Or /coc/ thread if that's what you look for in the catalog.
Wiki:
https://the-conservatory.fandom.com/wiki/The_/co/nservatory_Wiki
Past threads:
https://desuarchive.org/co/search/text/the-conservatory%20wiki/type/op/
 Nothing Ever Happens Shirt $21.68 |
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Nothing Ever Happens Shirt $21.68 |
>How does this work?
>It works like a community toy chest. In the /coc/ threads you are free to post whatever ideas/settings/characters you want, but you have to be OK with other people playing with them (tweaking them, putting them in stories, using them for things, etc.)
>There's no guarantee that what you post will catch on either.
>If the OC you are posting is YOURS for something you are personally doing, then it would go to the "How is your webcomic?" threads.
>If you just want feedback on an OC of yours, then it would go in the "donut steel" threads or drawthreads.
If the thread dies suddenly or you still want to discuss something when there's no thread:
https://boards.plusCinemaphile/coc/
Last time:
-New pics
-Bunch of new ideas
-Progress on the Highway Robbery comic
-More of that sticc blonde prince and thicc readhead
-Bullion script writing, Ebony Editor concept drawings, Connie Cosmos spaceship concept drawings
-Artist behind Trine might be back
-New BQ art from mindwipe
-IKAG comic page progress
-Progress on TCotCC comic
-Progress on THEFAPV comic
Thread's late because I had to make a trip out of town I wasn't aware of until after last thread was over.
I did say over on plusCinemaphile that the thread today was going to be late if no one else made it.
Well, I certainly couldn't make it
There was a cat sitting on me
Well it's made now. We'll see how long it takes before anyone notices.
A fat cat?
>A fat cat?
no, just one that very much uses it's claws if any attempt to move it happens
Is there anything else to Doug Infinite or is he just a product placement/advertising joke?
I picture him as strong but silent powerhouse of the Crusaders, not sure if much about his attitude has been thought up yet.
mostly seemed upbeat from what I've seen so far.
He's a very giving person
He tries to keep Kid Valor and Boy o' War somewhat calm in matters not regarding their rivalry. It's why he voted with them to keep GG off of the team.
Doug is a skid row kid. He spends a lot of time in the boxing gym working his shockingly modest sponsorship deal (considering his super-human fighting prowess). A locker and a cot in the gym's basement and a lifetime supply of Vita-mints. (Never consumed before a fight, tho!) He often helps out a no-nonsense gumshoe type hero solve crimes. The detective in return has pulled some strings to get him into a half-decent school.
While he talks like a Bowery Boy and his mannerisms seem slow he's actually startlingly sharp and attentive to details. His attendance is perfect and he works hard to turn in all his schoolwork on time. When he's not fighting crime or at the gym he's usually helping out denizens of the slums in his free time.
Despite a hard luck life, Doug tries his best to be a good kid. Sporting an easy smile for his friends and rock-solid slobber-knockers for his foes.
that works
Does Bullion have a title logo yet?
There's this one in the corner.
As for the title to the full run of the stories, "groovy" might not be the best word.
But then again, it's only in the opening arc.
I'll see about getting back on the script writing later tonight.
Right now I'm just tired.
You think Decom would use guns?
I was thinking about him carrying a small AK (AKS-74U) under his coat.
I think it would depend on how clandestine the mission is. If he's down south fighting terrorists then sure, but if he's out west fighting capitalists then probably not.
He strikes me more of a hand-to-hand fighter to make use of his chimp prowess.
But if he has hands for feet then he should be able to shoot a gun with his feet.
>But if he has hands for feet then he should be able to shoot a gun with his feet.
I imagine that he's well dressed under that coat so he'd be wearing dress shoes most of the time. But he could kick off those shoes and if things get too hairy. Triple wielding would be pretty kick ass.
Whereas IA is more ideologically possessed, Decom is more cynical about all of that stuff. He's more interested in pleasing the bureaucracy and playing the politics game. He's an agent, not a superhero. He's more willing to carry out dirty work.
maybe a Makarov as well
Much more suited for destabilizing countries to the south of the motherland then.
If he finds the superhero game the top brass are playing with the west silly and wasteful, I doubt he can express those views very openly. IA is very much on the front lines of their propaganda war and every clash with GGu or any other super is another opportunity to spin the narrative in their favor.
But that's all the boring politics I wouldn't waste too much time focusing on when there are high impact fistfights to be had on top of an oil tanker in a frozen sea. I feel IA would force Decom to wear a pirate hat when they're sent on those kinds of missions, just so we can show IA isn't a massive sourpuss all of the time.
only one gun?
Kind of a fast board tonight.
EE attempt
Looks like a good start. That's kinda how I've been picturing her: all-black with the highlights defining her form and features to give her a slick appearance.
I'll try to get to work editing the Bullion scripts this week; I want to at least get #1 done before Xenoblade 3 comes out and distracts me.
Cool. I'm going to just keep forcing myself to go forward writing them.
I've basically been in move-or-die mode since March.
I think it can be done in under 20 issues, but I'm not sure. Then I'll set my sights on something else for a while.
Hey, more eye candy! Glad you like what I'm putting out enough to be inspired by it.
I get the feeling IA and Decom's dynamic will be very different comparing the 70s to the 90s. In the 90s I think he'll be more survival orientated and the perceived lack of honor will annoy IA more than his cynicism in the 70s. But at the same time some part of IA will acknowledge that Decom was mostly right about almost everything by the 90s and trust his judgement... to an extent. She'll listen to him more in the 90s than she did in the 70s if nothing else.
Whose this?
cool. I'm glad I did the EE portraits. I was hoping to inspire some other artists to pitch in.
It makes everything more interesting to have couples that are somewhat at odds with each other. GGu/BB don't see eye to eye.
IA/Decom shouldn't either. Although their disagreements may end up being less severe compared to Sylikon.
"Ebony Editor" (working name). She's part of the Bullion era.
You can almost hear the sound effect.
Nice.
I had her tied up (in shibari) when she was saying that just so she could be showing it off without intentionally showing it off.
remembered that after inking it and had to start anew
Reminds me of old memes.
That time of year isn't far from now.
Usually if you want something Halloween related in these threads, you have to start putting the ideas out there during August for them to have time to be ready by the end of October if anything gets going at all.
They're ready to break bricks and bounce off turtles.
Shark Lass, you've forgotten your mask! Now everyone will know who the teal haired girl with rows of sharp teeth and a shark tail sticking out of her butt REALLY is!
So this is how that Breast Quest crossover got kicked off...
Page 9
Panel 1
Lucia is leaning over the control board of BIGRAC. The POV is from above the control boar so we can see her fully leaned and and totally absorbed in what she is doing. She's pushing buttons while looking at the screen (which is off-panel), there's a speaker in front of her. This is all to show that she is carefully directing Bullion's group.
Lucia: "Then take a left and the building on your right will be safe to hunker down in."
Panel 2
Close up of Lucia's face, emphasis on her eyes. She's turning around in a hurry. There's a CLICK sound effect off panel coming from behind her that she's turning to face.
Panel 3
Silver Queen is standing in the doorway. She's in the foreground of the pane, visible from the hips up. Lucia is in the backdrop of the panel leaning back against the controls, she's trying to obscure what she was doing.
SQ: "Lucia, what are you doing up at this hour?"
Lucia: "Ms. Sterling! I was just-"
Panel 4
Silver Queen has her classic smile back as she's walking into the Silver Sanctum, maybe with a spring in her step. The perspective would be to the side.
SQ: "Of course! You're using BIGRAC to look for Audrey! Have you found anything?"
Panel 5
BIGRAC is enveloped in static with black tendrils emerging from it arching around Lucia, poised to snare her like a bear trap. Lucia has not noticed them, she's too focused on Silver Queen. Silver Queen has noticed them though and her eyebrows are raised in alarm with her hand outstretched.
Lucia: "Nothing yet, Ms. Sterling. But perhaps if you-"
SQ: "Lucia!"
Page 10
Panel 1
Silver Queen has grabbed a hold of Lucia's hand and is desperately trying to pull her out. Lucia is wrapped in the tendrils, she's gagged and her other arm is pinned to her body. The static is spreading over her body from where the tendrils have made contact.
SQ: "I'll get you out of this!"
Panel 2
The POV is from behind where Lucia was in the previous panel. The edges of the panel are made of static, the hand SQ is holding is also static and she has a fist now to show that Lucia has disappeared from her grasp. Silver Queen looks like she's falling forward towards the 4th wall, maybe even reaching beyond the panel's boarders.
SQ: "LUCIA!"
Panel 3
Silver Queen has both of her hands flat on the controls of BIGRAC. She's in a cold sweat facing down.
Panel 4
Silver Queen is standing up with her head turned around from BIGRAC looking around the Silver Sanctum. She has a hand to her forehead like checking for a fever.
SQ: "What was I-?"
SQ: "Was someone else just here? No, that's impossible."
Panel 5
Silver Queen is startled by the radio on BIGRAC being live. She's turning to look at it.
Bullion, off panel: "We've made it to the next location."
Page 11
Panel 1
Silver Queen has grabbed the radio transmitter on the computer and is yelling into it
SQ: "Bullion?! Bullion, is that you? Where are you?!"
Panel 2
This panel is side-by-side with panel 1, the text bubbles overlap. Bullion is holding up the walkie-talkie, staring down into it, sweat visible on her brow. Olympian is down in the corner looking up somberly.
Bullion: "Silver Queen?! Where's Lucia?"
SQ, back in panel 1: "Who is Lucia? Bullion, please, come home. I'm worried sick."
Bullion: "Who is-? Oh no, oh no! Lucia! Lucia are you there, can you hear me!?"
Olympian: "It took her. She doesn't remember her anymore."
Panel 3
This panel focuses on Bullion's face. Maybe from the mid-chest up. She's wide-eyed, maybe glassy eyed like she's fighting back tears. She's still holding up the walkie-talkie.
Bullion: "No... Silver Queen, I..."
Panel 4
Panels 4 and 5 are another pair of side-by-sides.
Bullion is sunk low holding the walkie-talkie down. She's running a hand through her hair. Olympian is jumping up and putting a paw on the walkie-talkie to turn it off.
Bullion: "You don't understand what's happening!"
Panel 5
Silver Queen is pointing accusingly towards panel 4. Her expression has shifted from worry to anger.
SQ: "I understand perfectly! Bullion, that scoundrel has you under his spell! You have to-"
Click. Olympian cut the line.
Panel 6
Silver Queen's expression has changed back to worry as she holds the transmitter and is pushing buttons on BIGRAC.
SQ: "Bullion? Bullion!"
Panel 7
Silver Queen has slumped down on the controls with her face in her hands. There's a light blinking on the dash board.
SQ: "Audrey..."
Panel 8
Small panel of a the blinking light next to a label that reads "Audio Logs"
SQ, off panel: "What's this? I don't remember making a recording..."
Page 12
Panel 1
Bullion is facing away from the group. She's in the background, her backside is facing the reader. Billy and Iris are in the foreground exchanging looks. Billy is making a frown, Iris has a thumb tip to her lip.
Bullion: "Hey, ink woman."
Note: The room they are in is an abandoned apartment on the third of fourth floor of an old building. One of those condemned buildings that are everywhere in big cities that no one ever talks about and you see all the time in comics. There are windows on one side the overlook the street below.
Panel 2
EE is still in bondage and now floating upside-down, as in her head is pointing towards the ground, legs to the ceiling. She has a neutral/indifferent expression.
Bullion, off panel: "Is Lucia really gone?"
EE: "Yes. Though I am separated, I can still feel when the path to the domain is opened."
Panel 3
POV is from the ground up so Olympian can be in frame, his expression is one of concern/empathy as he's looking up at Bullion who looking up slightly. We're still only seeing her from behind, we don't see her face.
Bullion: "You said it only removes the morally depraved, so tell me... how Lucia could have met that criteria?"
Panel 4
EE is still tied up and floating, her expression is still deadpan. She's laying to one side like one of your French girls. Billy is looking down and shaking his head in disapproval. Iris has both of her hands up to her sides in disbelief.
EE: "I do not know. Perhaps she was having a scandalous affair with Silver Queen."
Panel 5
Bullion is exiting the room through the doorway. One hand is up to her face wiping away tears we don't see because she's still turned away from the readers, her other hand is on the door frame. Olympian is following her with his head turned back around towards the group.
Bullion: "I'm going rooftop to get some air. Plan our next move. Our location is likely compromised."
Olympian: "I'll go with her."
Page 13
Panel 1
Iris is holding a finger up to EE's face. EE is still floating and recoiling a little from Iris. The magic rope binding her goes off panel.
Iris: "What kind of... asinine assumption was that?! You have no tact. No understanding of people at all!"
EE: "It would have been cause for her removal."
Panel 2
Billy is sitting down in an armchair with the guitar on top of him. He's leaning back and trying to relax a little.
Billy: "I think I've figured something out. You can't touch her, yeah? Like not at all without being in pain."
Billy: "That means you can't pull anything away from her. So that whole worst of humanity spiel you spat out..."
Panel 3
Billy is tipping his shades and leaning forward a little. He's uncharacteristically serious.
Billy: "falls flat."
Panel 4
EE and Iris are standing side-by-side, both looking in Billy's direction. EE is no longer floating, she's flat footed on the floor.
Billy, off panel: "Go ahead and label me a deviant, a miscreant or a bad apple, I never made any claims of being anything else."
Panel 5
Billy is gently strumming his guitar. Around him are little images of GG saving people, getting cats out of trees, picking up trash, fighting villains, just an arrangement of her heroic actions in the form of a mobile circling around Billy.
Billy: "But she always does what's right. Nothing removed, nothing suppressed. She's all there and always has been."
Billy: "If people like her exist without any of your 'help', then what are you doing going after her?"
Panel 6
EE is looking down and to the side. She's seriously pondering this now.
"I will admit something does feel... amiss with current actions taken, but there must be a reason."
Page 14
Panel 1
Bullion is sitting up on the flat rooftop near the edge, the wall the door to the roof is built into is in the background and it has been left ajar and Olympian's head is peaking out from around it. She has her arms wrapped around her knees as best she can given how much of her chest is in the way.
Panel 2
Bullion is in the same pose as the previous panel. Olympian is sitting next to her, they're over looking the city watching the horizon. The sun is about to come up. The angle is more from behind them so we can see the view.
Olympian: "We'll get her back. We'll get everyone back."
Bullion: "I know that."
Panel 3
Small panel. Bullion is out of frame aside from her arm. She's petting Olympian on the head or scratching behind his ears.
Bullion: "I'm OK, Olympian."
Panel 4
Black Rose is behind the wheel of her car, there's static flaring up all around her eyes and leaking out from under the brim of her hat.
Black Rose: "You will not escape me!"
Panel 5
Black Rose's car takes a corner very hard, the back end of her long car is smashing some trashcans on the side of the road. There's speed lines to show the swerve. There are people jumping back to avoid getting run over up on the sidewalk.
Page 15
Tall one image page with maybe a fish eye lens effect going on where Bullion and Olympian are standing on top of the building (to show how high up they are) looking down and at the street below where Black Rose's car is speeding by with a small child shaped shadow seen in her blaring headlights. Bullion and Olympian both look alarmed, the car does not show any indication of stopping or any notice of the person about to be run down.
TO BE CONTINUED
Oh no!
Won't somebody think of the children!
I should make more plans for that child.
Make them be in the middle of that fight so EE can see some shit.
I associate it more with hot rods, hippies, drugs, Scooby Doo, shitty wars, and GOING TO THE MOON.
Looking good!
And goodnight.
Was thinking that Bullion issue 3 cover might be fun to do an homage of this cover but with Billy going "My guitar is a DEMON!" with a guitar on the table instead of drugs and speedie being a shadow creature of De Blues emerging from the guitar
Thoughts?
I feel there's better potential in Blues forcing Billy to do the drugs and other bad things.
I can't remember if there were any covers that had a villain clinging onto a hero like a parasite... other than things Venom related. Or as a puppeteer with Billy as the puppet.
Ha
Never seen this one before
There's a script that goes with that one too.
https://the-conservatory.fandom.com/wiki/The_Developing_Adventures_of_Golden_Girl/Scripts#Heroes_Don't_Do_Drugs
this isn't my beautiful house
this isn't my beautiful husband and wife
edito
>
Cute couple
>"You know i'm a goblin right?"
>"Well nobody's perfect"
>implying her being a goblin is not what turns him on
>ywn be a fairy with a cute goblin wife
why live
Trying to get the right level of mortified is harder than i thought it would be
No, I need to stop myself. I shouldn't be writing past midnight. I get too sloppy this late.
I have a lot of ideas to parse through for the rest of Bullion #12, but it's very obvious now I need to break the issue in half from where I was originally planning to end it at.
I wonder if I can get the emotion right for what Audrey is going through right now. Well, not so much the emotion, but the words that come with it.
Eyebrows play a big role in that I think.
>I wonder if I can get the emotion right for what Audrey is going through right now.
here you go
?t=47
i was supposed to make a short comic during lunch break but it took me too long so have a shark pointing instead
Story of my life
Nighty night fellas
I probably put too much effort into that face.
i like it!
Is posting working again?
Looks cool!
Extra effort into closeups are normal
Good morning
I am now on panel 204, one step closer
I wonder how many more times the site is going to break today.
Cool.
Was Cinemaphile acting fricky for everybody else too?
Yes.
According to the ghosts on Cinemaphile, this is caused by some new thing being done to remove embedded files from images uploaded because a lot of cheese pizzas were being delivered this way.
Not a very reliable source of information though.
Filenames are now three digits longer than they used to be.
I thought it had been like that for a few days now
Maybe I hadn't noticed. There's not much for me to do around here when there isn't a /coc/ thread up.
Friendly reminder to save often
My computer is spooking me out by freezing and almost crashing before I finish my art
thanks
there's a part 2 to this but it's getting late
That's how you make supervillains.
part 2
>That time of year isn't far from now.
halting side projects right now to get back to cmm. i at least want roughs out before october hits.
>Need more shark lass
same anon, same. hopefully there'll be enough shark lass items for the next shark week
gonna revise that someday, also said the same thing about shark lass giving cpr to diving belle
Was VFT going in for a grope? Twink on twink violence?!
just a little squeeze to compare products
I thought shark week was at the beginning fo the month
Plugging away at the Bullion script, don't want to post until I have all of #12 done.
Alright. I got more heavy handed on the dialogue than I wanted to, but I wanted Billy to have some insights since I couldn't figure out a way for Iris to do it without being even heavier handed.
And I did manage to work in a reference to the accusations of Batman making kids gay and them killing Alfred the first time in response to that.
>And I did manage to work in a reference to the accusations of Batman making kids gay and them killing Alfred the first time in response to that.
Maybe it's just the way I write things, but I feel it might be too direct a reference for the era. Perhaps it would be better if EE starts to imply it, but Bullion cuts her off in frustration. It would flow into the next panel better.
I've been told this both ways before so I'm fine with being heavy handed and making things blatant sometimes. The struggle with dialogue won't get any better if I drag my heels and not keep putting out something.
As for the era, I'm not beholding myself too strongly to it since in my mind making the story comes first. I keep in mind the technology of the day and whatever I remember of 60s media I've been exposed to over my life to pull from for the sort of vibe I think it should have.
I don't mean this as a dig at you, it's just the unfiltered thought that came to mind: I can only tongue-and-cheek things so much before I'm making unintelligible grapefruit sucking noises.
And I thought that was funny.
cant say im too familiar with 60s stuff myself
austin powers probably being most of what i associate with it
>shark lass
Now that’s a character I haven’t heard of in a long time.
She gets brought up at least once a month in these threads.
Indeed
whelp, good night
I'm gonna go to bed now too.
Goodnight everyone.
What's wrong with [checks book] Condom no Jerkin
Thinking about doing a modern era Glory Girl but not sure what to do about her hair. The pigtails work for a cowgirl aesthetic but not so much as an adult.
I mean it might not be braided pigtails, maybe just two low buns instead but I don't understand the theme of any of the Glorys
Murica
I thought about doing a 90s version of her. I would have kept the pigtails but they would have been long, thinner, and sat on the nape of her neck. I feel like it would still allude to her Comanche heritage. It's just the bangs that would need to be updated.
>her Comanche heritage
What is this and why is it relevant to Gun Shoot Girl? I don't know shit about native murrcans
means she's a feather not a dot indian
very important
Typically I'd agree with you, but she's a western themed superhero. It's a natural way to expand on the theme. I'd imagine that she'd be a mish mash of Old West styles. Native, Cowboy, and maybe some Mexican.
>she's a western themed superhero. It's a natural way to expand on the theme.
But how? Do the Comanshes specifically bring something interesting to the character or is that just a catch all for mystic tribal voodoo powers that help her shoot gooder?
I'm going with mystic tribal voodoo powers
It's the backstory justification for the super power the Glory line all have.
Haven't seen you around in a while.
That's Great Glory II, not Girl Glory (III).
It's where all of the Glories get their mystical aiming power from.
>Working on a script for a cartoon
>Only 8 pages with 4 short scenes
>Scenes still need work
>Still need enough scenes and pages for a 22 minute episode
>Deadline is due in just 6 more days
Be honest Anons. How fricked am i?
i'd say... you're 65% fricked. maybe there's still a chance to finish it on time if you're able to utilize workarounds and shortcuts. but i dont have much insight or knowledge on working on shows so i could be wrong
I've known people to bang out something that worked in just a weekend
You can probably get it but it would involve not getting distracted by website like this
depending on your ability, you might be able to get all the pieces into place in a single run, step away, then refine it with a second pass.
Update.
>Deadline is in 4 more days
>Hardly worked on the script
>Only edited a little, no actual writing
>I know what i want to write but i have trouble articulating it
>Spend my time sleeping instead
I feel like i'm failing myself.
write at the top of the page the general summery of the scene
add the bits and pieces as you figure them out
or even just type in the junk dialog thats close enough and come back later once you have a better idea
>I know what i want to write but i have trouble articulating it
As this anon said:
>write at the top of the page the general summery of the scene
You need to write a step outline. Scene heading, with a short summary of what happens in the scene (no more than 2-3 lines).
Then, after you finish the step outline for the whole short/episode/pilot, you write in detail what happens in each scene.
Only after that, you add dialogues and final touches.
Always go from small to big, otherwise, trying to finish a single scene and then write the next one becomes too much of a hassle.
I dig it. Very reminiscent, but still more modern. I'm getting custom textures done, but this is the outfit I did for my render version of her. Also made her more visually native (though there's still black in there) for the sake of variety
Cinemaphile lagged out right as I sent that
the Comanche are cool, so I definitely like centralizing the native aspect rather than shedding it
That's nice.
here's an idea. meet Barbara Steeler, a woman who tried to have a kid many times only for it to always end in miscarriage. her envy for mothers became so strong that it turned into the super villain NOT MOM, with mind control powers she steals peoples kids and makes them thinks she's their mother. with an army of children at her disposal she is nigh untouchable, unless you're willing to abort other people's kids that is, even then while her powers wear off at somepoint during puberty, those who grew up under her stay attached cause they still remember her as mom and thus her army also has some competent adults who will kill for her
Cool to see you back!
not to be mistaken for MS. CARRIAGE. same origin story, but got got a different power. she was such a hater that she got the ability to hate your babies to death by flipping you off (only works on pregnant women. NOT MOM does not approve
Now do one of a fetus who refused to die and sought revenge on her.
meet GHOST FETUS! he was looking forward to life so much that when it was snatched away from him, he stuck around and now plots to get even with MS. CARRIAGE. he's been hitting a few bumps on his journey tho
oops
has the ability to interact with the real world for short bursts of time but he ages while doing so, if he gets too old he dies in the afterlife and goes to the after-afterlife
i like to think he can interact regularly, but just can't do anything cause he lacks the proper hardware doe to being killed too early
he just needs a Ghost Gun
and so they butt heads pretty often
i was always here, i just haven't had any ideas
your idea makes no sense cause if the fetus survived then there's nothing to get revenge for. that being said you did give me an idea
Before I start writing Bullion #13's script I'd like to talk about The Twins.
I have a big fight planned involving them and I want to understand what they can actually do first.
Right now the only thing said is they practice mystical martial arts and are supernaturally synchronized.
Is that it or is there more to their combat prowess? I can work with that being all there is to them, but if there should be more then I have an idea.
What if one leaves black lines in the air of her movements and the other leaves white lines in the air of her movements. Individually the lines don't do anything and just look like cool after effects, but if they cross then the point of intersection maintains all of the momentum/impact of the two blows that went through the air in that space. So like a mid-air minefield of punches and kicks.
Does that make sense?
The lines wouldn't linger in the air for very long or else there'd be a massive spiderweb of them everywhere during a fight.
like the tron cycle walls that appear behind them but not as long?
Sort of like that, but it only follows where their fists and feet have been.
thoughts on outfit? two different takes on the same idea. her name is the "Watcher" with an owl theme. But turns out doing a bird W looks very similar to Wonder Woman.
missing pic
>thicc
I like both outfits, but I'd say I like left better. What's her powers?
current plan has been a Batman type. tech, smarts, and martial arts
though I suppose a minor power couldn't hurt
I been meaning to ask, does Olympian have any powers?
Offhand I'm guessing rotating her head 360 degrees
>making out while doing doggy style
Which /coc/ girls are into the kinkiest shit?
if we count board-tans it would easily be /d/-tan
That can't be right, because we all know /d/'s biggest kink is handholding
Didn't notice your post while typing my previous one.
No one ever specified any powers for him, so I've been writing him as a magic talking fox who has the ability to sniff out crime, smell when someone is lying or withholding the truth and generally able to detect evil.
I haven't been writing him too much in a combat role, he's mostly a tracker and planer. He can fight if he really needs to, but he's still physically just a fox.
You're hitting on a lot of the things I do plan to cover.
The fight itself I plan to be very one-sided in The Twins' favor and things need to happen during and around it for EE to see that the code is not the moral source of goodness she thought it was when she was still a part of it.
I have the outcome of the fight in mind, but the choreography of it is something I'm still working out in my head since I want more information about The Twins.
If they're just straight hand-to-hand with no chi magic then that's one option, but if they do have chi magic then it's an entirely different fight.
Bullion isn't a powerhouse, she's not winning this fight.
But the fight itself still needs proper thought put into it is where I am.
With the situation that's going to unfold, her team won't even have time to get to her.
Hopefully I can deliver on it being cool.
I still need to feel out all of the action and that depends on if The Twins are all physical or have some mystical chi action happening.
And that's the only pic of her.
any ideas for other things she could be doing other than standing there?
Whereas Granny Glory is a force of nature/death given human form and Girl Glory is a more an in-your-face type of gunslinger, I see Great Glory II as a sniper.
You never see it coming or hear the shot fired when it's from her. So up on a rooftop or bell tower is where I see her.
Page 9 from the Trade-Off story for context
progress on page 10 so far
progress on page 11 so far
progress on page 12 so far
>That hamster got even more realistic, didn't he?
A little bit, just to separate him from the rest of the cast
That guy is getting SENT.
In a strange way, Conner feels like he has Scud energy.
Colour update, the cafeteria panel could stand to have more chairs and people but it'll do for now
Is Conner just pretending to eat with what he's doing to that plate?
I think he's just going through the motions of queueing, checking out and sitting down because he's mentally preoccupied. Or his brain's gone out to lunch
His brain is full of SPIDERS.
Reanimated robot spiders that those butthole researchers are making with their accursed necrobotics department.
I guess what he's doing is a good way to not be bothered.
>I was able to reanimate these spiders. Now they can lift a hundred times their own weight!
>And how much do they lift now?
>3 ounces.
>...Conner, these are Siberian jumping spiders. They're supposed to be able to link together like threads and hold 7 pounds at once.
>Oh, word? They're like Japanese honeybees, except instead of huddling together to suffocate predators through body heat, they huddle together and hold things.
>Jumping spiders wrap around their prey and impale them with the stingers that erupt from their back.
>Conner clenching his hands slowly
Alternatively
>What're you up to?
>Catching up on my homework.
>Ok, who are you and what have you done with the REAL Conner?
And he poofs into a pile of spiders that scatter away
The fact that necrobotics is now a real thing utterly astounds me. They jabbed an electric needle into a dead spider and turned it into one of those claw grabber games. Imagine the LGMs looking up at THE CLAW and it's a spider.
It's the kind of shit I could see being done at that school.
Should I make her reaction in Black/White or give her a more shocking color?
Nice
i slammed my penisbin the cardoor
was the car door alright?
Again, Mario?
If the rest of the page is already in color, I'd say go with the green version since it'd look less out of place.
Cool.
That hamster got even more realistic, didn't he?
good night. hope to see the thread up tomorrow.
Well if it's not then there's always the next one.
Dunno if I can get any script writing going tomorrow since I have a busy day of dentist visiting and brick moving.
Goodnight everyone.
Don't get them confused, i hear bricks can be bad for your teeth
Goodnight y'all
which /coc/ characters do you want to see more art of?
always chaptor
six feet thunder also has a good design
Something new.
Star Control vibes from Mr. Crystal
I'd be lying if I said Star Control wasn't one of my influences for the Pirate Admirals.
I'd be lying if I said that wasn't based.
Nice to see you back.
Thanks. I'm lurking most of the time, just don't have a lot of free time to do /coc/ art and don't like calling too much attention to myself.
See anything cool during that time?
>me trying to imagine what they've seen
In the threads? Always a fan of the rubbery cartoon energy in the IKAG lineart, so that's a recent highlight. There's been good steady activity in general, though, which is always nice to see. I don't normally think about it too hard.
Good to see you back
Two vests?
That's far too many vests
You can't check his power level.
the idea thus far is definitely cold and distant, analytical, etc. Doesn't trust people easily. Her name is Valentina. Brazilian girl. Still trying to think of a good last name
No Robin, since she's only college age herself. Maybe in the far future, but she's still a relatively new hero.
>Still trying to think of a good last name
Sanchez?
I think that name is over used.
Del Toro?
Is there any names that you wanted starting with a certain letter like M,H,F,T ect.,?
not really, except that I want something that's moreso uniquely Portuguese rather than a last name that has crossover with Spanish. So Sanchez I'd definitely not want
love all of em. Goodman is the quintessential mayor.
Sam Smith reminds me Wildcat, idk if intentional
>idk if intentional
You might wanna reread the last bullet point on him.
what I get for speedreading
Goodman is Taft.
Taft you fat bastard, you bought your suit from the "portly gentleman", you frick.
I know because I sold it to you!
What is wrong with your face?
Still not done but I am going to post it anyway.
Neat.
I don't know if it was ever discussed before, but I either had an idea for Lucia's backstory or I saw an idea that gave me this idea.
She's from Argentina, a country I know very little about other than its geographical location and there have been uprisings, revolutions and dictators. And the stupid memes that Cinemaphile spouts that bleed into board-tan art.
My thinking is Lucia was either a member of a gang or a part of a revolutionary movement, but became disillusioned with it.
The backstory right now is that Sarah Sterling went to Argentina to sure up some trade deals to keep the country away from considering joining the Axis, and that's when she met Lucia. Maybe Sarah was a mark at first, a planned kidnapping, and Lucia was swayed by Sarah not to go along with it. Sarah then hired her as a way to get Lucia out of the gang's cross-hairs and then out of the country. Their plane went down on the way back because some of her old gang planted a bomb on it.
I never found a way to work any of that into a story that felt satisfactory to me since it's pre-Silver Queen, so I never went anywhere with it.
It's just been sitting in the back of my mind for a while now.
thought their meeting was during a jade empress case?
No, Lucia was already employed by Sarah when she found the bracers.
The Jade Empress didn't start targeting Silver Queen until after the war I think.
Ooh, I'm liking these!
good drawings good lineart
Ms Bell can get it
WIldcat always a good foundation to base a character off of
Kinda not feeling Anna's short hair and I miss the western theme.
I really like the other characters though.
>Kinda not feeling Anna's short hair
That and the inconsistent line weight is why it's marked as a WIP. I haven't figured out her proper hair yet as mentioned in
As for the western theme I was thinking maybe she could wear a duster and hat over the body armor.
Well he's my contribution to her hair. Its just a dirty sketch.
But you do whatever you feel is best.
>Its just a dirty sketch.
So dirty
Mmm, yeah
Important question:
Is he in charge of the pie eating contests or is he a participant?
Yes.
I like Sam best with the mustache, helps separate him from wildcat as well as gives a little more old charm to him
Lucia is perfect
Mayor Goodman is impressively Mayoral, good show old chap
Mrs Bell looks effectively School Marmish
Like all of Annabelle with the exception of the hair, not sure what to think on that one. Helps sell the military look but not sure.
I'm curious about the trick ammo. We talking punching glove bullets? Or something a little more serious?
I think they're just concepts in general, not necessarily in connection with the Bullion scripts, since that seems to be 90s-era Glory III.
I'm tired after today.
So is everyone cool with The Twins being able to make mid-air mines by overlapping their chi trails from their punches and kicks?
It's 1:40am and you've got me laughing right before bed.
OK, that's a yes then. I only have the first page of #13 written so far, but now that I have an idea of what The Twins can do it's gonna go faster tomorrow... if I have the time anyway.
We finally get to see the back of PP's head
That must take a lot of hair jell.
>hair gel
but being Pinprick it probably is more of a "jelly"
Shows how little I know about product. The New would take offense to my level of ignorance probably since his charms might not work if the target has no idea what he's peddling.
A lot of guys have likely seen the back of her head
A lot of guys have likely been penetrated by her.
Oh snap, Diego just got served!
How did this thread make it through the night?
I wonder is site went down
i refreshed a few times in the night and it wasn't being pushed back at all
That'd make sense, posting has been broken a lot the past few days.
Is there a character in the GGverse that can hear narration boxes? Because I thought it would be cool if Sylikon could hear them. Which would make her a deadlier foe.
Thought bubbles too or just narration boxes?
And is this only once she becomes Sylikon?
Reading thought bubbles seems to powerful. Maybe BB can "feel" bad or good narration boxes, but she just doesn't know the details.
If anyone could it'd have to be someone code related but even then that's a little more meta than I think we're doing.
maybe
We had a bunch of ideas.
>timeline shenanigans
>infected by BIGRAC
>BB is fallout from the EE storyline
how does she get powers again?
was it code creatures related?
No, it’s more of a symbiote thing. I think it’s still kind of up in the air where it actually comes from, but I could just be forgetting.
None that come to mind.
I think narration boxes for the most part appear less and less as the eras go on.
Yeah, there's a bunch of ideas.
Another idea was she picked up some stuff when they busted up the mad scientist farmer's market.
It's one of those things we'll need to talk about once the path to that point starts coming into focus.
>It's one of those things we'll need to talk about once the path to that point starts coming into focus.
Not jumping the gun while assuming that we'll have everything under control by the time we get there?
It's like I don't even know you any more
If I go jumping the gun then I might cut off another option someone else will throw into the mix that might be better than what I come up with.
I like the imagery of a mad scientist bazaar but I'd like to see something that's better intertwined with the universe. Maybe a scientist was selling something from the EE storyline. Something that really enticed BB. I was hoping for something that appealed to her insecurities, but it doesn't complete the puzzle in her mind. Which would be motivation for Sylikon to complete it.
Well the side-plot I've had on the back burner for the 90s era is the cartel going around selling and distributing gum that gives people superpowers (with some other addictive substances mixed in). A combination of the radical 90s D.A.R.E. PSAs mixed with a way to have any superpower we want show up with that as a justification after they're introduced. Then I was going to weave them into the same circle of scientists who created The New and go from there.
Sydney feeling she can't catch up to GGu would be tempted by something that can give her power, but she wouldn't take the gum as is, instead she'd break it down, study it, extract whatever was in it that gives powers, and then use that. Jet letting myself go down this thought avenue, there was probably something in it that she took out that made it too potent to control. Mix that in with some other factors and we'd have a path to Sylikon.
But you know, that's all stuff I want to build up to and hash out with everyone along the way.
Until then, I'm busying myself with Bullion and whatever I get on after that.
I remember Sydney being a hacker
is she a science wiz too?
I honestly don't know how much of her first pitch ideas are still present.
I thought of her as a coder, so she could theoretically look at chemistry and go "Oh yeah, this is just a different kind of code" and figure it out after a few months.
Jumps back to the comic book logic of if you're a scientist, you know all science
Oh you're a quantum physicist, of course you can program the most advanced A.I. that's ever been made. Though not being your main area of study it will likely try to kill everyone.
Well then it fits in great.
I see Sydney as a very focused tunnel vision type of person. Once she understands how something works, give her enough time and she can do anything. The way I sort of see it is one of her big problems is she only thinks she understands how the whole hero thing works and she's too tunnel visioned to realize she has a lot of things wrong.
If she actually has the idea behind something right, she can become really good at if given enough time and training. She has that kind of focus and drive. I see shades of idiot savant in her.
A few more things to do before I can work more on Bullion writing.
I'm trying to find charts that show gymnast jumps and twists so I can better describe what I want Bullion to do in this fight, but all google is giving me very bad search results.
I tend to go directly to image library sites
google is just too hit and miss with that stuff
I might just have to tone down the way I want her to move if I can't describe it right.
There's just a lot of action happening in a very short time frame.
Any athletic video clips that might express the movements?
There's a lot of really cool backwards twist jumps that come to mind, but thinking more about the choreography of the scene they don't really work, so now I'm thinking about rolls.
Bullion mainly needs to avoid where the black and white motion lines intersect, so instead of jumping over them, she can roll under them since I would assume most of the places where The Twins would have overlapping blows would be more around chest level.
Plus I need to balance this with a small scene on each page of Billy/Iris/Olympian/EE running down the stairs and EE looking out of the window at each flight.
By the time they make it to ground level the fight is going to be over. This is to show just how fast this fight was.
Sounds fun
I started thinking that it was kind of like dodging lasers right after I made that post too.
Trying to edit Bullion #1. I'm adding a panel to the first page to smooth the transition from Audrey donning her costume to patrolling the streets, and I'm curious as to where she actually keeps her motorcycle.
Good question. I never thought about that.
Probably in a garage attached to the building her apartment is in. Hidden away somewhere.
>guy sitting at the bus stop on a corner
>He is flipped back as a panel opens from under the bench allowing Bullion on her cycle to zoom out
I suppose it's possible Silver Queen set that up for her. Or the SoS have some infrastructure in Knox City.
Just thinking of small gags that amuse me
not sure if they would fit in the larger story
Trying to think of other silly ones I've seen.
Could have sworn there was one where a public pool opens up for a plane and all the swimmers fall into the secret hideout
Be my guest to be silly. This isn't a serious superhero setting. I just didn't think too deeply about the logistics.
Well I'm about seven pages into writing Bullion #13's script now. It's almost 2am. I finally hit a groove, but now I need to go to bed.
If the thread is still going tomorrow then I'll dump them then. If not, I'll probably dump all of #13 in the next thread.
Goodnight everyone.
bamp
brump
bidoof
Progress coming along on it?