ENA - Power of Potluck has been out for one month now.
>It's so far gained 1.7 million views
>In that same time period, The Amazing Digital Circus gained 55 million views for a total of 206 million.
How?
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Does ENA has clussy? the real answer is that ENA is too high art/experimental for most audiences. 90% of people are going to watch it once to see whats up, find it not to their taste and move on, compared to digital circus which parental guidance addled children will just watch on loop
This board determined that Ena has whatever sex organ that fits in with Xavier's
>ENA is too high art
Jesus Christ, do you also smell your own farts while you jerk off to ENA art? The real reason is ENA is falling off, from an interesting idea and concept it has slowly turned into a "Heres a new type of art i learned, so here it is" nonsense
Visually cool but with a non-existent narrative, even Xavier Renegade Angel did a better job at presenting a plot.
>Visually cool but with a non-existent narrative,
Yeah like I said, high art.
Xavier Renegade Angel is a professionally made network TV series, so yes it would have more structure compared to a web animation.
But also ENA is more popular than Xavier was when it aired
What are you two frickers talking about, the first 2 ENA episodes were just a bunch of random scenes about completely random skteches Joel made up for fun, last episode in the other hand was Joel moving into lore and character development with ENA trying to remember some traumatic experience while also trying to understand her own emotions so she can be happy. It started as randumb and now is trying to be artsy.
A few reasons:
>Glitch and Gooseworx both have audiences from their respective previous works, while ENA was the first time Joel G gained a lot of traction
>TADC's retro-game aesthetic is much more inviting and eye-catching, while ENA's looks more like an art exhibit
>ENA is more oblique, while Digital Circus is more straight-forward
>Digital Circus pilot uploaded on October 13th, 2023; 10 + 13 = 23
Goose’s previous works had little to no influence on TADC’s popularity. Plenty of artists find success in one series and the next thing they put out completely flops. I remember watching little runmo, but I had no idea it was by the same person.
he means murder drones and that splatton shit.
Both Goose's and Glitch's channels were no more popular than Joel G prior to TADC. Why are people suggesting otherwise?
Glitch was getting 10 million views per episode for Murder Drones prior to TADC. What are you talking about? A big chunk of TADC's initial viewership just before it blew up would have been from Glitch's regular viewers. Before Murder Drones Glitch's viewership was irrelevant, yes, but in the year since it grew to a definitely not insignificant size.
Ena is also in that 10 million view range
If TADC actually had a retro game aesthetic I'd respect it. Instead it looks and feels like Miraculous Ladybug. They should have stuck with the low poly cgi style briefly seen in the beginning.
It's less like the actual graphics of a retro game and more like promotional art made on a high-end workstation of the time.
it's more obvious in promotional art posted on glitch's social media, they don't try to fully imitate 90s cgi in the actual show by their own admission
Amazing Digital Circus
-Gooncore colors
-Gooncore Music
-gooncore character designs
Ena
-sad weird creepy music
-ugly characters
-muted colors
Elaborate on gooncore music
It's a good ost to heckin' goon too.
ENA was only noticeably popular on places like Cinemaphile and reddit, while Digital Circus is more mainstream and The Hispanic fans latched in to it like it was Loud house x ben10 crossover.
In resume, ENA is niche.
>One is popular because it's popular
>The other is niche because it's niche
I asked how, not for you to repeat what I already said.
Window XP vs Windows 95
Viewbotting.
they're both waifushit garbage so numbers don't matter anyways
Because Pomni is extremely vulnerable and usable
TADC having vibrant colors was able to bypass the recommended filters that it was able to reach the Cocomelon audience
You guys are so out of touch with media logistics.
Most TV shows are lucky if they get a million viewers for an episode. Generally the median for this stuff is a few hundred thousand views, and that'll usually get you a decent payout if it's consistent.
The only media that gets the kind of numbers that digital circus gets are fricking cocomelon baby stim videos. It's a fluke that it got so big because the algorithm legitimately lumped it in with stuff for kids. You can look it up, it's not some hidden thing, and all the bootleg shit backs it up.
> It's a fluke that it got so big because the algorithm legitimately lumped it in with stuff for kids. You can look it up, it's not some hidden thing, and all the bootleg shit backs it up.
You got it backwards. There are bootlegs and finger families of Digital Circus because it's popular. TADC got inside of YouTube's algo-vomit because:
>Cute, female, easy to draw, round head, round eyes, unique aesthetic (clown) protagonist
>Protag is filled with anxiety, relatable to the target demographic
>Sexyman bait rabbit and ringmaster teeth guy
>Somewhat original theme (circus)
>Gooseworx's pre-existing fame help boost this up
Of course, Goose also got good RNG with this.
>unique aesthetic (clown)
Literally the only thing that put it in the algorithm was that it was a colorful 3d cartoon.
I don't know ow if you've noticed, but even mid student films done in 3d will outperform 2d stuff, especially if it's family friendly. It's been a trend since youtube existed, there are so many examples of 3d cartoons that mog the frick out of every classic viral 2d cartoon, it's just that nobody talks about them because the audience that watches that doesn't post on forums like this.
This, it just fill every single industry formula to be marketable
Not true, otherwise they would be dominating the indie animation web series market, however most of the active and recent +10 million views series are 2D: Helluva Boss, Spooky Month, Mystery Skulls, Confinement, Salad Fingers, Annoying Orange and Lackadaisy Cat.
Your argument is only correct if you include animation for toddlers and youtube shorts and in this case you will be crushed by those clickbait studios and even those 3D studios are starting to lose a lot of views to Elsagate which is mostly 2D nowadays
>glitch productions is nirvana
>gooseworx is kurt cobain
>amazing digital circus is smells like teen spirit
bros, this isn't gonna end well....
Normies love digital circus
ENA is perfect for enthusiasts and patricians with superb tastes, Normies are far to moronic to ever get it nor should they be welcomed as they would shit up the place with the absolutely pure homosexualry such as what has occurred with TADC and the countless comic dubbed homosexualry occurring on youtube
Fan work of ENA is made with SOVL meanwhile TADC is plagued with absolutely cringe homosexualry and leechers trying to ride the wave
First comparing anything to TADC is stupid. We don't even know if it will be ever possible for any indie series to ever reach those numbers again, maybe they won the algorythm lottery. It's so much bigger than the other 2 big series Helluva Boss and Spooky Month no one even knew it was possible to reach those numbers
Second Joel G kinda killed the hype with his long ass hiatus while not even telling people if last episode was the ending, we don't even know if the current episode will be the last one. People want consitency, they want to know if they will have more.
the algorithm just shows people what other people like
Kids got bored of ENA, you could see that before the Potluck cartoon even came out.
>The 9 YouTube View Bots That Will Make Your Views Go Through the Roof
I don't think bots are likely, they have way too many likes and comments and nor youtube nor any drama channel or company managed to find any evidence of bots, and most of all Elsagate is investing massively on parody videos of it, there is a reason why there are no elsagate videos about Johny Johny yes papa and other nursery songs, they know when the views are legit, they are experts on bots.
>But bots can't comment and can't likes.
Upload a youtube video how MrB suck ass you get his bot army commenting on you. Also 300,000 $ per episode for something look like made in SFM. Nice projections, EUROs and Weebs are laughing.
a bunch of 13 year olds fans arguing with you ins't "bots"
>per episode for something look like made in SFM
the guy animating it is an industry veteran whose works were even praised by people such as Dan Povenmire
We've been over this. Bright colors and primitive shapes got it in to the kids' algorithm and the kids took care of it from there.
You do not see those numbers, that fast, without being Spiderman and pregnant Elsa jumping on the bed.
>Spiderman
The refrigerator joke?
What? No, I'm just saying Spiderman really gets around.
Digital Circus was also dubbed in other languages which helped it reach a global audience.
ENA is too weird and has a nonsensical plot, if any. Also the development of the game has taken too long, so hype has died.
Don't know why the Circus cartoon did so well to be honest. I didn't think much of it.
Ena fell from
>Art style exploration with culture references ... with lulz !
To
>2deep4u and uhm ... heres moony.
It is so over.
Both are pretty cool in my opinion.
To be fair how do you even animate a let's say a 8 episode series if every single episode is about literally nothing, at some point just looking at weird backgrounds and goofy characters doing nothing would get unbearable.
Fair, but they could just finish it off with a 5 episode total too.
I dunno, but it's funny because those two have the same VA.