Name one Amerishart Western that's actually better than European Westerns?
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Name one Amerishart Western that's actually better than European Westerns?
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Fort Apache
No one cares
I care anon, I know it's lonely sometimes, but maybe you'll make a friend one day, don't have a nice day just because you're a pleb homosexual. You have so much to live for
Another masonic John never went to war Wayne piece of shit
Tombstone you fricking idiot
It's got that 90s TV movie tackiness all over it. But yeah, 'talians perfected Western
>Tombstone
>90s TV movie tackiness
I forget that people don't have real opinions anymore, they just regurgitate the most invincibly ignorant bullshit they can come up with for free (you)s
I'm not the same anon, but I understand what he's saying. Tombstone is very much a late homage to classic American westerns. It wears it's artifice on its sleeve and is proud of its portrayal of tropes. This leaves it with a masturbatory feeling similar to other Hollywood jerk off movies like La La Land. It's decent, but is massively overrated by general audiences who haven't seen much. Watch more movies before you're stuck being a pleb forever.
You described it better than I ever could, thank you.
They are different things, I think it is kind of pointless to try and compare them
I get what he's saying too, it does feel very much of the time. So does the dollar trilogy but that period is now romanticized whereas the 90s are just kind of forgotten or not given much artistic credence.
The Wild Bunch
bunch of clean prettyboys in a big hollywood production
doesnt even feel like a western
Mogged by the japanese remake.
WTF? I never heard of this and it's Ken Watanabe playing the main character.
Even forgotten B-westerns like this are better than 99.99% of spaghetti westerns
>Heres your average Italian actor bro
Recommend some American westerns with epic locations like The Searchers.
Silverado
The Big Trail (1930)
The Lone Ranger (2013)
MacKenna's Gold
The Comancheros
>The Big Trail. Ahead of its time in the sound era Western. I've seen it in some list on how historically accurate it is. It id also shot wide.
>The Lone Ranger (2013)
Jesus Christ man
he asked for westerns with epic landscape shots, he didn't ask for good movies
high plains drifter
Unforgiven (1992)
Pale Rider
Outlaw Josey Wales
The Wild Bunch
Stagecoach
The Man who Shot Liberty Valance
High Noon
Ride the High Country
My Darling Clementine
The Shooting
The Missouri Breaks
Open Range
Shane
3:10 to Yuma
McCabe & Mrs. Miller
Meeks Cutoff
One Eyed Jack's
John Ford, Sam Peckinpah, these names mean nothing to you?
>Euro takes something from an Amerifat
>injects SOVL into it and makes it good
Every time.
Small-wienered, multiracial, homosexual amerlatinxcans can't compete with italichad euro kino westerns.
Stagecoach's stunt scenes alone MOG your entire filty country.
Ok
Don't forget to tip, Hernandez.
hey blondie, suck my fat mexican wiener
Leone singlehandedly mogged the entire genre.
Anthony Mann mogs Leone thematically. Peckinpah mogs him in violence. Ford mogs him in framing and especially blocking.
don't forget Delmer Daves
All of them
The Dollars trilogy are literally the only good Italian westerns, all of the rest of them are trash
There are a few others, The Great Silence, Django, And God Said to Cain, but it's true that most of them suck ass
>He never watched Once Upon a Time in the West
Ngmi
Sabata mogs all dago westerns
Big Gundown is better
Once Upon a Time in The West is literally the best movie ever made
>who is Corbucci
Open Range will always be the best western film. It doesn’t have that Italian hackiness that was revered at once upon a time, it’s a cinematically beautiful but real take on actual cowboys.
ill be your huckleberry :^)
easy
It's good but wouldn't even make my top ten John Ford kinographs
>hey im gonna go behind that hill and see what's going on
>ok
>*camera stays with the guy who waits*
>*guy who went behind the hill comes back*
>alright here's what happened behind that hill
repeat 10 more times and you have this movie's direction and choreography
this is unironically what fart-sniffing pseudointellectual europoors believe constitutes great cinematography
>pseudointellectual europoors
but I'm european and I'm shitting on the movie, while the movie is beloved mostly by americans...?
John Ford is my favorite filmmaker, and it's not even close, but to this day I do not understand the hyperbolic adoration for The Searchers, and consider it among the weakest of his pictures I've seen
John Ford is fantastic, but The Searchers is more overrated than Citizen Kane
All the American westerns are superior
t. euro
Most of them
t. European
2010 true grit tbh
actually better than the original surprisingly enough
> The Man Who Shot Liberty Valence
> High Noon
I have nothing against spaghetti westerns but, picrel
>but it's not the old west!
Don't care, it's a western. Also Josh Brolin looks like a real life Lieutenant Blueberry.
>American Westerns made between 1939 and 1970
I have seen all Leone and Eastwood westerns, what are the best John Ford westerns? I wanna keep going
Stagecoach
My Darling Clementine
Fort Apache
She Wore a Yellow Ribbon
Wagon Master
The Searchers
The Man Who Shot Liberty Valance
His best non-westerns:
The Lost Patrol
Young Mr. Lincoln
The Grapes of Wrath
The Quiet Man
The Sun Shines Bright
The Last Hurrah
All right, thanks anon
You should also check out the westerns of Raoul Walsh, Michael Curtiz, Anthony Mann, Delmer Daves, Howard Hawks and Henry Hathaway
for me, it's Duel in the Sun (1946) with Gregory Peck, Jennifer Jones, Lionel Barrymore, Joseph Cotten, and a cameo by Walter Huston as an obnoxious butthole (himself)
oh I forgot to mention it was directed by King Vidor and produced by David O Selznick
is this good?
never seen this but it looks like peak shitkino, Jack Palance alone makes it worth watching but combined with Franco Nero? I'd spend actual money on a dvd of this
I liked it. The title song is great.
Broken Trail.
My Darling Clementine is the greatest western ever
Does Magnificent Seven count as a american western even though it was based on a japanese film?
Joe Kidd was pretty good, but I never see anyone mention it.
everyone's too busy sucking the dick of Josey Wales (hugely overrated imo)
You Western fans need to watch The Long Riders. I mention it in every Western thread I see. About two months ago I got effusive thanks from an anon.it is a legit film.
I hope you don't think TGTBTU is indicative of all Eyetalian westerns.
I can assure you they are not all of that caliber.
Arguing whether Ford/Wayne westerns vs Leone/Eastwood westerns are better makes me extremely happy. You can't lose no matter what sode you pick
The Proffesionals and The Wild Bunch are worth a watch.
did Morricone write the soundtrack for it? If so it's better than an american western, simple as.
Spaghetti westerns are cultural appropriation
I wouldn't say it's better but it's up there and it has a certain nihilism about it that reminds me of the spaghettis.
She Wore a Yellow Ribbon
The Searchers
Fort Apache
The Wild Bunch
Bring me the Head of Alfredo Garcia
Last of the Badmen.
Take away the Morricone music, and Sergio Leone is a visual thief.
The only American Western I prefer to the spaghettis is The Treasure of the Sierra Madre. There are many decent ones, but all that I've seen rank at least tier below their foreign adversaries.