I fast-forward through all the music segments. I fricking hate musicals and this bargain bin attempt at singing ain't shit. So far I've noticed I haven't missed any details. It's just fricking filler by someone who wanted to be a musician but didn't have the chops, like virtually all other fricking musical segments.
Music Meister and Prince of Egypt is fricking art though, suck my ass.
>I fricking hate musicals
Sucks to be you, I guess.
yeah cause this is so on par with any other musical right anon?
The songs are literally the best part of the series.
No it's the visuals and always will be with vivzie stuff
her shit's never been good. you're all dumb
Why is she so obssesed with gangster and "old timey" aesthetics?
Everyone has an aesthetic, Anon. Sometimes you just really vibe with a certain period.
She really fell in love with that Mimzy design didn't she?
Those characters just need rape correction.
Is the second spider still going to be in the show?
Even Respectless and Whatever it takes huh?
Respectless was pretty good
Anon just say you eat from the garbage too while you're at it man. I'd stand by you if said Stay gone but jesus bro.
even if you like musicals, you're tone deft to say these songs don't suck.
ok manchild
>I fricking hate musicals
Reminds me of https://youtu.be/_TeVIsAnEdU?si=mbarpUReIAbi-Ape&t=141
love the musical number with jason fricking mewes shambling back and forth as he sings that being horny makes him horny. no other person could ever sing "young love I remember so well, she was hot and made my nutsack swell" believably.
The songs are the best part of the series. The issue is that the show uses them to hide the fact that everything else is incredibly shallow, rushed and unsubtle. The punch of the songs replaces the genuine buildup and payoff that the show should have instead.
There was an entire character established in a song mate
The show sucks but I want to frick everything in it especially Sir Pentious.
I hate when music and singing happens unrelated to the actual musical/singing abilities of characters and story of the content.
When it has purpose in the story, that's a different case:
Btw don't know shit about this hazbin hotel thing.
>When it has purpose in the story, that's a different case:
the key difference. At no point do any of the characters in Hazbin need to start singing, but they do.
This movie's song here feels necessary to the plot. Also neat animation. he's just a guy singing to himself so the monsters don't get him. I don't need to understand the lyrics to see what's going on.
Viv's ability to create some of the stupidest choreography for her music videos has been an issue with her her entire career. Charlie and Emily's is equal to her Die Young video where there are cutaways to reaction shots to characters who don't matter, and then just expressions. I can't imagine the animators actually enjoying making sense of it all.
The plot of the movie is actually that he is a miner who figured out that evil things are repelled by light and singing, Because, you know, he used lights in mines and sang to himself.
fricking casual zoomie
>I fricking hate musicals
Why are you watching one?
FRICK YOU THATS WHY
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