If this show ended when Eren started the rumbling and just rolled a montage of killing everybody over the end credits there's a legitimate argument for it being a 10/10 show
Am I moronic if I literally couldn't tell the difference between Armin and that new blonde homosexual they introduced towards the end of the show (Zeke's groupie)?
I don't know what changed but characters looked really weird in the later seasons
If that's attack on titan i watched the trailer in 2013 and immediately wrote it off as another generic and terrible shounen where children go on a quest for revenge while crying and screaming all their dialogue.
And if it's not actually attack on titan, what i said can still be applied, because all shounen looks identical and covers the exact same themes in the exact same way.
>really cool ideas and plot elements >all revolving around insufferable teenagers and their angst around childhood crushes and garbage like that
why is anime like this?
I admit that the idea of huge fricking titans in the style of TWD is a kino idea for a film franchise but of course it has to be anime. I can't stomach that shit, I feel like it's AI generated soulless slop that has no human touch or character. Say what you want about woke slop but there is AT LEAST something there but with anime it feels like staring into the abyss.
Because that is their audience so your average generic shounen needs to convince 12-16 year olds that they are the ones with the wisdom, experience and power to change the world which means that your plot can't be too complex or too nuanced
It's honestly clear to me that the author wanted to make fiction unironically celebrating White identarianism, but chickened or was pressured out of doing this in the end and made a generic, non committal ending. It would have felt right for the show for Eren to rule over a small group of elevated demigod White people but instead we got the obongo pilot and Eren cuck finale. None of it fits.
You have it all wrong and fell for the surface level interpretation.
Eldians = modern whites who are oppressed by israelites. Remember that Eldians were portrayed as Romans at their peak.
The show starts as a nationalist fable (Eren and comrades become military heroes and saviors of their race) but it slowly turns into a balanced anti-war tale by showing the other side more and more, shifting the viewer's perspective of the conflict many times until motivations and fears on both sides are fully exposed and all that's left is the endless cycle of hate, war and destruction.
And this was the author's plan from the very first episode. Eren was never hero material. Not in the classical sense (but in an edgy Shounen? Probably yes, that's why the subversion worked). He always chose poorly, always gave in to rage too easily, never could overcome his circumstances and become something else. He just blended in with the conflict, became an instrument of war without a second thought. He did not believe in solutions, so he became the final solution instead.
Through his characters, Isayama cleverly unveiled the mechanisms that keep this never ending cycle running. Hate and love are equally powerful and can also be equally destructive. And fear is the fuel that never runs out.
We are destined to do this forever.
AoT shits on everything that Hollywood has made on this subject.
10/10
I think the ending was fine for the state the story was in. I lost some of my interest in the story once it got to explaining how the titans came into existence in the first place, which was just way too full of "random magic" for my taste. What I always enjoyed the most was that there was this degree of "realism" with how the titans weren't just random beings, but actual people, and finding out more about that mystery, but the real explanation destroyed that for me.
I still like the anime, though.
why are you asking me I don't watch anime
Kino died with him
I agree with this. Stopped there when rewatching.
the kino absolutely died with him, and floch carried a tiny flame of it until he died too
I think you should frick off Wrong board
Cinemaphile has exhausted itself. Besides, AoT transcends board boundaries.
No, it doesn't. It's gay slop for transsexuals.
I think you should go back
based
have a nice day spic
TEN
YEARS
10 YEARS WORTH OF SEMEN MADE A GLOPPING SOUND AS IT FLOWED ENDLESSLY INTO MIKASA
LOGH and AoT are the kings of Cinemaphile.
from this
to this
>uhhh... idk why... I just wanted to do it. I'm a garden variety idiot.
If this show ended when Eren started the rumbling and just rolled a montage of killing everybody over the end credits there's a legitimate argument for it being a 10/10 show
That's how I edited this video.
I'm new to editing, so any tips from Cinemaphile would be appreciated.
Kino.
It was a nice finale.
>Arumin-kun is the key to everything
They wanted the cuck audience
Am I moronic if I literally couldn't tell the difference between Armin and that new blonde homosexual they introduced towards the end of the show (Zeke's groupie)?
I don't know what changed but characters looked really weird in the later seasons
The production studio changed from WIT to MAPPA. Apart from Mikasa, I actually didn't really mind the MAPPA changes.
Also, you're thinking of Yelena.
If that's attack on titan i watched the trailer in 2013 and immediately wrote it off as another generic and terrible shounen where children go on a quest for revenge while crying and screaming all their dialogue.
I was right of course.
And if it's not actually attack on titan, what i said can still be applied, because all shounen looks identical and covers the exact same themes in the exact same way.
L take
i knew the show sucked by the end of e3s1
the ending bombed big time
there is no arguing this
I stopped watching when Eren came back as a giant superhero after he got chomped in S1
Cinemaphile thinks nothing of FRICKING TRANIME frick off back to your designated board.
>really cool ideas and plot elements
>all revolving around insufferable teenagers and their angst around childhood crushes and garbage like that
why is anime like this?
I admit that the idea of huge fricking titans in the style of TWD is a kino idea for a film franchise but of course it has to be anime. I can't stomach that shit, I feel like it's AI generated soulless slop that has no human touch or character. Say what you want about woke slop but there is AT LEAST something there but with anime it feels like staring into the abyss.
>why is anime like this?
Its meant for kids and teenagers
Because that is their audience so your average generic shounen needs to convince 12-16 year olds that they are the ones with the wisdom, experience and power to change the world which means that your plot can't be too complex or too nuanced
I want to FRICK Hange, Mikasa, Sasha, Ymir, Historia, Hannah, Annie, Ymir Fritz, Rico, Anka, Carla, Pieck, Dina, Alma, Mikasa's mom, Lara, Louise, Lynn, Mina, Caven, Nanaba, Nifa, Yelena, Frieda, Petra, Gabi, Zofia, Sandra, Hitch, Ilse, Kaya, Kiyomi, and Abel. I want to FRICK them so FRICKING bad.
Wrong board
It's honestly clear to me that the author wanted to make fiction unironically celebrating White identarianism, but chickened or was pressured out of doing this in the end and made a generic, non committal ending. It would have felt right for the show for Eren to rule over a small group of elevated demigod White people but instead we got the obongo pilot and Eren cuck finale. None of it fits.
>it's white identitarian even doe eldia = israel
You have it all wrong and fell for the surface level interpretation.
Eldians = modern whites who are oppressed by israelites. Remember that Eldians were portrayed as Romans at their peak.
lmao they have yellow star arm bands in ghettos. and willy tybur asks the "the eldian question".
Again, surface-level details. You got filtered.
Every detail except "dey wuz romans"
Also you aren't being oppressed by da jooz loser
Correct, because I'm the israelite doing the oppressing.
I think you have a containment board for a reason
see
The show starts as a nationalist fable (Eren and comrades become military heroes and saviors of their race) but it slowly turns into a balanced anti-war tale by showing the other side more and more, shifting the viewer's perspective of the conflict many times until motivations and fears on both sides are fully exposed and all that's left is the endless cycle of hate, war and destruction.
And this was the author's plan from the very first episode. Eren was never hero material. Not in the classical sense (but in an edgy Shounen? Probably yes, that's why the subversion worked). He always chose poorly, always gave in to rage too easily, never could overcome his circumstances and become something else. He just blended in with the conflict, became an instrument of war without a second thought. He did not believe in solutions, so he became the final solution instead.
Through his characters, Isayama cleverly unveiled the mechanisms that keep this never ending cycle running. Hate and love are equally powerful and can also be equally destructive. And fear is the fuel that never runs out.
We are destined to do this forever.
AoT shits on everything that Hollywood has made on this subject.
10/10
Nice analysis anon. Well said.
I'll decide after the 4 ending fan rewrites are finished.
I think the ending was fine for the state the story was in. I lost some of my interest in the story once it got to explaining how the titans came into existence in the first place, which was just way too full of "random magic" for my taste. What I always enjoyed the most was that there was this degree of "realism" with how the titans weren't just random beings, but actual people, and finding out more about that mystery, but the real explanation destroyed that for me.
I still like the anime, though.