And not a single good horror movie came out ever again after this.
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The last horror kino
And not a single good horror movie came out ever again after this.
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Horror is for losers. Gore is where it's at
Gore is even more moronic. I just want to question reality and be spooked.
There're plenty of good horror movies that have come out
sinister was better
X
Hereditary
Midsommar
The VVitch
All of them are much better
I'm trans btw, dunno if that matters
The Conjuring and Hereditary.
>the witch
Come on now, the the stiffness you felt was not from fear, it was your dick.
objectively true
Was Hereditary really good? Heard it was one of the scariest movies from a credible source.
memes aside, it's pretty decent
It's better the more you know about it going into it. If you aren't an autist who brightens the screen and pauses to zoom in on things and overanalyze it it's not very scary. It's literally designed to be overanalyzed and it's annoying.
NTA but Oh I hate this about Asian movies. I feel like they rely a lot on
>Well, culturally this is very impactful to them because blablablabla
Like you're supposed to know what certain colors and imagery mean to them, or stuff like "taking their shoes off means they're ready to die because that's how they commit suicide"
It's aight
>credible source
Your Rabbi?
its really decent, good concepts and such. Would call it superb, compared to the rest of the genre
>ari aster listed not once, but twice
KWAB
>uses the word trope
X was shit.
A lot of it was especially towards the beginning thats for sure. But I was really impressed by their use of old people as villains.
The Cabin in the Woods is a 2011 science fiction[4] comedy horror film directed by Drew Goddard in his directorial debut, produced by Joss Whedon, and written by Whedon and Goddard.[5] It stars Kristen Connolly, Chris Hemsworth, Anna Hutchison, Fran Kranz, Jesse Williams, Richard Jenkins, and Bradley Whitford. The plot follows a group of college students who retreat to a remote forest cabin where they fall victim to a variety of monsters while technicians manipulate events from an underground facility.
Those movies are all moronic and gay. Insidious was the last good one.
Not just a moronic and gay movie, no. A moronic and gay Ethan hawk movie.
Take This Waltz is a 2011 romantic comedy-drama film[4][5] written, produced, and directed by Sarah Polley.[6] The film centres on Margot, a 28-year-old freelance writer who lives in a charming house on a leafy street in Toronto's Little Portugal neighbourhood, as she struggles with and examines her feelings for Lou, her husband of five years, while exploring a new relationship with Daniel, an artist and rickshaw driver who lives across the street. The film stars Michelle Williams, Seth Rogen, Luke Kirby, and Sarah Silverman.
In an interview with Esquire in July 2012, Sarah Silverman talked about being nude onscreen for the first time during the locker room shower scene. She said, "Taking all my own mishigas out of it, it's so unsexualized. I'm standing like a caveman. It's very dead. Now, I'm trying to be positive about myself, because I feel like even if you're self-deprecating it's still a kind of self-obsession. So I'm trying to just say I'm a human body -it works. If I were somebody else looking at my character, I'd be like, 'She's beautiful.' I'm practicing. I'm not succeeding."
You're Next is a 2011 American slasher film directed and edited by Adam Wingard, written by Simon Barrett and starring Sharni Vinson, Nicholas Tucci, Wendy Glenn, A. J. Bowen, Joe Swanberg, Barbara Crampton and Rob Moran. The plot concerns an estranged family under attack by a group of masked assailants during a family reunion.
Insidious is the only movie I wish I would unsee and see it again. The memes and garbage sequels really killed it. It was the scariest movie I had ever seen when I first saw it.
There's nothing thrilling about horror. How can it scare you? Horror is a genre for brainlets. What is there? Jump scares? Loud noises? Blood? OoooOooh! Scary! Gimme a break
The same could be said about any movie though. It's just smoke and mirrors. Imagine thinking whatever you saw on the screen is real lmao.
Horror is the single genre that relies on anti-tainment. I'm supposed to be scared of what I'm seeing and that's supposed to be a good time. Well it's not scary. It's lame
So you only have a good time when watching comedies or action?
Art in general has never been just about making you feel good. Although you raise a somewhat valid point as to why I think blockbusters are the ultimate form of cinema. The average moviegoer thinks exactly like you.
Huff some more farts. Do you watch cinema for education purposes? Let's make a food analogy. Bet you only enjoy intelligent flavors in your dessert. I have to laugh at anyone who insinuates watching a movie is an intellectual pursuit. Bet you keep a vintage copy of a phone book for some late night reading material too.
Have you never been on a rollercoaster before? That's just what I've always compared horror movies to. You know you're safe, but can this one trick you for a moment into thinking you aren't to get the reaction of fear? That's why horror is so simple and fun.
Rollercoasters are physically assaulting your body with g force. Your body can't escape that and it reacts accordingly. What you're talking about is walking through cartel territory with a big fat sign that says "I hate spics" without knowing what'll go down.
Yes and both are just threats that could mean nothing. Go walk a little into a dark forest at night alone and you'll have a similar feeling even if you know there are 40 people camping 400 feet behind you. It's pretty easy to instigate a fearful reaction to most people.
The Evil Dead Rise which I talked above is just hard to watch, I wouldn't simply call it 'gore'. There's a dark melancholy to seeing these characters you met at the start of the movie all bloodied with maniacal grins trying to murder the rest of their family members.
The visuals. The way they move and facial expressions, all that is scary. LIKE WATCHING A SNAKE, humans are hard-wired to be alert at snakelike things. We just find them creepy to see. Horror is like that.
I liked Leigh Whannell's Invisible Man
He wrote that? I always kne h had a sense of humor.
Wrote and directed, in fact
He defeated his own scare tactic of something you can't see being right next to you by making it some jealous billionaire trolling his ex wife with a suit?
The Human Centipede 2 (Full Sequence) is a 2011 psychological body horror film[4] written, directed, and co-produced by Tom Six. An international co-production of the Netherlands and the United Kingdom, and the sequel to Six's 2009 film The Human Centipede (First Sequence), the film stars Laurence R. Harvey as a psychiatrically and intellectually impaired English man who watches and becomes obsessed with the first Human Centipede film, and decides to make his own "centipede" consisting of 12 people, including Ashlynn Yennie, an actress from the first film. Six shot Full Sequence in colour, but "was always thinking about black and white" and realized while editing that it was "much scarier" that way.[12]
Red Riding Hood is a 2011 American romantic horror film directed by Catherine Hardwicke, and produced by Leonardo DiCaprio, from a screenplay by David Leslie Johnson.[3] The film is very loosely based on the folk tale "Little Red Riding Hood"[4] collected by both Charles Perrault under the name Le Petit Chaperon Rouge (Little Red Riding Hood) and several decades later by the Brothers Grimm as Rotkäppchen (Little Red Cap). It stars Amanda Seyfried as the title role, with Gary Oldman, Billy Burke, Shiloh Fernandez, Max Irons, Virginia Madsen, Lukas Haas and Julie Christie in supporting roles.
>dude demon ghosts lmao
all horror movies are shit.
the good horror is labeled thriller.
A thriller's main selling point isn't the horror aspect, so it's a different thing.
Both can be good or shitty, all depends on the people involved.
name one good horror movie besides alien
The Haunting
alien isolation as purely a horror experience
good movie but people sucking its dick constantly are making me hate it
Excision is a 2012 American psychological horror film written and directed by Richard Bates, Jr., and starring AnnaLynne McCord, Traci Lords, Ariel Winter, Roger Bart, Jeremy Sumpter, Malcolm McDowell, Matthew Gray Gubler, Marlee Matlin, Ray Wise, and John Waters. The film is a feature-length adaptation of the 2008 short film of the same name.
This was a fantastic horror scene and I'm sick of pretending it's not. David Lynch did the exact same thing with the hobo jump scare and people suck it off and laugh at this one.
Maniac is a 2012 psychological slasher film directed by Franck Khalfoun, written by Alexandre Aja and Grégory Levasseur,[4][5] and starring Elijah Wood and Nora Arnezeder. It is a remake of the 1980 film of the same name, and follows the violent exploits of a brutal serial killer. The film is an international co-production produced by the French film companies La Petite Reine and Studio 37. Unlike the original 1980 film, which is set in New York City, writers Aja and Levasseur chose to set the film in Los Angeles.
Nearly the entire film is shot from the murderer's point of view, with his face being shown only in reflections and occasionally in the third person. This "proved to be challenging on both a narrative and technical level for the filmmakers and cast".[6] Because of this point of view technique, Elijah Wood had to be present nearly every day of filming, which is unusual. Wood told an interviewer: "It's the most intriguing element of the film. It meant I could create this character in a completely different way. It became about hearing him and feeling him rather than seeing him. And you only see him in flashes, so they become very intense character revealing moments. I've never played someone so dark before. It was interesting to go there". He added: "The four-week shoot was very technical so you kind of become desensitised to what is very disturbing material. None of us had ever made a PoV [point-of-view] film before. There was this whole element of the character that was basically the camera. I've never worked so closely with a DP [director of photography] before. I would be behind him the whole time, tapping on his shoulder to make him move faster or slower. It was a totally fascinating way to work".[7]
V/H/S is a 2012 American found footage horror anthology film and the first installment in the V/H/S franchise created by Brad Miska[4] and Bloody Disgusting and produced by Miska and Roxanne Benjamin.[5] It features a series of found footage shorts written and directed by Adam Wingard, David Bruckner, Ti West, Glenn McQuaid, Joe Swanberg, and the filmmaking collective Radio Silence.[6]
The film debuted at the 2012 Sundance Film Festival in January 2012,[7] and was released on demand on August 31, 2012. The film made its limited theatrical premiere in the United States on October 5, 2012, and in the United Kingdom on January 18, 2013.
The film spawned five sequels, V/H/S/2, V/H/S: Viral, V/H/S/94, V/H/S/99, V/H/S/85 and two spin-offs, Siren and Kids vs. Aliens, as well as a miniseries V/H/S: Video Horror Shorts on Snapchat's Snap Originals platform.[8]
"Amateur Night"
For the spin-off film, see Siren (2016 film).
Directed by David Bruckner
Written by David Bruckner and Nicholas Tecosky
Shane, Patrick, and Clint are three friends who have rented a motel room to fulfill Shane's intent of bringing women back for sex. Clint is wearing glasses that have been outfitted with a hidden camera and microphone that will allow them to turn their planned encounter into an amateur porn video. While the three men are bar-hopping, Clint encounters Lily, a mysterious young woman who appears unusually shy and says little other than "I like you."
Rape Zombie: Lust of the Dead
Original title: Reipu zonbi: Lust of the dead
2012
Not Rated
1h 13m
After a nuclear attack in Tokyo, the female population is attacked by infected males who have become sex-crazed zombies, hungry for human flesh. Officeworker Momoko and nurse Nozomi seek shelter in a Shinto Shrine, where they meet housewife Kanae and school girl Tamae. With no choices left to them, the group of girls decides to take a stand and arm themselves with assault rifles and explosives to fight off hordes of horny zombies.
Director
Naoyuki Tomomatsu
Writers
Jirô Ishikawa, Naoyuki Tomomatsu
Stars
Rina Aikawa, Yui Aikawa, Kazuyoshi Akishima
The Evil Dead Rise movie was amazing horror. No, I never got the "lmao gore is funny" crowd, at most you could say the eye falling into someone's mouth was tongue and cheek campy but it was absolutely diabolical and I'd believe it if someone said it gave them nightmares. It was like zombies mixed with demons.
And things never get better. The entire time you're imagining "well it's their mom, this is probably one of those kid's movies in which eventually the power of love turns her back and they see dawn together" hahah frick no they don't.
this count ? it's srsly fricked up
GETSUGAAAAAAAAA
The last legitimate horror kino was Hereditary.
Speak No Evil and pic related are really good recent horror flicks, shit like Skinamarink and The Outwaters are zoomer trash
I brushed this off as a muslims are actually good people and aren't invading europe kind of film, is it actually deeper than that?
is speak no evil supernatural? That's the only type of horror movies that I like.
No, The Innocents on the other hand is
ive seen it.
The Lords of Salem is a 2012 supernatural horror film written, produced, and directed by Rob Zombie. It stars Sheri Moon Zombie, Bruce Davison, Jeff Daniel Phillips, Ken Foree, Patricia Quinn, Dee Wallace, María Conchita Alonso, Judy Geeson, and Meg Foster. The plot focuses on a troubled female disc jockey in Salem, Massachusetts, whose life becomes entangled with a coven of ancient Satan-worshipping women.
The film started shooting on October 17, 2011, and premiered at the Toronto International Film Festival on September 10, 2012. Rob Zombie's novelization of The Lords of Salem was released on March 12, 2013, and the film was given a limited release on April 19, 2013
the last horror kino came out last year 🙂
Phantasm: Ravager came out six years later.
Antiviral is a 2012 science fiction horror film written and directed by Brandon Cronenberg. The film competed in the Un Certain Regard section at the 2012 Cannes Film Festival.[4][5] Cronenberg re-edited the film after the festival to make it tighter, trimming nearly six minutes out of the film. The revised film was first shown at the 2012 Toronto International Film Festival,[6] and was a co-winner, alongside Jason Buxton's Blackbird, of the festival's Best Canadian First Feature Film award.[7]
Plot
Syd March is employed by the Lucas Clinic, a company which purchases viruses and other pathogens from celebrities who fall ill, in order to inject them into clients who desire a connection with celebrities. In particular, the pathogens supplied by the Lucas Clinic's exclusive celebrity Hannah Geist are extremely popular, and another employee at the clinic, Derek Lessing, is responsible for harvesting them from Hannah directly. To make extra money, Syd uses his own body as an incubator, steals pathogens from the lab, and sells them on the black market. To do so, he uses a stolen console to break the copy protection placed on the virus by the clinic; once injected in a client, the pathogen is rendered incommunicable. He then passes the pathogens to Arvid, who works at Astral Bodies, a celebrity meat market where meat is grown from the cells of celebrities for consumption.
Brandon Cronenberg (born January 10, 1980) is a Canadian director and screenwriter.[1] He is the son of renowned filmmaker David Cronenberg and the brother of Caitlin Cronenberg.[2] He is known for his science fiction horror films Antiviral (2012), Possessor (2020) and Infinity Pool (2023). He has won several accolades for his work.[3][4][5]
I sense that you're the Gadon poster
I wish
The ABCs of Death (2012)
Not Rated | 129 min | Comedy, Horror
A 26-chapter anthology that showcases death in all its vicious wonder and brutal beauty.
Directors: Kaare Andrews, Angela Bettis, Hélène Cattet, Ernesto Díaz Espinoza, Jason Eisener, Bruno Forzani, Adrian Garcia Bogliano, Xavier Gens, Jorge Michel Grau, Lee Hardcastle, Noboru Iguchi, Thomas Cappelen Malling, Anders Morgenthaler, Yoshihiro Nishimura, Banjong Pisanthanakun, Simon Rumley, Marcel Sarmiento, Jon Schnepp, Srdjan Spasojevic, Timo Tjahjanto, Andrew Traucki, Nacho Vigalondo, Jake West, Ti West, Ben Wheatley, Adam Wingard, Yûdai Yamaguchi | Stars: Ingrid Bolsø Berdal, Iván González, Kyra Zagorsky, Lucy Clements
Votes: 19,983 | Gross: $0.02M
4.7 Rate this 43 Metascore
I might actually have to watch it then
Now do Suicide for Beginners 2022.
You're on the wrong side of earth for horror kino
Is the medium worth a watch? I loved the wailing but have hated any korean straight horror film, they make fantastic thrillers though.
I liked it.
John Dies at the End is a 2012 American comedy horror film written and directed by Don Coscarelli and based on David Wong's novel of the same name.[4][5] It stars Chase Williamson and Rob Mayes, with Paul Giamatti, Clancy Brown, Glynn Turman, Daniel Roebuck, and Doug Jones.
Don Coscarelli Jr. (born February 17, 1954) is an American film director, producer, and screenwriter.[1] Born to Italian settlers in Libya, he is best known for his work in horror films. His directing credits include the first four films in the Phantasm franchise,[2] as well as The Beastmaster (1982) and Bubba Ho-Tep (2002).[3]
Coscarelli was born to Italian settlers in Libya and raised in Southern California. Although his family was not connected with the motion picture business, he was fascinated with cameras and filmmaking at an early age. Long before he was old enough to attend film school, his short films, made with the help of neighborhood friends in his hometown of Los Alamitos, California , were winning prizes on television.
At the age of 19, Coscarelli became the youngest director to have a feature film distributed by a major studio when he sold his independently produced drama Jim the World's Greatest, to Universal Pictures. The film was the first collaboration for Coscarelli with actor Lawrence Rory Guy, who went on to achieve horror icon status under the screen name Angus Scrimm.[citation needed] Jim the World's Greatest was an official selection of the USA Film Festival.
Coscarelli is best known for Phantasm, and its sequels. The original Phantasm was a worldwide critical and box-office success and won the Special Jury Prize at the Festival du Cinema Fantastique at Avoriaz, France.
Coscarelli also co-wrote (with Paul Pepperman) and directed The Beastmaster,[4] which was described by Entertainment Weekly as "a surefire audience favorite."[5] The Beastmaster has spawned two sequels[6][7] and a television series.[8]
LOL, did you watch that piece of absolute shit "red door" these days too? Avid an of the first one and I was in disbelieve at how BAD you can frick up a somewhat stable trilogy
I I just watched this the other day and holy Jesus it was absolutely atrocious
Wrong, and that movie sucks.
I watched Insidious 1, 2, and The Red Door recently. I gave the first movie 7 out of 10, but I only gave the second and The Red Door 4 out of 10 each.
Uh oh. Sure enough somethings up with 2013. I havent seen Green Inferno though but still thats just one movie.
And I've always counted Evil Dead as ground zero for the current wokeism of remaking it and replacing the man with a woman etc. Maybe you're onto something even though I dont agree with you at all about 2011 or 2012
see
It was entirely necessary I assure you.
Nope
Kino
do NOT waste your time with this fricking garbage, you have been warned!!
only bugpeople and total morons would enjoy 2hours+ of chinese family drama
pic related: scariest scene of that slop
>Kino
indeed.
>Is the medium worth a watch?
pretty good. almost as good as Incantation anon mentioned above. Both slightly below Noroi.
>Cronenberg
for the life of me i will never understand who the frick falls for this shit.
it's bad