like 100 pages. I guess she got some kind of blowback over drawing kids with penises. Which is actually pretty silly to me since it was never done in a sexual way.
The webcomic isn't bad outside of that.
Got you Famalam
https://ko.hentai-img.com/image/caytlin-vilbrandt-tamberlane-ongoing/attachment/65/
You can search for more penor here:
https://fr.hentai-img.com/story/caytlin-vilbrandt-tamberlane-ongoing-2/
Thanks.
I'm still not sure what surprises me more.
That she had the balls to draw explicit child dick (regardless of how tamely it was done), or that no one really batted an eye until so much later.
that censor box had me expecting a magnum dong
I'm worried that I'm kinda disappointed at all
https://www.tamberlanecomic.com/about/
The frick? Since when do webcomic artists have teams of ten people working for them?
Ones that make $4320 a month on Patreon alone, I'd guess. That's good money even if you discount product sales, the recent Kickstarter, and commissions. Check out the Patreon benefits, too. She knows what she's selling. There's at least a few people dropping $250 a month on this. I don't know what I'd like more: The ability to earn a decent living pursuing my deviant interests, or having the kind of frick-off money to drop 250 buckaroos a month on my deviant interests.
All the more's the mystery that she decided to name the comic after a ruthless conqueror.
>Ones that make $4320 a month on Patreon alone, I'd guess.
But why would you split that with 9 other people??
They're probably not on a constant full time payroll. But some of them are probably instrumental to that insane number, like the social media person.
An actual rabbit hole
>webcomics are so dead it's not fun to riff on bad ones anymore
Its always fun for me. I just haven't found any recently.
I mean there's really no point. The same insanity that would have been peak lolcow material 10-15 years ago is now tragically mundane. Whats really sad is that even the GOOD ones can't even garner attention or generate hype anymore, and people looking to start new comics are pretty much fricked.
Andy Warhol was right
Holly my beloved
Wrong comic
I legitimately thought this comic was an Endtown fancomic.
Nah, it was inspired by stuff like endtown but it's it's own thing. It's pretty good so far but I wish it updated faster
That's Abigail from gone feral
New update just came out
Yeah there's nothing interestingly bad these days. Maybe blobby, sinfest and Josh Luna
This comic backfires tremendously because it seems to imply Filipinos are an inherently weak race that exist solely to get conquered.
What have you already seen?
Nah this one's right. It takes a certain level of either cognitive dissonance or nihilistic cynicism to eat animals once you realize that there is no actual hard line between man and animal. Any sort of test for intelligence we can come up with, we can find an animal that passes, and it never stops us from killing them.
I'm enough of an oldgay to remember YWIBAYSFB. The guy who made it posted here back in like... 2006.
Goddamn it still exists.
https://badwebcomicsarchive.blogspot.com
Ah man all the links to the comics themselves are long dead.
>last post is from 2008
>it's about Dresden Codak
Well, there's a blast from the past. It's hard to think I actually used to enjoy Dresden Codak, and that there was a time when its art was some of the best in webcomics. And that train wreck just kept rolling downhill, too.
Some may be in the Internet Archive. Pic sorta related. Old Dresden Codak pages are in there, and for some reason I wondered if Diaz had fixed some of the shit he caught flak over and found that he did.
the edit on blue shirt lady is fine, it just looks like she put a bra on. but purple shirt looks like the victim of a botched mastectomy.
Oh man! Dresdan Codak was great. The clever science gags were top notch. Progressive, open-minded, liberal. Joke about it all you want, but it was right up my alley. Then he went into a long-arc format aaaaand, it wasn't bad. I really didn't mind Hob. It wasn't as good as his early stuff, but it wasn't terrible. The time-travel schtick was... eh... not great but it wasn't yet overplayed as much as it soon became. And there was an attractive lead. The output rate went down as he tried to be a better artist.
....And then the dark science arc. It started out a little crazy, but alright. World-building. I can suspend disbelief for a while. But he had no idea where he was going with the actual antagonists. He got caught up in some bullshit feminism push and hated his early use of sex appeal.
And then... Hoooo boy. The webcomic artist went bat-shit fricking crazy. Abandoned plot, tossed in new characters, became a troony, and used his comic to shoe-horn in the god-damned agenda. Siiiiiiigh. Such a fricking train-wreck.
Being a webcomic artist is a rough job. Solitude, online criticism, and dealing with Internet anons is abuse. It drives a lot of people made. Like that poor Goblins guy. /tg/ loved him and he just fricking LOST it. But Dresden followed the pit that Questionable Content fell into. Trying to appeal to more and more radical progressives loops all the way around back into an oppressive mentality. It'll never be good enough to appease the jack-booted thugs who worship victim-hood status. Anyone below them on the marginalized hierarchy is doomed to be a pariah and enemy.
Maybe they'll eventually go down the Sinfest route and pull a full fricking flip once they wake up and smell the turd. But JESUS fricking christ that guy is full unhinged now.
The science gags weren't clever, though. It was the heyday of the SCIENCE! era and you saw that shit in a lot of webcomics, and it basically launched Mythbusters (and Brainiac). Dresden Codak was a cut above the average by having slightly smarter and more obscure references, but in retrospect it was never actually clever. If the jokes were about sports it would be athletes performing superhuman feats based on their reputations or something. The humor hinges on the fans being familiar with the subject matter and getting an ingroup feeling.
But I kinda checked out with Hob. I was a homosexual who ate up the SCIENCE! shit and the more esoteric humor. I still read it, but when Dark Science started I dropped the comic entirely.
>He got caught up in some bullshit feminism push and hated his early use of sex appeal.
The problem was, he was really REALLY loud about feminism himself. And it stood out because he'd make these shitty, pedantic blog posts about how he's redesign Zelda or superheroes or whatever while he was at the height of his popularity and people were waiting for another update. So seeing him drop half a comic's worth of art just sniffing his own farts already pissed people off. But then he goes and does all of the shit he claims is bad in his own damn comic. And comes up with one of those "celebrating the female form" excuses. Dude could have just said "I like drawing breasts" and that would have been that. The top two webcomics on Top Webcomics (which isn't a god measure anymore, but still) are Grrl Power and TwoKinds. Both are incredibly horny. Both earn a firmly above average wage on Patreon. Nobody bats an eye, because neither claim to be doing it for feminism (and TwoKinds has loooooong since removed its "not a furry" disclaimer).
Aaron went full nutso. Maybe he always had some kind of personality disorder. Though, I'm surprised to see he still pulls in almost 4k a month on Patreon. The comic is still paying his bills.
>It was the heyday of the SCIENCE! era and you saw that shit in a lot of webcomics, and it basically launched Mythbusters (and Brainiac)
. . . The heyday is over? Do kids not have this sort of thing anymore?
When I was a young there was Mr Wizard and Bil Nye and Beakman. Kids have like an unlimited amount of Internet and anyone can put on a show. What do we have?
>a cut above the average by having slightly smarter and more obscure references
You're working real hard on agreeing with me here.
"Not clever" though? Ancient messages embedded into life DNA and it's... propagate the species spam? c'mon, that IS a clever gag. Monetizing sleep cycles, very clever.
"Me am play god", sure, isn't clever. That's just a religion-bashing cheap gag, but it's still pretty funny and a good set of comics. D&D philosophers are really just references, but hey, the art was good.
>So seeing him drop half a comic's worth of art just sniffing his own farts already pissed people off
See, I thought those were fine. Good even. They weren't his long-arc comics. They were short-form without an attempt at drama and plot, which he was never very good at. I vaguely remember a Superman redesign which was pretty legit.
Part of me thinks the mental gymnastics he went through to justify his hypocrisy is what made him jump off the deep-end. But I never thought it was a big deal as people have made it out to be. Another part just thinks he's following the money and appealing to his paying customers. Because holy shit, $4K/mo for that? Maybe the dude has just found a vein and is mining it for all it's worth.
>The heyday is over?
It is on the internet. It was a result of the internet being full of nerds.
>You're working real hard on agreeing with me here.
Point is that most of the clever stuff was referential. It leaned on the audience being aware of a certain scientific principle rather than saying clever stuff about the science itself.
>Monetizing sleep cycles, very clever.
That in itself isn't clever. It's the joke about working in your dreams still being work, with the resulting disadvantage of it being tiring, that's clever. Of course, it's a very small joke for an entire page.
>"Me am play god"
Honestly, it's his best comic. I wouldn't say it's a "religion bad" joke through and through because the thing it lampoons is a relatively common bottom tier science fiction trope, namely science going too far. It also shows that Diaz actually knows his art, giving the cavemen and their props appropriately comedic looks.
>See, I thought those were fine.
On their own, sure. But he already had a reputation of slow updates.
>Maybe the dude has just found a vein and is mining it for all it's worth.
He used to be one of the most prominent webcomic artists, and I think being well established counts for a lot. He probably schmoozes with the right people, but I honestly don't know. Surely there are plenty of people who want to drop money on things that appeal to them, including trans virtue signalling.
Obligatory
God I fricking hated that shitty comic. There's nothing I hate more than pretentious drivel lazily propped up by breasts and ass, by someone who postures as an SJW to boot. Have some dignity and just draw a fricking porn comic FFS.
Anon that was a pasta, I know this place is so inundated with homosexualry that it's hard to tell sometimes but that was a blatant pasta all the ellipsis are a dead giveaway
What? He transformed into the trans father, what?
>whiiirrrrrrrrr
Is that by the guy that made that arcade-styled game where you run from the alligator that tries to eat you?
Yeah that steam game was based on his fetish webcomic
What?
https://store.steampowered.com/app/384990/Gon_EChoo/
Moon over june
It's not obscure but it's doomer fuel.
Sinfest has five eras as I see it.
Early sinfest: really good, sometimes skirts the line of good taste, pretty funny. Pretty rough topicwise
Medium sinfest: the golden years, just clever and funny comics, the characters are endearing, also really good. Wholesome but edgy at the same time.
ExtremeFeminist era: something happens to tats and he snaps and goes full blown smash the patriarchy mode. The change is so harsh regular readers and non-extremist sane feminists start to read the strip as a lolcow.
Le deep era: a very short time where the comics try to return to form but tats ends up creating a bunch of random new characters who lack substance, complains about society through strange metephors. It's alright but nothing near the first two.
Alt right era: Tat does a complete 180 and goes fullblown Qanon internet theory truther.
Although I agree that the government is incredibly fricked up, and I think transgender ideology is terrible. Tats tackles these topics with no grace whatsoever and somehow becomes a lolcow for both far sides of the political spectrum.
It's a fricking trainwreck of a comic that has the ability to be good, but is held back by it's creator who just uses it as a blog to whine about things. Posts almost every other two days for the last 20 years.
I want old sinfest back, but I still keep reading because it's fricking insane. Also it puts a little echo in my chamber regarding my views on trans people.
I miss the old kanye.
>It's a fricking trainwreck of a comic that has the ability to be good, but is held back by it's creator who just uses it as a blog to whine about things.
Stand assured that the only reason it's still afloat is that the author went political.
I know so many amazing webcomics drawn by god tier artists who despite incredible talent and lots of work didn't get anywhere.
I followed a guy's account, fantastic art, drew incredible poses and fisheye stuff all the time. Never broke 5k followers despite having started all the way back on Tumblr. Pages of the webcomic would get single or double digit likes, he had another side project with GITS style cyborg girls and if there was an ass somewhere those pics would get like 5k which is still nothing. AFAIK he never switched to porn, and he never stirred any drama, he'd just draw and make work. Even when he drew the cyborg girls stuff he wasn't just trying to draw some chick, he did crazy work with mechanics and wiring. He dropped off the web in 2020 and the webcomic is lost. I could mention another dozen at least. All the good webcomics I loved are dead while trash skill porn peddlers and alphabet people who have no right to draw anything are making bank or at least getting some visibility. It's such a sadness. The squeaky wheel gets the grease.
It really depends on what you consider a good webcomic. For example I really enjoy OOPs but I know it's an acquired taste. There's still decent stuff out there but it's much harder to find compared to 10+ years ago.
Every webcomic is someone's favorite. Webcomics considered bad have thousands of more eyes on them than the best. Discussion bait aside I don't think the cringe in the subject matters at all if you're putting all your heart into an online comic someone will consider it cringe.
>Bad Webcomic Wiki
God this place has gone so far down in quality it's insane, now it's barely fricking alive
It was always shit. Every article is just whinging from the type of people that made Encycopedia Dramatica not funny.
>Bad Webcomics wiki
>Ever good
Every single paragraph had over a bazillion of forum posts of infighting behind it
It says 'bad' right in the title
https://rentry.org/size-catalogue#webcomics
I don't find these cringe I just want to share how many there are
S.S.D.D.
Furry shit made by some brit who can't stop reminding the audience he's british every week or so. I guess he's worried people might forget? Artwork started off horrible and barely improved. Has been going on for years and years and years now.
Started off as just a goofy roommate joke-of-the-day comic sort of deal, then it suddenly decided it wanted to have a real plotline. Years later is has plotlines such as "MC's girlfriend attempts to figure out a way to have sex with someone she's training at work without considering herself a bawd" and "wacky criminal roommate will end up taking over the world in the future so people have come back in time to stop him:.
https://www.poisonedminds.com/
Apparently the artist/writer attempts to lure people to his patreon with horribly drawn porn of his characters. Consider yourself warned OP. You asked for this.
I remember Sandra a Woo. I used to love that when I was younger, then I stopped reading it. Is it still going on?
I think these are strange questions. They have a site and you can look. Anyway, it seems to be on hiatus. One post seems to hint at the artist leaving, though neither the site's news nor the artist's twitter mention anything.
https://floraverse.com/
Floraverse is downright insane mess, as expected of an insane mess of a person the author is
I'm amazed this b***h managed to completely skirt accountability when that sex offender stuff came out
Turns out playing the "I'm just an innocent girl who was manipulated by a scary man" defense works 9 times out of 10, even if the evidence is completely stacked against you.
I've noticed people tend to focus more on the author than the webcomic itself, there's nothing to talk about even in a cringe humor way without further context. Floraverse comes across like it's meant for what friends the creator has left at this point and not being understandable at all from an outsider perspective. They come off like another heavily autistic person with a internet presence that's been brain damaged further by scrutiny, and an unreachable goalpost of "accountability"
I don't know why they bother posting at all anymore, no one outside their personal circle wants to talk about their comic and it only sparks more controversy and gossip about their personal life by a handful of people that can't let go.
Can you survive all 1000 pages
Wait, it's all furries?
Always has been.
DJ grey comes to mind
The hell are you talking about? DJ Grey is a perfectly fine webcomic.
here's a classic
I think homosuck was already too self-aware to be truly cringe.
I hate thatI I know what that is
people read webcomics without jacking off to them?
I wonder what it's like to read a webcomic and then halfway through get the realization it's the author's barely disguised fetish
If you get halfway through before realizing it, it's more than barely disguised. But I have to say my biggest surprise was Grrl Power. The author used to be a prolific furry bondage artist before starting the comic
You should see what it's like to draw a webcomic and realize halfway through that it's your barely disguised fetish
I once read a vore webcomic for the uh vore only to find out the actual fetish was vacuums years later
Well that sucks.
Literally
>tornado foot vore
>those backgrounds
They're inside someone aren't they.
The whole comic takes place inside monsters so that's very likely
How has picrel not been adapted into an autistic DeviantArt webcomic?
Been on the internet forever and still learning about new fetishes
Like back in the day, putting a comic online was like... stapling something together and handing it out at people in the street. Putting a comic online on the internet today is like trying to make it in showbiz. You simply cannot ignore things like "marketing" and "networking" unless you're drawing porn, but even then if you're not abusing some popular IP or hopping onto a bandwagon your chances are much slimmer. Nothing has changed in the publishing itself, actually it's probably way easier today, but there's a whole barrier of algorithms and hashtags and other bullshit that will ensure whatever you put out will be drowned. Audiences now are also rabidly consuming one thing after another without even looking back. I have seen how zoomers look at things, it's brutal. Back in the day audiences were a lot more engaged. Your only chance for engagement now is finding some mega autist who will obsess over something in your comic and I'm not sure if that's something you'd want.
>lived long enough to see Housepets end
>Finally forced myself to stop reading it because each update was either boring or rage-inducing.
>Author takes it on hiatus and admits he was writing page-by-page for years, promises he'll script the entire finale arc before drawing a single page.
>Come back hoping for decency.
>It's a fricking mess that shoehorns in every fetish and indulgence the author has, using his characters as mouthpieces against criticism from the first fricking update.
>Ends it on the main characters forcefully transforming half the planet into animals, which everyone affected by is okay with and only dummies say is bad.
>Wanks off his boyfriend's self-insert harder than ever before as a final frick you.
In the end I was as angry at the morons praising Rick Griffin as I was at him.
Unfortunately, it is one of the few comics not to be ruined by 2016.
It was, just not by what you're thinking of, cause that's the year Rick admitted he started writing page-by-page or small batches of pages at best with no real plan.
Politics had nothing to do with it. It was ruined by the creator being a lazy homosexual who was more interested in jerking off then writing a good story.
That comment was saying it WASN'T ruined by politics.
The creator isn't exactly lazy, he just stopped giving a shit and kept pumping out pages to milk it as long as he could because it's how he got known.
His other comics aren't much better, I can't stand his comedic style and it doesn't help that he'll shove in his lousy poly relationship obsession wherever he can to internally justify why it's okay for his boyfriend to cheat on him.
And I was trying to say it dosen't matter because he fricked it up all on his own regardless.
At least, it wasn't muh fricking Drumpf, muh Burn Loot Murder, or muh fricking walmart women's rights!
That dosen't make it better. We still had to watch a fun comic turn into the world's most boring softcore porno because the author truly stopped giving a shit and had nothing but contempt for his audience. Ffs a TDS meltdown would have at least been entertaining compared to the lazy shit we got.
>Ffs a TDS meltdown would have at least been entertaining compared to the lazy shit we got.
TDS is so painfully common and supporting BLM is too disgusting.
It would have at least been something to talk about as opposed to the slow death we got
>Anon mad that some web comic artist's brain WASN'T melted by politics
>Turns out it's because Anon was the one whose brain had melted due to politics
Many such cases
>Wanks off his boyfriend's self-insert harder than ever before as a final frick you.
He so desperately wants to make a paw fetish comic he should go for it
I love to pirate rickgriffin's gaygits cummics
Thank god. That shit was rage inducingly stupid.
That artist nailed himself into his hugboxes so hard he doesn't understand that it's filled with dick suckers who wouldn't call him out on anything after years of iron fist mods scared off or banned all actual critics on his forum and he removed the ability to comment from the pages. He can't handle criticism anymore, the last time he acknowledged it he threw a fit and said it confuses him because everyone suggests something different, which is what happens when you milk a property for the sake of it and have no actual story to tell and no vision for how to tell it. If he knew what story he wanted to tell and why, he'd be able to apply that against any criticism to know if listening to it would help or harm him.
The sad part is that it really didn't have to end this way. If he wanted to just make it a vehicle to explore his fetishes he could have made it work. Instead he very clearly stopped giving a shit and was perfectly content to just milk it as long as he could. If you want an example of the right way to do something like that look at out of placers by valsalia. Yeah its weird, but it's immediately obvious that the person behind it is serious about his work and is giving it their all to produce a legitimately interesting story.
So, what's the best place to publish my own cringy webcomic? Except trash bin, it's already full
What audience do you want? There's so many choices that will get you zero views and yet if you post to DeviantArt with the right bait keywords you could get thousands
>What audience do you want?
Probably teens or nostalgic manchild adults.
I just want to draw superhero/comedy shit similar to 80's cartoon shows in terms of scenario and quality (monsters of the week, adventures and all that). Not very heavy on world building and power explanations.
DeviantArt is obvious choice, I even have an old account there from which I haven't posted anything in eons, I just don't know if there are still somebody else besides 12yos with inflation fetish.
Deviantart is still relevant?
I pointed that out more to show how every other website has fallen for visibility. Making webcomics is a fools errand unless it's for your dick or personal satisfaction.
Is it possible to gain a fan base posting your comic on Tumblr?
The Duck Webcomics for the true experience. Back when it was Drunk Duck it was already the focal point of shitty webcomics, because every artist worth their salt made their own page, and nothing has changed since then.
Come to think of it, it's honestly amazing that with the massive success of Webtoons, the first actual, real big service-providing aggregator/host never managed to capitalize on an idea it had literal decades before the opposition.
Dude looks like Himmler's clone. What other choice did he possibly have in life?
>What other choice did he possibly have in life?
making it a furry comic instead of manga?
> The Duck Webcomics for the true experience
Opened the website and literally clicked on the first random thing in "latest"
Yeah, seems like a good place to start
>Dude looks like Himmler's clone. What other choice did he possibly have in life?
Hes a Swedish icon
I miss her bros
did it end?
What happened to Spinnerrette and Minerva?
http://web.archive.org/web/20130403131247/http://fireworkcomic.com/comics/first/
Does anyone else remember Firework and the constant drama surrounding it?
Swedish nazi webcomic neo germania made by a legit chud
https://m.webtoons.com/en/challenge/neo-germania/list?title_no=679121
I want more fascist-made entertainment. Not, propaganda, I mean like art MADE by fascists and national socialists and right wingers. I want to see what intricacies far right wingers make with their cartoons. It's always such an interesting perspective, since most artists are some form of left or center-left.
Can someone give me the name of the webcomic with ginger witch sisters?
Otherwise I'm so sad that Poppy is over, it was the best of all. Luckily we have Kills us 6B demons.
more like kneel to 42 troons
Best girls? That's exactly what I'm looking for.
One board per month is not too much to ask...
>Otherwise I'm so sad that Poppy is over
Artist laziness, & was going to be too convoluted if it continued by what morbi was saying on Twatter
I hope the anon who did real animal head edits for every update is doing well. I liked that Morbi referenced him for an April Fool's Day gag
There was this one i forget the name of where it was basically a shitty and moronic ripoff of happy tree friends with sparkledog animal gary stues torturing all of their patients in a hospital for fun and are supposed to be taken as serious villains but had names like dr.smileyhugs or dr.Glitterface or some shit.
A good one that I would like to find more on the quality or story and characters level of is the property of hate.
I remember someone in school that was several years our class' junior had a tapas comic about two gay dudes trying to survive in the apocalypse, was a massive fujo to the point she tried shipping some of my classmates together. She later drove a well-off classmate of mine to suicide thanks to some false sexting allegations. He did it just a few weeks before graduation.
Suffice to say frick fujoshit. Comic was called Apocalyptic if anyone wants to try finding an archived version.
I really like how the Dresden Codak guy would on one hand lecture people about the male gaze and female empowerment, and then abandoned his comic to draw pages and pages of amputee porn of his OCs, justifying it with paragraphs of cope, saying they were strong women in charge of their sexuality. Apparently he trooned out as well and now dresses like one of his characters and calls himself a xer. Life imitates art! Atleast he heckin loved the sciencerino!
his parents must be very proud of his comic.
Aaron Diaz pre-troonout for reference.
>a literal SCIENCE! in the background
I told you about the SCIENCE!, dog.
IT KEEPS HAPPENING!
Le reddit heckin epic sciencerino saves lives!
fricking clown world man
>"post cringe comics"
>thread filled with furry comics
Lmao
Furry comics are either really interesting or really shit. There is no in-between
Have you seen the lengths furries will go to to justify why their webcomic must be about a roaming macro futa anubis that soul vores cities with their magnum dong and then cut to a sad backstory about loss?
You just described actual canon Egyptian mythology broski
>and then cut to a sad backstory about loss?
Furry tim buckley? Now that I wanna see, link?