>all the seething replies
Jesus, you capeshitters need to chill. I know you want Coppola to fail because he attacked your precious Marvelslop but this is getting embarrassing.
Apparently there was a 4th wall break where someone in the audience got up and asked Adam Driver's character questions during an in-movie press conference. How tf would that work outside of Cannes?
1. Since when do critic reviews matter?
2. Who thought this was going to be good anyway? Coppola must be one of the most overhyped directors in history, with only three notable movies that aren't that good anyway.
The conversation
Godfather 1
Godfather 2
Peggy sue
Apoc Now
Rumblefish
Bram stokers Dracula
Im on the fence about one from the heart but tend to think it's more worthwhile than not if only for the visuals and sound design. Honestly this guy has a stellar output of kino. Also I actually like his shitty low budget arthouse movies he done in the last decade or so like Youth Without Youth that shit was somehow really bad and really good simultaneously.
I'm going to see it twice just because I hate critics that much.
>i’m gonna watch a shitty movie to own the critics
just remember to shave your neck and shower before you leave the basement
This guy is almost 90 years old. He can’t make movies anymore. This was only made because he funded it. What were people expecting?
>He can’t make movies anymore
Anyone who’s seen what he’s been doing the last 40 years of his career already knew that
im going to pirate it twice because i dont swallow mens cum and take penis willingly into my arsehole.
Real cool Ivan good to know. You wouldn't be able to afford going out to see it anyway
imagine sucking wiener by choice
I want to suck a trans woman off so badly
>but sucking wiener by force, that I can imagine!
Do you know how numbers work? Half of the critics who've seen it liked it, and actually reading the reviews, a whole lot.
Based.
>all the seething replies
Jesus, you capeshitters need to chill. I know you want Coppola to fail because he attacked your precious Marvelslop but this is getting embarrassing.
Adam Driver has been damned by dark forces. He is poison
Apparently there was a 4th wall break where someone in the audience got up and asked Adam Driver's character questions during an in-movie press conference. How tf would that work outside of Cannes?
That was probably some incel and they went with it so he didn't shoot up the place like the Joker guy did
You just edit the sound in?
Kino?
More like Megaslopolis ammirite?
1. Since when do critic reviews matter?
2. Who thought this was going to be good anyway? Coppola must be one of the most overhyped directors in history, with only three notable movies that aren't that good anyway.
The conversation
Godfather 1
Godfather 2
Peggy sue
Apoc Now
Rumblefish
Bram stokers Dracula
Im on the fence about one from the heart but tend to think it's more worthwhile than not if only for the visuals and sound design. Honestly this guy has a stellar output of kino. Also I actually like his shitty low budget arthouse movies he done in the last decade or so like Youth Without Youth that shit was somehow really bad and really good simultaneously.
>The conversation
>Peggy sue
>Rumblefish
Literally who?
Do you mean those movies are obscure or "literally who" likes them
I mean those movies are obscure.
I am excited to see this movie 🙂
Me too fellow Reddlitor
>trusting critics
>trusting critics at Cannes
You people unironically care about review scores?
Critics can't seem to deny it's the most ambitious film of all time. The sheer ambition is staggering.
Coppola was always a hack.
>critics hate being called out
Woah no way
Watchin this shit day one.