>pokemon already caused damage before it made it way outside of japan
LOL seriously though, how moronic do you have to be to let bright flashing colors get pass the production stage? You would think the Nips would know better at the time.
>how moronic do you have to be to let bright flashing colors get pass the production stage?
Pokemon is the reason for those regulations and warnings, moron.
Hey, Dumbass McShit-For-Brains, even long before this episode was aired on Japanese television, people knew fast flashing colors = epilepsy triggering. The Nippons were still moronic for letting this slip.
>Emile Cohl creating Fantasmagorie, one of the earliest >Winsor McCay showcasing the potential of animation with Gertie the Dinosaur and basically influencing the entire Golden Age of Animation >Steamboat Willie kicking off the rise of Walt Disney's career in Hollywood >The foundation of Termite Terrace; Leon Schlesinger selling Termite Terrace to Warner Bros. >Walt taking one of the biggest gambles in his career by producing Snow White and the Seven Dwarfs >The Rise of United Productions of America and its influence on American and Eastern European animation >Theatrical shorts get aired on TV; Commercials and advertising start playing a major role in animation budgeting >Crusader Rabbit - the first cartoon specifically created for television - premiers in 1950; the show kickstarts influential animator Jay Ward's career >The Soviet Union releases the Snow Queen, highly regarded as the best films of their country; the film would influence and motivate Hayato Miyazaki to continue working in animation >MGM closing down their animation studios, motivating William Hanna and Joseph Barbera to start their own animation studio >the Foundation of Rankin-Bass Productions >The United States v. Paramount Pictures, Inc. antitrust case starting the downfall of the theatrical shorts scene >Osamu Tezuka adapts Astro Boy into an anime >Walt Disney's death >Europe's psychedelic and more artistically-minded animation movement in the 60s and 70s with the releases of British film Yellow Submarine, the Franco-Czech film Fantastic Planet and the Hungarian movie The Kidnapping of the Sun and the Moon influencing the continent's animation industry >The Warner Bros/Seven Arts merger; effectively killing Termite Terrace for good two years later >Hanna-Barbera premiering the Flintstones and Scooby-Doo in the 1960s >Fritz the cat kickstarting the rise of both adult animation and the independent animation scene >the return of Warner Bros. Animation in the 1980s
>the production of The Fox and The Hound; Don Bluth leaves Disney, switching of the guard inside Disney's animation studio >The release of Lupin III: The Castle of Cagliostro >Paul Driessen releases the short "The Killing of an Egg"; the short would heavily influence Stephen Hillenburg and motivate him to pursue animation >The Simpsons shorts premiere on the Tracey Ullman Show >Steve Jobs invests in the newly independent Pixar Animation Studio >MTV creates Liquid Television >The premiere of Who Framed Roger Rabbit >Ralph Bakshi reboots Mighty Mouse in the late 80s, bringing in a new generation of animators >Disney premiering the Little Mermaid >Ted Turner buys Hanna-Barbera, kickstarting the foundation of Cartoon Network >Vanessa Coffey creating the Nicktoons brand >Jeffrey Katzenburg leaves Disney after disagreements >Nickelodeon fires John Kricfalusi and Spumco; creates Games Animation - the future Nickelodeon Animation Studios >Fred Seibert creates the What A Cartoon! shorts program
Castle of Cagliostro is what established Miyazaki as a pioneering director and the staff that would become studio Ghibli. That and it inspired Disney's animation studio to get more ambitious, leading to the Disney Renaissance.
>no mention of Felix the Cat
Felix is who all rubberhose characters were directly modeled after. Also, he proved that a cartoon character could be popular all in their own.
>The Rise of United Productions of America and its influence on American and Eastern European animation
Also western europe and latin american animation too mostly the commercials.
You forgot to mention the way the japanese animation found its identity in the 70s and could finally do things that were not aimed at kids, also the rise of arthouse style japanese animation in that period. Also the huge scene of indie french animation should be mentioned somewhere
>Really little >Watching the pig cartoon that comes after Garfield >Pig finds a meteorite >Turns it into a pendant >Finds out it allows him to read people's minds >Turns out every single one of his friends hates him
How does the episode resolves this?
Was the meteorite not showing him the truth?
Was it a prank?
Does he learn that his friends do love him? >No >He throws the meteorite into the lake and decides to live a life if ignorance >Not that he can, the genie is out of the bottle so now he has to spend the rest of his life pretending not to know that everyone hates him
Thank you for a life of insecurities Jim
Thank you for introducing the idea that everyone may hate me but just act nice around me when I was fricking 6
the dead of animation comes to mind.
Stupid ESL
Not a cartoon, but the only thing I can think of is that Pokemon seizure incident back in 1997.
I read that was hugely exaggerated
>pokemon already caused damage before it made it way outside of japan
LOL seriously though, how moronic do you have to be to let bright flashing colors get pass the production stage? You would think the Nips would know better at the time.
>how moronic do you have to be to let bright flashing colors get pass the production stage?
Pokemon is the reason for those regulations and warnings, moron.
Hey, Dumbass McShit-For-Brains, even long before this episode was aired on Japanese television, people knew fast flashing colors = epilepsy triggering. The Nippons were still moronic for letting this slip.
God, I want to frick Nermal! <3<3<3
>Emile Cohl creating Fantasmagorie, one of the earliest
>Winsor McCay showcasing the potential of animation with Gertie the Dinosaur and basically influencing the entire Golden Age of Animation
>Steamboat Willie kicking off the rise of Walt Disney's career in Hollywood
>The foundation of Termite Terrace; Leon Schlesinger selling Termite Terrace to Warner Bros.
>Walt taking one of the biggest gambles in his career by producing Snow White and the Seven Dwarfs
>The Rise of United Productions of America and its influence on American and Eastern European animation
>Theatrical shorts get aired on TV; Commercials and advertising start playing a major role in animation budgeting
>Crusader Rabbit - the first cartoon specifically created for television - premiers in 1950; the show kickstarts influential animator Jay Ward's career
>The Soviet Union releases the Snow Queen, highly regarded as the best films of their country; the film would influence and motivate Hayato Miyazaki to continue working in animation
>MGM closing down their animation studios, motivating William Hanna and Joseph Barbera to start their own animation studio
>the Foundation of Rankin-Bass Productions
>The United States v. Paramount Pictures, Inc. antitrust case starting the downfall of the theatrical shorts scene
>Osamu Tezuka adapts Astro Boy into an anime
>Walt Disney's death
>Europe's psychedelic and more artistically-minded animation movement in the 60s and 70s with the releases of British film Yellow Submarine, the Franco-Czech film Fantastic Planet and the Hungarian movie The Kidnapping of the Sun and the Moon influencing the continent's animation industry
>The Warner Bros/Seven Arts merger; effectively killing Termite Terrace for good two years later
>Hanna-Barbera premiering the Flintstones and Scooby-Doo in the 1960s
>Fritz the cat kickstarting the rise of both adult animation and the independent animation scene
>the return of Warner Bros. Animation in the 1980s
>the production of The Fox and The Hound; Don Bluth leaves Disney, switching of the guard inside Disney's animation studio
>The release of Lupin III: The Castle of Cagliostro
>Paul Driessen releases the short "The Killing of an Egg"; the short would heavily influence Stephen Hillenburg and motivate him to pursue animation
>The Simpsons shorts premiere on the Tracey Ullman Show
>Steve Jobs invests in the newly independent Pixar Animation Studio
>MTV creates Liquid Television
>The premiere of Who Framed Roger Rabbit
>Ralph Bakshi reboots Mighty Mouse in the late 80s, bringing in a new generation of animators
>Disney premiering the Little Mermaid
>Ted Turner buys Hanna-Barbera, kickstarting the foundation of Cartoon Network
>Vanessa Coffey creating the Nicktoons brand
>Jeffrey Katzenburg leaves Disney after disagreements
>Nickelodeon fires John Kricfalusi and Spumco; creates Games Animation - the future Nickelodeon Animation Studios
>Fred Seibert creates the What A Cartoon! shorts program
What did the Lupin III do for animation?
Castle of Cagliostro is what established Miyazaki as a pioneering director and the staff that would become studio Ghibli. That and it inspired Disney's animation studio to get more ambitious, leading to the Disney Renaissance.
>Tamers12345 relaunches sonic underground
>no mention of Felix the Cat
Felix is who all rubberhose characters were directly modeled after. Also, he proved that a cartoon character could be popular all in their own.
>The Rise of United Productions of America and its influence on American and Eastern European animation
Also western europe and latin american animation too mostly the commercials.
You forgot to mention the way the japanese animation found its identity in the 70s and could finally do things that were not aimed at kids, also the rise of arthouse style japanese animation in that period. Also the huge scene of indie french animation should be mentioned somewhere
The day I was born. I'm working on this great cartoon idea you see
Sonic giving me a heads up on bad touch.
That time wilson churchill or whatever said doerdidiodidodoo
>Really little
>Watching the pig cartoon that comes after Garfield
>Pig finds a meteorite
>Turns it into a pendant
>Finds out it allows him to read people's minds
>Turns out every single one of his friends hates him
How does the episode resolves this?
Was the meteorite not showing him the truth?
Was it a prank?
Does he learn that his friends do love him?
>No
>He throws the meteorite into the lake and decides to live a life if ignorance
>Not that he can, the genie is out of the bottle so now he has to spend the rest of his life pretending not to know that everyone hates him
Thank you for a life of insecurities Jim
Thank you for introducing the idea that everyone may hate me but just act nice around me when I was fricking 6
Who gives a shit?
I do
10.10.10