Tiny Toons lasted for 33 years instead of The Simpsons and is still going unaltered (baring things like going from cels to digital ink and paint and 4:3 to 16:9); What Changes?
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Tiny Toons lasted for 33 years instead of The Simpsons and is still going unaltered (baring things like going from cels to digital ink and paint and 4...
Looney Tunes as a franchise would be mega-fricked if this was an overwhelming success instead of a moderate success
It was a overwhelming success, it was getting Simpsons tier ratings back in the day and all Tiny Toons would've done was help the Looney Tunes significantly in the long run (this includes alot more Golden/Platinum Collections back in the day).
Ruegger just wanted to move to Animaniacs is all.
they would still have to face the encroaching competition from the likes of Dragon Ball, Sailor Moon, Pokemon, Yu-Gi-Oh, etc
Simpsons ass raped those shows and survived just fine in our timeline, Tiny Toons can easily do the same in this timeline as doing so Japanese animation can be respected by normies, instead of being viewed as "only for geeks and nerds" as is the case in our timeline.
Plus Tiny Toons would've fared much better then The Simpsons as Tiny Toons has a Japanese studio attached to it.
If this show had had a Simpsons-level legacy, then with it, the "[Insert Franchise Here] Babies" trope would never have died. A substantial fraction of all new cartoons would be AUs of preexisting popular franchises where the characters have been inexplicably aged down. They would simply be much easier to make than any other premise.
No, if anything the anime boom would've started much sooner then it did in our timeline.
>Toei would've brought back Puss and Boots instead of relying on Dragon Ball Z and Sailor Moon; Ojamajo Doremi will still exist but it would've had a much higher budget then what it did get because late 90s/early 2000s e-girl boom.
>Tiny Toon Adventures and The Adventures of Laura Haruna would be TMS' long runners instead of Anpanman and Detective Conan.
>Sunrise starts doing more creator driven shows that are anime originals rather then shows made strictly just to sell toys/mecha model kits/fictional idol group CDs/manga and treat said people with alot more respect, meaning Bones and other studios founded by ex-Sunrise staff from the 1990s onwards were never founded.
>Madhouse mostly remains the same and still starts the e-girl boom with Cardcaptor Sakura, just with a much larger budget.
>Gainax is still as heathy as a horse, meaning no Khara and no Trigger.
>Shin-Ei Doga would stay doing Fujiko Pro shows like Doraemon and Shin-Chan and never branch of the way it did by the late 2000s.
>Eiken (Sazae-San's studio) would of went out of business by the late 1990s.
>AIC is in better shape but is otherwise the same.
>Nippon Animation is still doing the World Masterpiece Theater and not just Chibi Maruko-Chan, never does otaku anime
>Ghibli will be the same, except no shut downs so no Ponoc and similar studios hat were found because of Ghibli drama (Chizu, Colorido, CoMix Wave Film)
>Disney still has Walt Disney Animation Japan open so no The Answer Studio
>Spectrum is still in business and is still doing Batman with TMS
>OLM never does otaku anime
>e-girl boom still happens but doesn't die out like in our timeline
>Shaft while in much better shape is still the same but with more money, not as Madoka focused
>Tezuka Productions would be doing ALOT more with their founder's characters
>Anime would be viewed as Tiny Toons and Laura Haruna instead of Dragon Ball Z and Sailor Moon
TMS thread don't reply
No; What if Tiny Toons lasted longer then it did?
The fact that Famicom posted here means nothing.
>toon
>not tune
ONE JOB
Thats to separate the two.
If Tiny Toons was still airing with new episodes it will not be tweened, it will still be hand drawn frame by frame animation by Telecom (TMS) and Startoons, the later being a local studio.
It will also still have a 30+ piece orchestra doing original scores for every episode, never reusing any music.
It will be worth it's cost in production.
I don't know, I mean yeah, it's technically an anime, so it'd probably have been sold to TMS or there would be concurrent versions airing. The successful long running TT-JP, and the series of American franchise gimmick reboots, including edgy version and CGI flavors. The only thing keeping the franchise alive is the Merch and nostalgia that became generational.
US X Japan joint operation, Tom Ruegger is still the show runner on the US side of the production.
Tiny Toons is as timeless as Looney Tunes, except theres no reboot to butcher it; Plus when people think of anime they will think of Tiny Toons and not Dragon Ball Z.
We got robbed.
>Thats to separate the two.
More like to create a generation of schizos who think they switched dimensions
Not even close.
The sense of perspective, the wacky jokes and slapstick would lessen or adapt to the current year's cultural zeitgeist, mocking/hosting cameos of trending celebrities, repeating episode plots, animating using premade assets overseas, sellable/merchandisable tropes, memes and other shorthand, and the original voice actors getting replaced as they age out.
There'd also be a lot more autistic art and rule 34.
Everyone's understanding of what qualifies for humor is extremely degraded.
Also way more furries and people who think they know how to write comedy increases 10-fold.
This is the base case scenario.
No, if anything it's...
>Everyone's understanding of what qualifies for humor is extremely upgraded.
>Also way more otaku and normies who know how to write comedy increases 10-fold.
That is the base case scenario.
it's a TMSgay thread everyone, do not respond
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Frick off, Famicom