All that Hollywood writers have been producing the last 5 or so years has been complete garbage. Like zero effort type scripts that are terrible, I mean sure theres the occasional really good one, but you dont see masterpieces unless its a movie being produced by one of the biggest name producers (Spielberg, Tarentino, christopher nolan, ect)
It seems that big companies are no better too because they lack the common sense to read a garbage script and reject it for being terrible.
Do the writers even deserve the pay increase they are demanding?
Also I promise im not bob iger.
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whats your guys' opinions?
She certainly does. Does she have a cashapp where I can donate?
The idea is that they are paid residuals if their product is a hit.
Since nothing has been a hit, they're striking for more money.
but isnt that a by product of their bad scripts, like if i was in charge of telling an oil company where to set up oil drilling sites, and i get it wrong constantly, should i really be getting a pay increase when barely any oil is being pumped out?
from what I understand the whole system is fricked. 90% of the stuff written gets reworked or edited after the whims of the producers, so what comes out as a great script is eventually neutered to target specific market audiences.
However that is not mutually exclusive with writers being moronic and lacking in world experience.
Streaming is huge wtf are you talking about. Actors for Orange is the New Black (I don't like it but it brought Netflix in money) got like $20 in residuals recently. If you aren't supporting Netflix then you are supporting CEOs and stockholders
>If you aren't supporting Netflix then you are supporting CEOs and stockholders
What?
also directors not producers but my arguement stands. I think the actors deserve an increase though.
>studio meddling good
You guys are morons.
A reminder that even the great Robert Towne wrote a different ending to Chinatown.
>I HAVE LE TRAUMA, PAY ME NOW
Lol. I hope that the writers are all fired and die in poverty
The only valid takes for these onions drinking hacks
They still do it’s just the corporate side as opposed to the writers side
Writers need to start taking cocaine again
LSD my friend
the current writers are fat and weak dyedhairs. they're probably on reddit tier lofi beats drugs like weed and a wienertail of pharmaceutical pills for their severe mental issues
>Childhood Drama
If she's a israelite she was molested or raped by a israeli Uncle
If she's a "Christian" her Dad made her go to Church instead of watching Pokemon and might have yelled at her once for smoking pot
Bottom is literally my older sister but instead of pokemon it was concerts wtf
kek why do leftoids think stuff like this is good? look at her smug c**t face while bragging about being raped or something
Victimhood has been commodified. Keep up with the times.
>5 years
It's been garbage since the last strike, when all of the good writers left
Writers absolutely do not deserve higher wages just look at them. A vast majority of shows and movies are written like diarrhoea blasted on a page. The issue is the disparity between grossly overpaid actors, producers and directors who need to be paid less than their ludicrous amounts.
Shit like this is why so many people hope they starve
>Spielberg, Tarentino, christopher nolan
>masterpiece
>All that hollywood writers have been producing the last 5 or so years has been complete garbage.
not true chud
not only are they demanding more money but they also want more writers in the room, black latina trans queer handicapped otherkin of course.
its both fiscally and artistically more understanble to have 1-3 writers in a room and thats all
>not only are they demanding more money but they also want more writers in the room, black latina trans queer handicapped otherkin of course.
Imagine being an Actual Writer just wanting to get better payment, but for some reason your Movement keeps getting torpedoed by moronic trannies and homosexuals
for ~~*some reason*~~
Fool me once.
>non-essential workers want more money.
get a real job that helps society losers
The problem goes beyond wage. The actual problem is all the coattail-riding. You absolutely can not sell me on the concept of a “story group.” Good stories don’t evolve out of a committee, and no studio is going to be eager to increase wages when that means paying a couple of people to actually write and ten others sitting around saying, “Yeah, but what about …” for comparable pay.
>Good stories don’t evolve out of a committee
this
>demanding more pay
>in an industry where the products are overwhelmingly awful and too large in scope
delusional
they should be kept in pits and poked with sticks
They deserve less, if anything. Give them an hourly wage, with a supervisor to make sure they are actually working, and residuals for if they actually write something worth watching.