>we are a script consultation
>we could fix any movie in in 15 minutes
The writer-director of Space Cop has big balls saying that
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>we are a script consultation. >we could fix any movie in in 15 minutes
Mike Stoklasa’s script “fixing” usually makes the movie worse or just adds more gays to it.
Remember when he said Aquaman needed more Taco jokes?
Remember when they said JJ Abrams should direct Star Wars?
They lost all credibility with the double whammy of TFA and Space Flop. It was obvious at least some people involved with the force awakens in high up positions were aware of the prequel reviews and there were numerous choices made during production which were exactly what Stoklasa said he would do, meaning that he would have made TFA but somehow worse. Space Cop was a total failure by every metric, failing to be funny or clever on its own merits, failing to be so bad it's good, and given the fact they worked years on it and poured their heart and soul into making it it's obvious that that is the best RLM could do creatively.
You put more thought and creativity into your post than those frickers did into Space Flop. I wish someone bashes Jay's head in.
I really don't know how they cope with space cop. Do they seriously claim to be ironically bad, or slapped together in an afternoon or something?
The number of times Mike has "jokingly" offered his services to Hollywood is just sad at this point.
>we could fix any movie in in 15 minutes
they can read a movie script in 15 minutes?
Yeah Mikes a huge b***h
fixing a script, vs filming a movie are two different things.
That's what a good critic does, Timmy.
They say what could have been done better. Rather than just shitting on things and not offering anything constructive.
Writer John Swartzwelder said it's far easier to fix a bad script than come up with something good from scratch.
I don't understand why people keep bringing up Space Cop. I mean, did they get a few million dollars to hire a professional film crew, set designers, prop designers, VFX artists etc. and were simply so bad at movie making that they fricked it up? Or did they simply make a silly little low budget home movie, that was then, for some inexplicable reason, compared to actuall Hollywood productions in terms of quality?
I don't think any people who have an issue with Space Cop say so because of the budget. It was always going to be a homage to b-movies, and many low budget movies manage to embrace a certain style.
The thing with Space Cop it's full of bizarre creative decisions that have nothing to do with budget, even many students' films with 0 budget manage to it better.
I just think it's the epitome of hubris.
>it's full of bizarre creative decisions
It's been a while since I've seen it. Can you name some examples?
Think the big issue is that Rich plays stoic RoboCop and Mike corny inspector, which completely wastes Rich's comedic range.
Should have switched those roles.
So you're saying the script for both characters was fine, but the delivery was botched?
Rewatching the trailer, think both are bad
It's kinda hard to judge it because "eh, it's supposed to bad".
But Mike's acting is really, offputting, like he is larping as a bad actor... He doesn't seem to take it seriously, at all. If it's supposed to be homage to B-movies, why not take the project seriously?
I thought it was supposed to be a parody of creator-movies like the ones AVGN and Nostalgia Critic made.
No that would be an insane cope even by RLM fanboy standards. It's just a bad low budget sci-fi comedy.
How so? Did they ever say it was going to be a serious low budget sci-fi comedy? I never really followed the production of it all, I only watched it two years after release so maybe my expectations were different from what they portrayed the movie was going to be.
>Or did they simply make a silly little low budget home movie, that was then, for some inexplicable reason, compared to actuall Hollywood productions in terms of quality?
They didn't make a silly little low budget movie. Harmony korine made silly little low budge movies, but they were actual movies and prove that you don't need hollywood budget.
What the hack frauds do and what is the armor of every coward, is never even trying, and never risking failure or facing their own limitations. They can sit proud and criticize the work of other people while hiding behind the fact they never made a effort, therefore there is not proof they are talentless. Can't lose if you don't play and all that.
They are like the charles world peace skit, they will look back when they reach their 50s and realize they are old man whose entire life was smugly complaining about people actually laying bricks.
Space Cop is bad as a no-budget indie comedy. Gorilla Interrupted was better and they made that movie 15 years prior and with an even lower budget
I loved Gorilla Interrupted, everything else I watched from them afterwards was doomed to dissapoint after such a high point. The way they trashed that man in that documentary was shameful.
~~*Mike*~~ is a israelite who is talentless he couldn’t even get into Hollywood through nepotism and he also hates white people and actively wishes for their death.
These guys have some nerve after the whole "nepo baby" fiasco
A decade of taking shots at the children of hollywood actors and suddenly its all "acting is an inherited trait". What changed I wonder.
Between this "nepo baby" horse shit and today's twisting of the knife re: "reviewing" The Batman (2022), I'm done with all of them except Tim.
That batman shit is funny as frick because you idiots always react
Space Cop was a spiritual and economic disaster.
Director doesn't think the new lines you added fit the scene, takes them out
Actor doesn't deliver the performance you envisioned, scene comes out different then expected
Editor doesn't think scene you added fits the flow of the movie
Studio thinks your added scenes are too expensive scraps them
Equipment on set breaks down, can't get permit to film where you wanted, cgi used looks bad etc.etc.
There are a hundred different forces at play, the idea that someone is such a genius they can just float in and "fix scenes" is indulgent power fantasy of the ignorant.
Maybe instead of inviting Max Landis for clout they should have actually listented to some of his videos of what movie production is really like.
Also way easier to modify an existing product then invent from scratch.
That interview with Max is weird to watch now seeing where theyve all ended up. Max out of the game and Mike and Jay getting on their knees for any scrap of mainstream attention.
Based Redlettermedia STILL making the autistic incels of Cinemaphile seethe.
They're not wrong. I'm an autist and watched Space Cop because I like RLM. It's irredeemable trash. Then they try to hide behind "we weren't actually TRYING" bullshit while you have directors like Len Kabasinski trying his best and willing to accept criticism and improve
Kabasinksi most recent movie is sitting at a 70%, he kept trying and improving while they just wasted away.
>Then they try to hide behind "we weren't actually TRYING" bullshit
Headcanon. They're on record about how they failed with Space Cop multiple times.
Does anyone actually LIKE it when Mike does an on-the-fly script rework? It's so fricking banal, and he does it more and more as time goes on. Once every now and then is fine, but he does it almost multiple times per video now.
His hubris will be his downfall, he has become the most insufferable member of the team for sure over the past year.
It's less embarrassing than his look at what these dumb people said bit, but not by much.
Jay owes me sex.
Sounds like we should give this guy the goofballs
gilchrist is cute