This was meh, thin plot and 2D anime characters can't show emotions
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This was meh, thin plot and 2D anime characters can't show emotions
> watching kino 90s anime for an in-depth cerebral story
its just meant to look pretty
wrong
Shit taste.
YIU PIECE OF SHIT, 2D GIRLS AND WAIFUS CAN SHOW FAR MORE EMOTION THAN 3D "WOEMYN", ESPECIALLY OF OLDER ANIMES, BUT EVEN NEWER CGI ANIME BLO "REAL" GIRLS OUT OF THE WATER BECAUSE 2 D GIRLS HAVE SOULS AND ARE MORE HUMAN THAN ANY "REAL GIRL" I HOPE YOU SUFFER A SINGLE LONELY NO NONONO, I HOPE YOU GET MARRIED TO A SOULLESS BICH U PIECE OF SHIT
It's great, but I prefer Millenium Actress.
fbp
one of the most elegant films ever made
Satoshi Kon is a fantastic editor and storyboarder.
He's not a great writer.
Same actually.
Paprika is absolute garbage.
>Satoshi Kon is a fantastic editor and storyboarder.
>He's not a great writer.
Checked, same with pic related
>great illustrator and designer
>writes paper thin stories
>watching normalgay approved anime
Watch actually good anime homosexual
The "le only good anime is le kon, berserk, vampire hunter, wicked city" homosexuals are normalgays that don't appreciate the medium
I watched Berzerk because of all the hype and thought it was boring as frick. I didn’t realize it some boring medieval times ass story, I thought it was gonna be more like Tokyo Ghoul at least.
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name 5 then homosexual. there's only a handful of animes worth watching, the rest are fricking garbage
Kon specifically takes advantage of things live action film can't do well in every single one of his films, except for Tokyo Godfathers which is pretty 'may as well have been live action'.
I won't let you shit on him. He's the best anime director that came of age around the millenium.
Pretty much the inverse of Perfect Blue. Both thematically and where the film peaks and troughs.
>The "le only good anime is le kon, berserk, vampire hunter, wicked city" homosexuals are normalgays that don't appreciate the medium
Also this piece of shit for whatever reason.
yeah you're right, but you should post what you think is good, instead of just complaining like a broken record.
>>Says popular thing is bad
responds to anyone
still reply
Bravo OP!
Millennium Actress > Paprika > Perfect Blue
literally one of the only animes worth watching
it's up there with Truman Show, which also could've been a great anime.
I can tell you what they say in space
That our Earth is too grey
But when the spirit is so digital
The body acts this way
>anime characters can't show emotions
Absolutely this. This is why animation has to make up for it through exaggeration. The only people who empathize more deeply with drawings who suffer from social isolation being terminally online. So like 90% of Cinemaphile.
The approach changes but the emotion remains the same. You can say an animated face can't emote like a real person and it's true so then you simply don't frame your film in a way that the face would've been what was selling the emotion.
Unless you're strictly a fan of documentarian style filmmaking it doesn't matter.
No I'm almost positive Cinemaphile has some AI checking for nudity. Because I was able to post my test patlabor webm in this thread so I'm not banned from uploading, and I've reencoded the perfect blue webm several times.
This shot is just a rip off of that one shot in Requiem for a Dream.
Ha ha anon.
But that's the point. If that scene didn't scream the emotion Kon wanted to convey, Aronofsky wouldn't have stolen it 1:1.
anon this movie came 3 years before requiem for a dream
is there some rule against capeshit on this board, why can't I see any spiderman threads up?
please enlighten us in what animated feature you think is best and worth watching?
>try to upload the bath scene
>Cinemaphile has blacklisted my webm
Nice to know the AI can't distinguish between some skin and actual nudity.
Does it need conversion to VP8?
https://video.online-convert.com/convert-to-webm
Aka every tranime ever, all these le serious anime shit i got tricked into watching were utter garbage, fricking weebs have no taste at all
Name the films you didn't like so I can laugh at you.
>then you simply don't frame your film in a way that the face would've been what was selling the emotion.
You can do the same thing with irl movies. You can do both which makes it more effective at conveying realistic emotion. Animation is limited so it must rely on exaggeration. The surrealism of seeing a human like face or body making inhuman movements or changes to express emotion is what captivates people. It's a different kind of emotion I'd say. Don't get me wrong though I appreciate animation and it certainly has a place in art. I haven't watched anime in a while but I remember watching Akira a while and being a bit disgusted by it. I don't think it would have had the same effect if it were irl because it would just look like fake cgi. It's less believable but in animation everything is believable. Do you have any recommendations?
Frick ment for
>you can do the same thing with irl movies
Of course you can which is why I specified that only films of a very documentarian style are really dependent on it.
Even something as simple as the filmed play is exaggerated.
>recs
If you're looking for films that specifically want to leverage what animation can do that live action can't Kon's probably the best of recent directors.
You can try Ikuhara's tv shows if you want (he's also a big believer in anime shouldn't ever try to ape live action for some of the exact reasons you've brought up like faces) but they're incredibly steeped in the metaculture surrounding anime and harder to get into if you aren't already an anime nerd.
If you want a more traditionalist (in the sense that live action influences don't need to totally be avoided) counterpoint Takahata's films try to walk the line between his post-war influences like Ozu and animation. Particularly his chick flick "Only Yesterday" is really dictatorially storyboarded.
Oh and Cinemaphile overhates Shinkai because they don't want to be seen as normies. But Shinkai is another dude who's influences are mostly anti-live action, and he is as far as I know the only guy working right now who insists on storyboarding 100% of his films himself, like Kon used to.
Kon's an absolute machine when it comes to doing storyboards and layouts. You're right about Paprika.
>troony essay
anime fricking sucks solely cause the writing and characters are always awful
anyone who isn't a autistic child that gets stimmied by pretty pictures and colors should also agree
>every single story written by this country in the past 100 years has shitty writing, yes I've only watched/read 5 of them
the appeal of this movie, other than the striking visuals, is the mystery and the way it blurs fantasy and reality.
Yeah, didn't care for it.