Is trying to get into the animation industry worth it anymore?
 CRIME Shirt $21.68 |
 |
CRIME Shirt $21.68 |
Is trying to get into the animation industry worth it anymore?
Is trying to get into the animation industry worth it anymore?
CRIME Shirt $21.68 |
|
CRIME Shirt $21.68 |
You have to be an butthole to make it. Always was the case, always will be the case. Somewhere along the line it became fashionable to crow about how virtuous you are, but they're all scum.
lots of female producers skip the whole "rise from talent" idea and just suck some ugly j£w nephew off so they can get a start as a production manager and then a couple years later they will start their own boutique studio. those types are EASY to spot. why would i work for some bawd like this? no one does. thats why they hire young kids who still think animation is prestigious. so basically bawds want to run things and blow some ugly guys to get these jobs and then the passionate and hardworking artists get screwed over.
>You have to be an butthole to make it
Not the right term at all. You have to be a wienersucker. Someone who can play the good boy leftists humanist in public but the ravenous back stabbing c**t behind the scenes.
this is the guy who freaked out at butch hartman's avatar looking like a chad and how he was evil because he thanked god instead of science at a nickelodeon company dinner
do I still have to suck rebecca sugar's haunted pussy and eat alex hirsch's chocolate starfish?
was it ever worth it?
Think higher up. And keep it kosher.
Nico out here acting like he’s not one of the buttholes when he absolutely is
I don't know why anyone would want to work as an animator, you're just a little replaceable cog in someone else's dream project. And pay is shit. Like dreaming of working as a burger flipper at mcdonalds instead of being a CEO of your own company.
How well can you humiliate israelites and make them fear you?
It is. Be the change you wanna see.
It never has been worth it.
https://vantagepointinterviews.com/2018/09/11/do-the-mario-perry-martin-on-scripting-the-cartoon-adaptations-of-the-super-mario-bros/
>When I showed up bright and early on my first day, Bill led me down the hall to a magnificent corner office. It was right next door to the office that Bruce and Reed shared, but much bigger and nicer than theirs — with a spectacular view of the San Fernando Valley. I couldn’t believe my eyes. I thought, “Holy shit! I’ve arrived!”
>Well, that lasted about five minutes. Just as I was unpacking my computer, Bill came back, saying he’d made a mistake and had to move me to another office. I’m sure somebody’d got wind of what he’d done and told him, “You can’t put that kid in there!” And it would’ve been awkward if they’d needed that big office later for another story editor or producer. So Bill moved me a few doors down to a small windowless room — more like a closet — and that’s where I worked for the duration.
Shit sounds deprressing as frick.
This guy hated looking at the finished cartoons from his scripts because the animation is that bad
Whenever someone says "It's not worth it" 9 times out of 10 it is.
And this is one of those 9 times.
only if you try to destroy it from inside
>I’m not trying to start trouble BUT
>just let me vaguely accuse other people of being shit
Nico a shit himself, but all parts of the entertainment industry are built on nepotism and always have been, plus you have to give up your creative freedom (and probably the rights to your IP) to a corporate overlord. These days you’re genuinely better off avoiding the system altogether, producing stuff independently and taking it directly to the audience and retaining your creative rights. There is no reason to bother with “the industry” any more.
Do NOT look up Nico Colaleo’s friend who he picked as the main VA for his show Ollie & Scoops
This is like asking if it's worth getting into the textiles industry. You can become an independent fashion designer, or you can join an illegal sweatshop run in an abandoned building in New York, making things for the fashion designer.
We are at the cusp of a gold rush in animation, the kind of industry disrupting thing that happens only once every two decades, because of AI. This is your chance to make it big if you have better ideas than anyone else. Or you can be one of those people protesting on the sidelines to keep a job from an employer whom you already accuse of being shitty slavedrivers. There are people who will reee at this, but it's the truth. It's going to mint new millionaires and billionaires in animation.
depends on what you're trying to do in the industry. do you want to be a creator, being funded to work on your own show? that was never likely in the first place without demonstrating you have an already finished prototype with mass appeal.
>”Well, I do know there’s some bad people in the industry!”
>”Butt I’m not gonna list them because of hecking drama!”
Why are American white men such pussies.
That's just a twittard trying to attract attention. If he posted that anywhere else no one would care.
Talking shit about people in your industry is a great way to get blacklisted.
If you want to make cartoons, op, then you will either need A) Skill and Patience or B) Lots and lots of disposable money to pay people to animate for you (and you better hope the product is popular because animation is expensive).
Is it worth getting into the kids/baby show animation industry?
This sector is where all the money's at, and it's where veteran animators always end up
Yep.
>Mr. Warburton
>Joe Murray
etc.