>Overbearingly sappy
Brands scenes, yes considering that we never even see Edmunds or see her interact with her boyfriend. But Cooper and Murph's scenes were peak cinema.
I dont get why scifi pop gays who arent even physicists throw b***h fits over the exaggerated physics like the time dilation. It was a good personal movie between a father and daughter and had kino survival scenes. One of the better space scifi movies given that Hollywood has a poor reaction.
It’s not the exaggerated physics, I actually prefer when sci-fi movies don’t get too caught up on being physically “possible”. It’s how gay all the emotional scenes are.
The only people I've ever met who saw it and didn't at least like it were science fans who insisted it was bad and when pressed could only b***h about the theme of love, hurrdurr about time travel, and TARS ironically.
It was one of Nolan's best films because it doesnt take itself 100% seriously >emotional touch with the father daughter dynamic that is universal to any culture >great supporting cast with the robots who are surprisingly far more endearing and humorous than they get credit for (so much so that many people who I know irl who watched the movie thought TARS was the best character) >Best "fake realism" space moments. The movie's docking procedures are very tedious and nerve wracking like irl. Many space scenes are silent. Endurance's simulated centrifugal gravity is realistic. Black hole is 90% accurate with some relativistic effects toned down for spectacle. There is enough grounded realism to tone down the obvious fictional elements of the movie. >there is no generic main villain (Dr Mann doesnt count). Just surviving the planets and the travel is enough suspense and drama. >amazing soundtrack. Zimmer gets so much shit but this is one of his better works (especially the main leitmotif being used over and over again in pivotal scenes and the godly organs that sound supernatural and divine) >cons are few and far between. Hathaway's character was a dud but Chastain's character dev was okay albeit lackluster since she was tied down to Cooper. Maybe Nolan could've done a bit better in having more Doyle or Romily scenes because the movie did feel light on major casts. And Nolan shouldve gone full apocalyptic end times (climate change ice age, destitute cities etc) to show why Earth's situation was beyond hope and space exploration was necessary.
Shitposters ran with the TARS LOVE TARS memeing and didnt want to understand the movie's theme about how valuable love can be in cold outer space or saving the world.
The thing most people don't get about Christopher Nolan movies is that there's always an emotional "core" at the center of all these rules. The thing I didn't like about this movie was the end where he goes into the memory tunnel and sees him and his daughter from behind the bookcase, it just felt hackneyed in and not really probable. The oft-maligned "Love is the only thing that transcends time and space" is a kino line, though, because it totally makes sense in the context of the movie
>decide to go to planet that you know has serious time distortion when time is of the essence >waste literal decades for no reason
dumbest part of the movie right there for me. Why in the frick would you even take that risk? That should have been the planet not even considered a possibility.
Considering how many people complain about the exposition scenes dumbing things down so even the stupidest moron can grasp them, it's really bizarre how people don't seem to absorb very much from them.
Funny how the same people who b***h the loudest about filmmakers telling instead of showing, will miss major plot details upto and including major twists, even when they're all but explicitly laid out for them in exposition.
I wanted cool scientists doing cool shit, instead I got an event horizon omage and something about love. 3d projection of 5d was cool though, I liked it
The entire rising action sequence beginning with them meeting Mann and culminating in the docking scene was absolute big screen kino. I almost bailed on getting tickets on opening night with my friend to see this at the local IMAX dome. I pity anyone who missed out on the chance to see this on the big screen in a theater with a properly setup sound system.
Overbearingly sappy but the space scenes are good.
Everything with the worst Matt Damon on the ice planet sucked too.
>Overbearingly sappy
Brands scenes, yes considering that we never even see Edmunds or see her interact with her boyfriend. But Cooper and Murph's scenes were peak cinema.
Interstellar is an incredible film.
I am pretty emotional about hating these scenes and understand why.
>hides in your bookcase
I dont get why scifi pop gays who arent even physicists throw b***h fits over the exaggerated physics like the time dilation. It was a good personal movie between a father and daughter and had kino survival scenes. One of the better space scifi movies given that Hollywood has a poor reaction.
It’s not the exaggerated physics, I actually prefer when sci-fi movies don’t get too caught up on being physically “possible”. It’s how gay all the emotional scenes are.
plausibility is key to immersion
His wife was fricking blonde why is there a little bantu niglett in the car with him? Literally made me drop the series. Won’t be watching.
>we saw redline
All possible apart from the explosion following them down
Vin Diesel pls go
pretty much everyone i know outside of Cinemaphile thinks its a great movie
idgi this is a Cinemaphile movie
it’s reddit that hates it because of the love/God stuff, makes midwits short circuit
reddit loves interstellar and nolan in general, ive seen it criticized the most on here
No clue what you’re talking about. Nolan is literally Cinemaphile‘s director.
ok sick bait
Cinemaphile hates it because it portrays flat earthers as black
Cinemaphile seemed to decide last year that it's an absolute classic.
It isn't.
The only people I've ever met who saw it and didn't at least like it were science fans who insisted it was bad and when pressed could only b***h about the theme of love, hurrdurr about time travel, and TARS ironically.
The time loop is also tired old shit.
I truly pity people who have no feelings, this is such a beautiful movie
>Ripoff of makoto shinkai animes aimed at teenage girls
>masterpiece
>anime
Just go back to your children's cartoon board if you want to talk about some Hiroshima Pokemon show. Adults are talking.
Shit ass garbage for psuedointellectual mouth breathers, Nolan has never made a good film, frick off
>psuedointellectual mouth breathers
But enough about 2001:ASO.
No seriously, this movie is far from being pseud. Seek mental help.
The space suits look really bad
Could be worse
SV TRVE
Too bad about the sci-fi level.
It was one of Nolan's best films because it doesnt take itself 100% seriously
>emotional touch with the father daughter dynamic that is universal to any culture
>great supporting cast with the robots who are surprisingly far more endearing and humorous than they get credit for (so much so that many people who I know irl who watched the movie thought TARS was the best character)
>Best "fake realism" space moments. The movie's docking procedures are very tedious and nerve wracking like irl. Many space scenes are silent. Endurance's simulated centrifugal gravity is realistic. Black hole is 90% accurate with some relativistic effects toned down for spectacle. There is enough grounded realism to tone down the obvious fictional elements of the movie.
>there is no generic main villain (Dr Mann doesnt count). Just surviving the planets and the travel is enough suspense and drama.
>amazing soundtrack. Zimmer gets so much shit but this is one of his better works (especially the main leitmotif being used over and over again in pivotal scenes and the godly organs that sound supernatural and divine)
>cons are few and far between. Hathaway's character was a dud but Chastain's character dev was okay albeit lackluster since she was tied down to Cooper. Maybe Nolan could've done a bit better in having more Doyle or Romily scenes because the movie did feel light on major casts. And Nolan shouldve gone full apocalyptic end times (climate change ice age, destitute cities etc) to show why Earth's situation was beyond hope and space exploration was necessary.
Shitposters ran with the TARS LOVE TARS memeing and didnt want to understand the movie's theme about how valuable love can be in cold outer space or saving the world.
it only worked because foy was so cute
otherwise people would have thought it was emotionally manipulative and ridiculous
The thing most people don't get about Christopher Nolan movies is that there's always an emotional "core" at the center of all these rules. The thing I didn't like about this movie was the end where he goes into the memory tunnel and sees him and his daughter from behind the bookcase, it just felt hackneyed in and not really probable. The oft-maligned "Love is the only thing that transcends time and space" is a kino line, though, because it totally makes sense in the context of the movie
>decide to go to planet that you know has serious time distortion when time is of the essence
>waste literal decades for no reason
dumbest part of the movie right there for me. Why in the frick would you even take that risk? That should have been the planet not even considered a possibility.
Considering how many people complain about the exposition scenes dumbing things down so even the stupidest moron can grasp them, it's really bizarre how people don't seem to absorb very much from them.
Funny how the same people who b***h the loudest about filmmakers telling instead of showing, will miss major plot details upto and including major twists, even when they're all but explicitly laid out for them in exposition.
They wanted to save Miller, dumbass. Part of the Endurance mission was to save the Lazarus crew.
I wanted cool scientists doing cool shit, instead I got an event horizon omage and something about love. 3d projection of 5d was cool though, I liked it
Admit it, you liked it
The entire rising action sequence beginning with them meeting Mann and culminating in the docking scene was absolute big screen kino. I almost bailed on getting tickets on opening night with my friend to see this at the local IMAX dome. I pity anyone who missed out on the chance to see this on the big screen in a theater with a properly setup sound system.
Autists who hate Nolan always find excuses to shit on him.
But I think Memento is excellent.
Should have stick with the alternate doomer ending, it’s of
>”muh love TARS, love”
Other than that it was genuinely a masterpiece, top 3 nolan for me, next to memento and dark knight
https://collider.com/interstellar-alternate-ending-explained/
should have stuck**
instead of**
yes, I’m a phonegay
>alternate doomer ending
There has never been an objectively good doomer ending, ever.
The Twilight Zone has literal dozens of good dark endings.
But I don't watch Dark Mirror because the le' ironic "be careful what you wish for" sci-fi dark ending is too much of a meme trope now.
>The Twilight Zone
>dude, like, what if they just did all that stuff and failed instead?
>*hits blunt* DEEP
Nolan's worst movie and it's not even close.
>Christopher Nolan
>Emotional
People will really just say anything. The man writes his movies in essay format.
it made me feel sneedy, same with the new top gun film