>Meg is canonically an extremely good homebody

Yes, in Japanese, and theres more then one of them too.

It’s all bullshit, all of this

Part 1.

>Lupin VIII and Inspector Gadget were in production at the same time, Lupin VIII's cancelation has nothing to do with Gadget as Gadget was much further in production.

>The Wuzzles was supposed to be done at Toei but the animation that came back from them was way below Disney's standers, the other 2 studios hired were TMS (Telecom) and Hanho Heung-Up, Toei got a 5, TMS got a 9 and Hanho got a 1 so TMS won the contract.

>Gummi Bears was created because Yutaka Fujioka (the president of TMS at that time) told Michael Eisner "No toyetic crap" while he was eating a bag of gummy bears, he son then asked his dad for some and looked at his son, the candy and Fujioka and said "I got it, Gummi Bears", Fujioka then said "Great, sent it right over" and had golden age vets Willie Ito and Art Leonardi to create it for TMS.

>The first things TMS told Disney while on Wuzzles and Gummi Bares were "Wheres the layout?" (said by Nobuo Tomizawa during the chase scene with the pink hot rod in Wuzzles episode 1) and "Why didn't you give me a cleaner cur" (said by Kazuhide Tomonaga during the log boat scene in Gummi Bears episode 1), Disney expected TMS to do the layouts themselves while TMS expected Disney to send them layouts, this resulted in a strain relationship and Disney just finding their own Japanese studio by 1988.

>Specturm Animation and Walt Disney Animation Japan solely exist because of Akira's bombing, TMS laid off a bunch of animators and they founded those studios as a result, Michael Eisner hired them hours after they got laid off from TMS's Telecom department as Eisner just bought Pacific Animation Coup from Rankin/Bass because Arthur Rankin Jr' and Jules Bass wanted to retire and this allowed said animators to go to work for Walt Disney Animation Japan the very next day.

>Tiny Toons did not save TMS from Little Nemo's bombing, Lupin III: Bye Bye Lady Liberty and Anpanman which premiered oner 9 months before Little Nemo was released to theaters.

Part 2.

>The reason why TMS did Animaniacs over Batman was not so much with Bruce Timm's and Lynne Naylor's blocky designs but rather it was because Animaniacs was a new IP and it needed a good first impression while Batman was already well establish and existed for over 50 years by that point and was "lucky to have Spectrum Animation" and that "Dong Yang was plenty for Batman" despite almost everyone at Warner Bros agreeing that "Batman is the only show that we have that makes sense for TMS" and "leave Animaniacs to Startoons where it belongs".

>Warner Bros always hated TMS as the nicest thing they said was "putting a bland gloss over everything we do", this resulted in TMS becoming reserved on Bruce Timm shows once they made the jump to Kids WB until they got fired for money laundering for local productions (namely Secret of Cerulean Sand), they were rehired in 2009 but got fired again for the same reason (this time it was for Lupin Part IV which was in production funding hell until they got enough money from Sunrise's Aikatsu to make Lupin Pari IV).

>TMS did care about their foreign work but wishes they were treated as a serous anime studio in the vains of Sunrise (now BandaiNamco Filmworks), Wit Studio, David Pro, Khara/Trigger, Bones and Madhouse/Mappa/Studio M2, in Japan they're only treated the same way as Toei at best (kids content in the vains of Anpanman and Detective Conan), Wal-Mart branded anime (Tower of God and Shenmue are just shoddy Pierrot knock offs and Nagatoro is nothing but a shoddy Xebec knock off, even the up coming Astro Note is just a shoddy KyoAni knock off), a meme studio (Lupin III, their 80s and 90s foreign work; As even OLM (Pokemon, Level 5's TV anime) and Shin-Ei Doga (Doraemon, Shin-Chan) broke away from their meme status) or "All the good studios were taken".

Part 3.

>Before Bryke settled on South Korean Dr.Movie and JM Animation on Avatar Bryke tied to get a Japanese studio to do Avatar, the 3 studios that were selected were Gainax, Ghibli and TMS, Gainax rejected it because "We don't do outsource work", Ghibli rejected it because "We don't do TV animation" but TMS said yes and got Yuichiro Yano to be the chief director, plomblem was that TMS designed so much without Nick's ok, wanted $3 million dollars for the episodes (Nick was only willing to spend $1 million dollars at the most) and wanted a 50% cut from the IP to fund future Lupin III projects; In short TMS wanted another Cybersix while Nick just wanted another Batman so Nick fired TMS and Bryke ended up using Korean studios instead.

>During Studio Mir's meltdown over Korra Book 1 Bryke tried to get Japanese studios to replace Mir, first was Trigger who rejected it because they wanted their first TV show to be their own (Kill La Kill) but named a character after Mako to show support, TMS was second but was rejected because of the show's shipping, resulted in TMS doing more Aikatsu for Sunrise instead (this is also the only reason why Atsuko Tanaka and Kazuhide Tomonaga worked on Aikatsu, they were supposed to do Korra instead).

>Tower of God and Shenmue the Animation only exist because Wellesley Wild refused to give TMS back Animaniacs as he hated everything the studio stand for, despite Gabe Swar and Genevieve Tsai going over to TMS directly to have them produce Animaniacs'2020 with zero American involvement, Wild hated the idea and forced them to do Tower of God and Shenmue the Animation against their will since Warner Bros owned Crunchyroll at that time.

>Rick and Morty: The Anime was made because like with Powerpuff Girls years before Rick and Morty is extremely popular in Japan, But why TMS is doing it is because Erin Gibson refused to give Tiny Toons back to TMS, despite doing color sheets for a segment (not a whole episode).

Studio Mir's meltdown over Korra Book 1 Bryke tried to get Japanese studios to replace Mir, first was Trigger who rejected it because they wanted their first TV show to be their own (Kill La Kill) but named a character after Mako to show support, TMS was second but was rejected because of the show's shipping, resulted in TMS doing more Aikatsu for Sunrise instead (this is also the only reason why Atsuko Tanaka and Kazuhide Tomonaga worked on Aikatsu, they were supposed to do Korra instead); Bryke ended up getting Pierrot for some Book 2 episodes but because Pierrot didn't carte about doing outsource work they just ditched everything to Magic Bus who is known as the Akom of Japan, this resulted in shoddy animation and since the episodes cost 4 times more then Mir's episodes (Pierrot's episodes costed $800,000 each while Mir's episodes were only $200,000-300,000 each) Pierrot was fired as a result and Mir was brought back.
Forgot to add in Pierrot's details.

is bullshit. Do not listen to anything Famicom / TMSgay has to say. He is a lying schizo and should be treated as such.