>Monument Mythos/The Nixonverse
... It would be the first time I paid to see a movie in literal years, because I need to see how corporate action-film insanity filters internet horror insanity, and I hope I see more of it.
Unless it turns out shit in a not-fun-to-watch sort of way, then it's back to piracy for little ol' me
>360 degree hero shots during every epic scene especially during the powerups >us military save the day in the la invasion >joke about thai girls being troonys >the invasion scene is 3 hours longer and multiple countries get invaded >darcy invades china (removed for international release) >jokes about king andrias being cucked >bisha is either removed or used for more gay jokes
If only we lived in a timeline where this was real
Transformers 2: Revenge of the Fallen is more proof he has a great eye for scale and a gift for visceral amazement. Bay’s ability to shoot spectacle makes the Ridley-Tony-Jake Scott family look like cavemen. Who else could compose a sequence where characters (albeit robots) go from the bottom of the sea to another planet in one seamless, 30-second, dreamlike flow?
That transition typifies the storytelling in this sequel to 2007’s Transformers. Teenager Sam Witwicky (Shia LaBeouf), on his way to college, is drawn back into the first film’s battle between mechanical aliens (human-friendly Autobots and dastardly Decepticons). Sam innocently acquires the secret code of the aliens’ cosmic history–something to do with his American kid innocence and appreciation of middle-class life’s abundance. Based on the original 1980s Transformer toys by Hasbro and subsequent TV cartoons and comic books, the Transformer movies expound on this cultural plenitude. Their fascination with technology–the way common objects rearrange, expand or shrink as if having a benevolent or malicious life of their own–drives the stories.
Bay is an ideal director to realize this peculiar genre which remakes the surfeit of adolescent commercial media as a means of multimedia gratification. These cars, trucks, motorcycles and planes metamorphose fast but their transfiguration is like the mechanical toy descriptions in E.T.A. Hoffman–fantastic and uncanny. Bay’s post-nuclear version of Hoffman’s The Nutcracker stirs emotion from our pop culture, industrial experience then connects to ancient spiritual myths (like Kingdom of the Crystal Skull). It’s too much the production of industrialization to be considered magic yet Bay’s sheer fascination with seeing is impressively communicated.
In the history of motion pictures, Bay creates the best canted angles–ever. The world looms behind a human protagonist with the enormity of life itself. (My favorite: a windblown Megan Fox facing the audience as a jet fighter slowly, majestically glides behind/above her”). Bay already has a signature: the up-tilted 360-degree spin (gleefully parodied in Hot Fuzz). Here, he flashes it whenever Sam kisses his girlfriend. Bay photographs Fox and luscious/vicious rival Isabel Lucas like pin-ups–a pop culture joke encompassing what every young girl, post-Madonna, is told is OK. (They’re girls “with options” as Sam says.) There’s still advertising porn in Bay’s soul but it’s so expressive of the media norm that it’s funny–proof we’re watching nothing more than fantasy. This commercialized lifeforce “Cannot be destroyed, only transformed” (as a Decepticon warns). Transforming is the capitalist dream of re-branding. It’s not transcendence–thus, the need for the basic sci-fi story of good vs. evil where Revenge of the Fallen alludes to the story of Lucifer.
I think I watched some Batman last technically but before that it was Onyx Equinox and my god would he butcher that. It'd be some generic Gods of Egypt type shit.
I feel like a Michael Bay version of the Monster Hunter movie would be better than the actual Monster Hunter movie, because while he might not actually know even a little bit about the franchise, there's basically a 100% chance that my boy Bazelgeuse would be in it and that Jovovich wouldn't.
>the owl house (dir. Michael Bay) >eda is used as coombait 24/7 >making fun of luz and amity for being gay and then using as coombait at least 50 times an episode >one swear every 5 seconds >luz and co. Destroy public property and accidentally kill ppl during every adventure >belos is linked to king arthur somehow
Honestly it would be even more kino then the actual show and i say that as a fan of the owl house
>Ahsohka gets her original outfit back >Political crap dropped for more war scenes >All droid humor removed and they look like Republic Commando droids >Anakin murders another village of sand people
https://readcomiconline.li/Comic/Uber
Well enough I imagine
>Beavis & Butt-Head
Pretty match in all honesty
It's already been made bro
>Smiling Friends
Kino?
>Monument Mythos/The Nixonverse
... It would be the first time I paid to see a movie in literal years, because I need to see how corporate action-film insanity filters internet horror insanity, and I hope I see more of it.
Unless it turns out shit in a not-fun-to-watch sort of way, then it's back to piracy for little ol' me
>Primal
I hate this, I hate it so much.
Maybe Mira will have some fat breasts though but I don't even remember that much from AmbuLAnce.
>Major Bummer
absolutely 10/10 kino
Sam Wilson as Cap with Deadpool invading Latveria.
Yeah I think that would be a lot better than what we are going to get from the wienersucking "stop calling them terrorist" demonspawn writer.
>Luck
It'd be vastly improved
>How does it go?
I don't go see it.
I do that now. Don't go see things I know will make me angry, sad and sisapointed. I discovered you can.
>Amphibia by Michael Bay
>360 degree hero shots during every epic scene especially during the powerups
>us military save the day in the la invasion
>joke about thai girls being troonys
>the invasion scene is 3 hours longer and multiple countries get invaded
>darcy invades china (removed for international release)
>jokes about king andrias being cucked
>bisha is either removed or used for more gay jokes
If only we lived in a timeline where this was real
>Ren and Stimpy Adult Party Cartoon
It somehow becomes even worse
>Michael Bay's A.X.E. event adaptation
Could be cool I guess
Transformers 2: Revenge of the Fallen is more proof he has a great eye for scale and a gift for visceral amazement. Bay’s ability to shoot spectacle makes the Ridley-Tony-Jake Scott family look like cavemen. Who else could compose a sequence where characters (albeit robots) go from the bottom of the sea to another planet in one seamless, 30-second, dreamlike flow?
That transition typifies the storytelling in this sequel to 2007’s Transformers. Teenager Sam Witwicky (Shia LaBeouf), on his way to college, is drawn back into the first film’s battle between mechanical aliens (human-friendly Autobots and dastardly Decepticons). Sam innocently acquires the secret code of the aliens’ cosmic history–something to do with his American kid innocence and appreciation of middle-class life’s abundance. Based on the original 1980s Transformer toys by Hasbro and subsequent TV cartoons and comic books, the Transformer movies expound on this cultural plenitude. Their fascination with technology–the way common objects rearrange, expand or shrink as if having a benevolent or malicious life of their own–drives the stories.
Bay is an ideal director to realize this peculiar genre which remakes the surfeit of adolescent commercial media as a means of multimedia gratification. These cars, trucks, motorcycles and planes metamorphose fast but their transfiguration is like the mechanical toy descriptions in E.T.A. Hoffman–fantastic and uncanny. Bay’s post-nuclear version of Hoffman’s The Nutcracker stirs emotion from our pop culture, industrial experience then connects to ancient spiritual myths (like Kingdom of the Crystal Skull). It’s too much the production of industrialization to be considered magic yet Bay’s sheer fascination with seeing is impressively communicated.
In the history of motion pictures, Bay creates the best canted angles–ever. The world looms behind a human protagonist with the enormity of life itself. (My favorite: a windblown Megan Fox facing the audience as a jet fighter slowly, majestically glides behind/above her”). Bay already has a signature: the up-tilted 360-degree spin (gleefully parodied in Hot Fuzz). Here, he flashes it whenever Sam kisses his girlfriend. Bay photographs Fox and luscious/vicious rival Isabel Lucas like pin-ups–a pop culture joke encompassing what every young girl, post-Madonna, is told is OK. (They’re girls “with options” as Sam says.) There’s still advertising porn in Bay’s soul but it’s so expressive of the media norm that it’s funny–proof we’re watching nothing more than fantasy. This commercialized lifeforce “Cannot be destroyed, only transformed” (as a Decepticon warns). Transforming is the capitalist dream of re-branding. It’s not transcendence–thus, the need for the basic sci-fi story of good vs. evil where Revenge of the Fallen alludes to the story of Lucifer.
I think I watched some Batman last technically but before that it was Onyx Equinox and my god would he butcher that. It'd be some generic Gods of Egypt type shit.
>South Park
No idea how that would work
Archer.
I'm just glad its not Primal.
TMNT
It goes better than if he just produced it?
I read Scarlett spider comics. I think it will work.
>King of the Hill
So lots of breasts and ass shots of Luanne and Strickland going up in flames. I wouldn't complain
I feel like a Michael Bay version of the Monster Hunter movie would be better than the actual Monster Hunter movie, because while he might not actually know even a little bit about the franchise, there's basically a 100% chance that my boy Bazelgeuse would be in it and that Jovovich wouldn't.
>nextwave
mitebcool.jpg
>Kung Fu Panda 2
It would become even more kino than it already is
>co/ finally loves Michael Bay
I knew it.
>Venture Bros
He could probably pull off some cool Brock and Molotov Ccktease action/sex scenes.
>the owl house (dir. Michael Bay)
>eda is used as coombait 24/7
>making fun of luz and amity for being gay and then using as coombait at least 50 times an episode
>one swear every 5 seconds
>luz and co. Destroy public property and accidentally kill ppl during every adventure
>belos is linked to king arthur somehow
Honestly it would be even more kino then the actual show and i say that as a fan of the owl house
>Michael Bay Over the Garden Wall
Thank you OP for the chuckle
>Ahsohka gets her original outfit back
>Political crap dropped for more war scenes
>All droid humor removed and they look like Republic Commando droids
>Anakin murders another village of sand people