Honestly, I feel as though she constantly perpetuates her own suffering. While she definitely had every reason to hate the villagers for what they did, the fact of the matter is that her every reaction to not getting what she wants (being accepted) is to smash and destroy indiscriminately, without caring whether or not she's hurting the people she cares about, then plays the victim when the people she hurts reacts negatively
Not indiscriminately. When the story opens she's basically reduced to living in a dumpster and specifically smashes/destroys random things celebrating the city's "Yay knights, boo monsters" ideology. It may not be helpful, but I'm not going to begrudge her some light vandalism of shit that was specifically saying she deserves to die for existing.
Obviously the situation changes when Balister enters the picture and she upgrades from random vandalism to "let's destroy the whole SYSTEM" but I wouldn't file that under perpetuating her own suffering either. The system DOES suck, she's just garbage at coming up with solutions on her own.
Honestly this
I'd understand if they showed her repeatedly attempt to peacefully introduce herself to humans, maybe over whole generations, only to be attacked each time
But as it is, Nimona honestly does come across as unstable and dangerous when she freaks out over the smallest things and then becomes even more hostile when people react with fear
Keep in mind that she was just a little kid who's only ever had positive contact with one other person, and then that person turned on her. As much as Cinemaphile wants every single character to act as an emotionless and rational robot, you can't really expect a kid to have a calm rational response to something like that. It's also shown repeatedly that this world has a very active and immediate hatred of anything deemed a "monster", so expecting her to keep trying to be accepted is ridiulous. Imagine if I told you that you needed to try harder to appeal to radical feminists or else their hate for men was entirely your own fault.
Either way, the comic handles this better. The entire final act illustrates why she's a huge danger despite not being a bad person, or at least not completely bad. Basically she's like the alien in The Thing, where every part of her is a living organism (but without the thing where it takes over other beings), and she doesn't have full control over it all. In the comic they take some of her blood for experiments and it grows into a giant unstoppable monster because it doesn't have her mind to guide it. So een if the monster is technically part of her, it's not her exactly. They left this out of the movie in favor of her just becoming a big suicidal monster, which I guess was meant to be an attempt to pull at the audience's heartstrings but it didn't work for me..
>The entire final act
Easily the best part of the comic for me, along with blackheart and the other guy's dynamic. I only really prefer the movie art direction-wise, maybe except our two main knights.
>shark
That's a big fat unicorn, bro!
idk bro, looks like a shark to me.
well I can't argue with triple sevens.
Nope, shark.
She's neat.
*PLAP PLAP PLAP PLAP PLAP PLAP*'ing Balister instead
That's hella gay Ambrosius. Why aren't you fricking the Director?
Bitches ain't shit
Literally the entire conflict is driven by woman moments
Exactly. If the director just had some manmeat then she wouldn't be such a femcel.
I was not expecting that
Then Cinemaphilekind has failed
Honestly, I feel as though she constantly perpetuates her own suffering. While she definitely had every reason to hate the villagers for what they did, the fact of the matter is that her every reaction to not getting what she wants (being accepted) is to smash and destroy indiscriminately, without caring whether or not she's hurting the people she cares about, then plays the victim when the people she hurts reacts negatively
I don't think she hated the villagers.
I didn't she did, just that she definitely had a reason to after they tried to kill her
Not indiscriminately. When the story opens she's basically reduced to living in a dumpster and specifically smashes/destroys random things celebrating the city's "Yay knights, boo monsters" ideology. It may not be helpful, but I'm not going to begrudge her some light vandalism of shit that was specifically saying she deserves to die for existing.
Obviously the situation changes when Balister enters the picture and she upgrades from random vandalism to "let's destroy the whole SYSTEM" but I wouldn't file that under perpetuating her own suffering either. The system DOES suck, she's just garbage at coming up with solutions on her own.
Honestly this
I'd understand if they showed her repeatedly attempt to peacefully introduce herself to humans, maybe over whole generations, only to be attacked each time
But as it is, Nimona honestly does come across as unstable and dangerous when she freaks out over the smallest things and then becomes even more hostile when people react with fear
That scene where she chased the squire as a baby was the perfect example of how dangerous she could be
Keep in mind that she was just a little kid who's only ever had positive contact with one other person, and then that person turned on her. As much as Cinemaphile wants every single character to act as an emotionless and rational robot, you can't really expect a kid to have a calm rational response to something like that. It's also shown repeatedly that this world has a very active and immediate hatred of anything deemed a "monster", so expecting her to keep trying to be accepted is ridiulous. Imagine if I told you that you needed to try harder to appeal to radical feminists or else their hate for men was entirely your own fault.
Either way, the comic handles this better. The entire final act illustrates why she's a huge danger despite not being a bad person, or at least not completely bad. Basically she's like the alien in The Thing, where every part of her is a living organism (but without the thing where it takes over other beings), and she doesn't have full control over it all. In the comic they take some of her blood for experiments and it grows into a giant unstoppable monster because it doesn't have her mind to guide it. So een if the monster is technically part of her, it's not her exactly. They left this out of the movie in favor of her just becoming a big suicidal monster, which I guess was meant to be an attempt to pull at the audience's heartstrings but it didn't work for me..
>The entire final act
Easily the best part of the comic for me, along with blackheart and the other guy's dynamic. I only really prefer the movie art direction-wise, maybe except our two main knights.
>Went into the movie blind
>Was surprised at how thick her thighs were
I think it'd be cool if she morphed into having big breasts
Sex
She could stay a girl and nothing bad would happen
Anon, she's a sperg, also, she doesn't "want to be normal"
According to the movie, it's uncomfortable for her not to morph.
You could be a normie, everyone here could be a normie, and nothing bad would happen.
>Beastboy if female