>He's the one who's doing it
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>He's the one who's doing it
>He's the one who's doing it
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this movie had entertaining scenes but it was sitll nonsensical garbage
>filtered
explain the plot then.
>plot
This man was preemptively LYNCHED before even watching this movie
woman goes to Hollywood, is unsuccessful
falls in love with hoe, gets roles
gets broken up with
orders a hitman, kills gf
dreams up a world where she's perfect and her hoe gf loves her and is just like her
also directors are forced to choose bad actresses i.e. not her
wakes up, kills herself
now explain the homeless man heart attack diner plot
What didn't you understand about it being a dream?
see
>That is a face I hope I never see outside of a dream.
The face we see behind Winkie's is a face neither he nor anyone would want to see even in a dream. He was talking about the midget. The storyline that immediately follows him fainting.
The person behind Winkie's is Camilla's reanimated corpse. She lives where the hitman who murdered her left the blue key to secretly communicate to Diane that the job she paid for was completed. That's why he laughs at her in the diner when she asks what it opens. Among other reasons. Thats a very important moment of the film to illustrate the films themes. One of which is be careful what you ask for.
Naomi Watts cries while jerking off
The Movie
Cry-y-ying
God this was so fricking hot. I remember I hate fapped to the idea that I had leaked my ex's nudes on some page.
After the opening scene of the jitterbug dance, the film proper begins with a pov shot of going into a pillow on a bed. Then as I recall we are into the 3rd scene of the film whatsoever as the credits roll. For the entire credit sequence we follow behind a limo. Thats all we see at all. Including its license plate which is 2GAT123. This has multiple meanings and purposes. I think first and foremost it seemingly indicates a prediction of what happens next, the passenger of the limo has a gun pulled on her. This is important because it demonstrates that Lynch is literally and directly communicating to the audience within the film. However there is another more objective meaning. 2GAT123 was a common license plate used in movies as I recall like the 555 phone numbers. I dont know the exact history of that so I couldnt especially go into Lynch's intention other than my assumption that he's playing with the concept of film's portrayal of reality. As this is a theme if not the entire meaning of the film: what's real and what isn't, how do we determine that and what are the implications of that.
The approximate first half of the film is Diane (Naomi Watts) dreaming that she is Rita (Laura Harring) not Betty (Naomi Watts). And then she has dreams, recollections, etc within that dream. For example she is apparently dreaming she the eyebrow guy in the OP who is describing another dream and then apparently realizes that he's actually dreaming. Then he faints and has a dream about the midget "who can see through the wall."
Naomi Watts jerk offs so vigorously she warps into another dimension
it's basically the same plot as The Flash
Most of the movie is a dying hallucination that Naomi Watts has of how she wished her life would have gone, with a bunch of nightmarish shit thrown in because she's dying and hallucinating
The plot is a metaphor for the destructive forces of society. A woman abandons her family to pursue fame, and like most ends up homeless and dead inside. It's all her imagining what might have been, but never was. In many ways we don't know which is real but it's not important
absolutely BTFO by
first half:
woman is dreaming
second half:
woman gets cucked and puts a hit on the woman that cucked her
the end
Stop projecting your stupidity into the world.
Lynch is asthetics and winging from there. It's really just another breed of nothing but still nothing like 99.99% of movies and tv.
That's fricking crazy, man.
>It is not my custom to go where I am not wanted.
Jimmy Barrett
how can one movie have so many memorable scenes?
>the dogshit scene
>the director getting cucked by billy ray cirus
>the ominous twin peaks midget
>the hobo scene
>the espresso scene
>the theatre scene
>the cowboy scene
>the lesbian sex scene
you forgot about the best ones
I forgot about these. It has been ages that I watched the movie. God this movie is so good.
jej
>when you nutted but he's still suckin'
He looks like he's seen too many prize-fighting kangaroos.
Great anon
Yes that line is the one I love the most and it's perfect
I don't know why
The way it's explained, not that he is afraid of the man but that this man is making him afraid
>Lynch's Masterpiece: The Bone-chilling Horror of Winkies (1:46:00)
>he is actually she
BRAVO LYNCH, FIX YOUR HEARTS OF DIE
>seen this stupid scene multiple times posted here
>even seen an edited yt version of the scene with it taking the hobo out that scares him
So wouldn't you know it I got fricking jump scared by the hobo
>lets pick someone from the audience to explain what blue box meant.... you, speak
Uhmmm.. Hello Mr.Lynch, Ladies... *tips scooby doo hat*, well the blue box represents woman vegana as the woman vegana holds the secrets of mankind inside.
you can literally say whatever your want and Lynch will smile and thank you, that's the whole point
It's intriguing that a bad actress is capable of dreaming in detail how to do a brilliant audition.
my dick is 5 inches and I dream of satisfying women all the time
Are you thought the audition wasn't really that good or?
>can't read OR type
based
Well we saw the audition, we haven't seen you satisfy those ladies. You feel the audition was kinda meh?
Scares?
How bad can an espresso be?
she cute