>oh yeah, well, why don't yooooouuuuu make them then, huh, chuds???
It's not the job of internet randos to make good movies. It's the job of billion dollar movie studios to figure that shit out.
If that's too much for you to handle then you're bad at your job and deserve to go bankrupt.
Bye.
They want a good story. Normies only watch things they're told to watch. If your hardcore fanbase is not excited they won't tell their normie friends about how great show X or film Y is. We've all seen it irl at work, home or with friends. We are the ones who normally do it. >do a good job >get a happy fanbase >they spread the good news to normies >good marketing seals the deal
If the trailer is good more people will start posting and talking about it. Before long the show/film seems so popular that people will watch it because of FOMO. If your core fanbase is actively shitting on your latest release do not expect your show to retain any audience. >literally what happened with ROP
moronic execs think appealing to the masses works. No. You appeal to the nerds.
>Harry Potter, LOTR
These are going to underperform just like Rings of Power and Fantastic Beasts did. The source material was never meant to be this giant endless factory of content and the main stories have already been adapted in a way that no reboot will ever live up to. >DC
No one even cares about DC that much outside of Nolan Batman. The boat to make an MCU sailed a fricking decade ago and they are too stubborn to admit it which is (part of) the reason the previous attempt crashed and burned so hard.
Jam 2 flopped >No Michael Jordan and it wasn't hand drawn animation >Lola not looking like a bombshell
Beast flopped >Story that was originally about the magical creatures of HP gets sidelined for a fricking Dumbledore vs Grindelwald storyline >Make them both gay for some reason >>DCEU flopped
Be glad James Gunn will be the Kevin Fiege of the new DCU but more involved.
All they've been doing for the last 30 years is pump out sequels and remakes, they've forgotten how to generate new IP. Now the audience has had enough of the same old shit and the studio's dont know how to respond, and they're even poisoning any popular IPs they do have with D&I shit. I foresee a major consolidation as studios merge to survive. The biggest winner is going to be Netflix and it wouldnt surprise me if they snap up a studio like Paramount. Disney will go to Apple. WB or Universal will merge with Sony/Columbia. And anyone left will be added to Amazon and United Artists/MGM.
>WB, Disney, Paramount are all in trouble now
What a wonderful timeline we are in. If you’d tell someone this would happen a decade ago, people would think you’re crazy.
Its their own fault, they thought they were invulnerable and could shit on their audience and especially the die hard fans, and they'd still make money with the new fans they'd replace them with. Turns out the new fans were fickle or didnt come at all and the die hards have all lost interest so they're fricked in all direction. e,g the Star wars hotel.
>Its their own fault, they thought they were invulnerable and could shit on their audience and especially the die hard fans, and they'd still make money with the new fans they'd replace them with. Turns out the new fans were fickle or didnt come at all and the die hards have all lost interest so they're fricked in all direction. e,g the Star wars hotel.
I know it’s all their fault, I just find it bizarre they all collectively reached this point. How can you not see this coming if you’re sailing that ship?
They keep banking on their IP to carry them despite only making things of mid quality, because they think they can shit out anything with their IP (DC, Harry Potter) and have it be successful.
Also Space Jam 2 was just a giant soiface Ready Player One-tier nostalgia consumerist jerkoff session.
What the frick is Michael De Luca doing? He used to be a half-way competent exec. BUY KINO SPEC SCRIPTS AND MAKE THEM, YOU IDIOTS. Stop trying to fricking remake everything and copy Marvel, FIND NEW TALENT and MAKE ORIGINALS.
I wonder.....I was having a conversation with my brother. He said that even if these movies flop, the coked up studio exec's don't really care because they make it with things like toy deals and t-shirts and stuff. I don't know how true that is, but I don't think that all of the merchandizing in the world can save some of these films.
When I told him about Larry Fink and ESG, he called me a conspiracy theorist. We then went back to the K-drama that was on Netflix.
>I don't know how true that is, but I don't think that all of the merchandizing in the world can save some of these films.
They don’t. Most of the merch ends up discounted and in dollar stores and good will. Or taken to factories and destroyed.
It seems like studio's dont understand what people want anymore.
What do people want? Only genuine post-pandemic hits were Spider-Man: No Way Home and Top Gun: Maverick. Oh, and, I guess Avatar Too
Clearly not what the studios are pumping out.
Spectacle and/or novelty. Same as always.
They just want decent writing and not to be scolded during a movie that's supposed to be entertaining.
>What do people want?
We want good movies.
>oh yeah, well, why don't yooooouuuuu make them then, huh, chuds???
It's not the job of internet randos to make good movies. It's the job of billion dollar movie studios to figure that shit out.
If that's too much for you to handle then you're bad at your job and deserve to go bankrupt.
Bye.
They want a good story. Normies only watch things they're told to watch. If your hardcore fanbase is not excited they won't tell their normie friends about how great show X or film Y is. We've all seen it irl at work, home or with friends. We are the ones who normally do it.
>do a good job
>get a happy fanbase
>they spread the good news to normies
>good marketing seals the deal
If the trailer is good more people will start posting and talking about it. Before long the show/film seems so popular that people will watch it because of FOMO. If your core fanbase is actively shitting on your latest release do not expect your show to retain any audience.
>literally what happened with ROP
moronic execs think appealing to the masses works. No. You appeal to the nerds.
It's their prerogative to give people what they need, not what they want.
Movies too expensive. That goes for Disney and paramount too.
They are rebooting Harry Potter, LOTR and DC. This is one last stand for them.
>J-Just reboot everything! That will make people care again!
It's so over..
>Harry Potter, LOTR
These are going to underperform just like Rings of Power and Fantastic Beasts did. The source material was never meant to be this giant endless factory of content and the main stories have already been adapted in a way that no reboot will ever live up to.
>DC
No one even cares about DC that much outside of Nolan Batman. The boat to make an MCU sailed a fricking decade ago and they are too stubborn to admit it which is (part of) the reason the previous attempt crashed and burned so hard.
Jam 2 flopped
>No Michael Jordan and it wasn't hand drawn animation
>Lola not looking like a bombshell
Beast flopped
>Story that was originally about the magical creatures of HP gets sidelined for a fricking Dumbledore vs Grindelwald storyline
>Make them both gay for some reason
>>DCEU flopped
Be glad James Gunn will be the Kevin Fiege of the new DCU but more involved.
Why didn’t they get MJ back? Or did the movie while Kobe was alive
All they've been doing for the last 30 years is pump out sequels and remakes, they've forgotten how to generate new IP. Now the audience has had enough of the same old shit and the studio's dont know how to respond, and they're even poisoning any popular IPs they do have with D&I shit. I foresee a major consolidation as studios merge to survive. The biggest winner is going to be Netflix and it wouldnt surprise me if they snap up a studio like Paramount. Disney will go to Apple. WB or Universal will merge with Sony/Columbia. And anyone left will be added to Amazon and United Artists/MGM.
>WB, Disney, Paramount are all in trouble now
What a wonderful timeline we are in. If you’d tell someone this would happen a decade ago, people would think you’re crazy.
Hell, if you told people four years ago that Disney would be in trouble, they'd throw a fit and claim Disney is invincible and loaded with money
Its their own fault, they thought they were invulnerable and could shit on their audience and especially the die hard fans, and they'd still make money with the new fans they'd replace them with. Turns out the new fans were fickle or didnt come at all and the die hards have all lost interest so they're fricked in all direction. e,g the Star wars hotel.
>Its their own fault, they thought they were invulnerable and could shit on their audience and especially the die hard fans, and they'd still make money with the new fans they'd replace them with. Turns out the new fans were fickle or didnt come at all and the die hards have all lost interest so they're fricked in all direction. e,g the Star wars hotel.
I know it’s all their fault, I just find it bizarre they all collectively reached this point. How can you not see this coming if you’re sailing that ship?
>Apple buys Disney
>iPhones and Apple watches required to enter
Yikes
everything
Space Jam was a sucky idea that got lucky. Once.
Rowling can't write scripts and even hardcore Potterheads don't care about Newt Scan
mander.
No one wants gritty superheroes outside of Batman and a few others, Robbie Quinn blows, and Wonder Woman 2 shit the bed.
>space jam 2 flopped
>what happened
No frickable rabbit is what happened.
cheap credit, stakeholder metacapitalism and governments intervening in society and economy to much
I wonder if Legendary left them because they saw it as a sinking ship already. They only have a few distribution agreements left.
They keep banking on their IP to carry them despite only making things of mid quality, because they think they can shit out anything with their IP (DC, Harry Potter) and have it be successful.
Also Space Jam 2 was just a giant soiface Ready Player One-tier nostalgia consumerist jerkoff session.
What the frick is Michael De Luca doing? He used to be a half-way competent exec. BUY KINO SPEC SCRIPTS AND MAKE THEM, YOU IDIOTS. Stop trying to fricking remake everything and copy Marvel, FIND NEW TALENT and MAKE ORIGINALS.
>Lola gets to appear in another movie
>It's bad
This really is a monkey's paw moment for the Lolabros
I…. Didn’t want to frick the bunny
You forgot the new soulless logo
I wonder.....I was having a conversation with my brother. He said that even if these movies flop, the coked up studio exec's don't really care because they make it with things like toy deals and t-shirts and stuff. I don't know how true that is, but I don't think that all of the merchandizing in the world can save some of these films.
When I told him about Larry Fink and ESG, he called me a conspiracy theorist. We then went back to the K-drama that was on Netflix.
>I don't know how true that is, but I don't think that all of the merchandizing in the world can save some of these films.
They don’t. Most of the merch ends up discounted and in dollar stores and good will. Or taken to factories and destroyed.