>I'm gonna take you down there to that mission this afternoon. And when you see it you'll remember when you saw it before. And it'll finish your dream, it'll destroy it. I promise you.
Hold up... What if Carrie Page is Judy?
Kim Novak's character is called Judy Barton.
I've always assumed Judy was like an aspect of Laura, but this sorta confirms it.
Judy comes from Fire Walk With Me, the David Bowie scene. I doubt Lynch was thinking that far ahead. It was just a random name. Then, writing season 3, and recycling everything and anything from the previous two seasons, he added much more meaning to that name.
3 months ago
Anonymous
>I doubt Lynch was thinking that far ahead
Your point being? Also, plenty of stuff from the cancelled FWWM sequels ended up on The Return.
3 months ago
Anonymous
My point is Judy has no connection with Judy Barton from Vertigo
Judy comes from Fire Walk With Me, the David Bowie scene. I doubt Lynch was thinking that far ahead. It was just a random name. Then, writing season 3, and recycling everything and anything from the previous two seasons, he added much more meaning to that name.
It’s been a minute, but isn’t Judy an interdimensional cosmic being? Everytime it creates something it’s like a backwards understanding of our reality/humans. Like, the loggers saying “got a light?” was just judy or those beings copying something humans say a lot. Also what happened to Chris Isaac’s character?
3 months ago
Anonymous
>isn’t Judy an interdimensional cosmic being?
It depends on what you mean by interdimensional and cosmic.
I'm going to recycle a post I made sometime ago because I'm lazy: >Judy is an aspect of Laura as THE DREAMER. You could say that she's her subconscious. >She makes sure the dream never ends and obfuscates any attempt from any dream character to understand that they are part of a dream. >That is why she and her minions are at war with the Fireman and Blue Rose task force. >She created BOB to escape from the fact that her father was abusing her and raping her on a usual basis. >She also created the frogroach to escape from the fact that her mother was turning a blind eye to her abuse. >The Fireman is Laura's superego, or something like that. I don't know my Freud. >Carrie Page was Laura's tulpa. Basically Laura's ego, but lobotomized, and the potential destroyer of the dream. >That is why Judy placed her in an alternate sub-dream that has nothing to do with Twin Peaks. >Cooper taking her to the Palmer's home was an attempt to make her "remember" and thus end the dream. >The end of the show was the real Laura waking up to her mother calling her. The audio was taken from the pilot, when Sarah, who assumes Laura is still in her room, calls out to her.
This is Judy btw
Maybe, maybe not.
3 months ago
Anonymous
I hate your explanation. That is truly “it was all a dream” with a bunch of extra verbiage.
3 months ago
Anonymous
>“it was all a dream”
Dreams and reality are pretty much interchangeable in Twin Peaks (or basically any Lynch movie), so the fact that it was "nothing but a dream" is inconsequential. Twin Peaks was real and the characters were real. They were just in a different layer of reality that was created by the dreamer (Laura).
3 months ago
Anonymous
Nah, you’re interpretation is lazy
3 months ago
Anonymous
I much prefer a "lazy" interpretation that doesn't contradict what's shown and said on the show than something overly contrived and pulled out of someone's ass (like Twin Perfect's 5 hour video).
3 months ago
Anonymous
based
Nah, you’re interpretation is lazy
pic related
3 months ago
Anonymous
I like a lot of this explanation. What I keep coming back to with Twin Peaks is that in the original run, BOB is very much a metaphor. You can take the fantasy as literal if you want, but at the end of the day Bob is the face of the sexual abuse that Leland experienced as a child and passed on to his own daughter. The big ending of FWWM being that the only peace for Laura was in death, rather than taking on the abuse and passing it along.
From there, I feel any interpretation of the Lodge and the beings within have to in some way be reflective of some sort of real life parallel. Much like how Sarah Palmer = Judy and Judy = Sarah's turning a blind eye to Laura's suffering. If much of the insanity of the show is simply Laura attempting to rationalize her abuse/life with some sort of fantasy element that makes things feel a lot more consistent.
3 months ago
Anonymous
>Much like how Sarah Palmer = Judy and Judy = Sarah's turning a blind eye to Laura's suffering. If much of the insanity of the show is simply Laura attempting to rationalize her abuse/life with some sort of fantasy element that makes things feel a lot more consistent.
"It's happening again." That's what's unbearable for Sarah Palmer. She can't face it, but Laura-as-Carrie does.
3 months ago
Anonymous
>That is why she and her minions are at war with the Fireman and Blue Rose task force
The Loggers make sure there's always more fuel for the fire [black corn/smoke]. Blue Rose Egyptian Blue Lotus, the mysteries of afterlife
3 months ago
Anonymous
>Laura as THE DREAMER
They tip their hand in the first few episodes, Donna & Audrey in the bathroom, "I feel like I know her ..."
Hold up... What if Carrie Page is Judy?
Kim Novak's character is called Judy Barton.
I've always assumed Judy was like an aspect of Laura, but this sorta confirms it.
>I'm gonna take you down there to that mission this afternoon. And when you see it you'll remember when you saw it before. And it'll finish your dream, it'll destroy it. I promise you.
Friendly reminder that it's been confirmed that Eddie Vedder recorded a song that plays during the Twin Peaks finale. It confirms Agent Cooper never gets his mind back. (Pic is evil Cooper)
Listen https://youtu.be/pXth84G7dkM
Alternate reality Laura remembered what happened. Cooper was wondering what year it was, when he should have been asking what reality, which is meant to be our reality, far as I can tell. So Laura and Cooper were transported to the dreamers' reality, the one we live in, where Twin Peaks is just a tv series. Alternate theory: they were transported to yet a different reality created by Judy. Either way seems plausible. I could see Lynch going with either approach. At the very end when it goes dark suddenly, as if the stage lights are all shut off, that's a big clue they're not in Kansas anymore.
Lynch takes his primary inspiration from the abstract impressionists. Much like how Rothko strips away the concreteness of an object in order to reveal the fundamental emotional essence in his paintings, lynch strips away concrete meaning and plot/causality to reveal the same. You're meant to just let Lynch's works wash over you; they aren't riddles to figure out.
I see what you mean but Lynch has said on occasion with regards to his work that he welcomes everyones' subjective interpretations when they try to figure it out.
>“It’s too early to say if there will be a fourth season of the series,” he commented in the past. “If that were the case, we would have to wait a few more years because it took me four and a half years to write and film this season.”
That's not what I meant. I don't think Lynch or Frost were committed to any particular meaning for the ending. Especially with even the faintest interest in making Season 4.
nothing. the show was a lot of arbitrary events with no significant thread strung through the entire thing.
the last season was self indulgence and a lot of meaningless garbage. if you weren't laughing and shitting your pants during the nuke episode at how pretentious this sack of shit is you're a midwit
I adored the Return because it massaged the imaginative part of my brain so well. There’s a ton of crappy art that’s supposed to be “up to interpretation”, but this ain’t one of them. It played with my sense of wonder and fear and emotional response.
Ever see a painting then return to it in a new light because some innocuous inanimate object served some semiotic/mythological function you weren't read into on first viewing? It's like that. There's beauty there hiding in plain site, it's not just some geriatric shitting the cinematic bed.
>norse stuff in the original run >Odin lost an eye for knowledge
Lynch loves The Wizard of Oz, and Norma's the Good Witch (of the NORTH, Glinda: Richard & Linda). Nadine - unlike Norma - has the original Red Hair described in the Frank Baum novels; she has tulpa-ish attributes like the cartoonish Popeye strength.
Her childishness (and selfishness) is matched by Norma's selflessness & dutifulness (even when not deserved, like jailbird husband returning). Judy's losing control over the 'simulation' when Nadine gets a handle on the situation between the three of them.
The Red & White Upper & Lower Egypt + solar heraldry with the Goose Amun-Ra honking creation into existence frames Ed as the other pillar of the community en par with Norma as The Good Witch of the West. The Red & White is conspicuous as well in the early season 1 episode where Audrey & Donna talk about Laura.
Following the Vertigo post, Laura (or whomever's the Dreamer) cannot return home without destroying the Wicked Witch of the West.
It meant Laura Palmer screamed and the world shut down. The world was undoubtedly an evil world. You can tell by the way the car journey was filmed. That was an absolutely amazing section of the show by the way. Just two people driving a car at night in the darkness and crossing a bridge, but you could tell they were descending into the lair of the beast.
Are the Lodge entities necessarily good? Don't they all technically feed on pain/suffering aka Garmanbozia?
It seems like their beef with BOB might've just been that he was soloing people and hogging a bunch of it for himself, rather than that he was doing it at all. Perhaps they delight in fricking with Cooper and making him think he can fix things and solve them. His hopelessness would probably make for some delicious suffering to them.
Also always found it interesting how Mike/Bob were partners in crime for a while as Lodge entities. But then "Bobby" and Mike were inseparable best buds on the football field. Always felt like that was a parallel that was deliberate but went nowhere.
all of the black lodge spirits are evil/amoral at least. the only good spirits that we saw were the people from twin peaks that died like jefferies and Laura, and the tall man. they never explain if the good spirits feed like the evil ones
I don't think even the Fireman/Giant was 100% "good". He had an agenda of his own, which was defeating BOB and Judy, and used humans, including Cooper, as disposable pawns.
>Are the Lodge entities necessarily good? Don't they all technically feed on pain/suffering aka Garmanbozia?
White Lodge yes. But that could be debated to the degree that they're aspects of the Dreamer. Lady Dido being a short cut brunette is ... unexpected i.e. doesn't perfectly mirror Ed & Norma/Nadine, or Laura ... rather-- Audrey Frost probably had in mind Marlowe's Dido, Queen of Carthage play. (where Cooper is Aeneas & Audrey's Dido; latter kills herself after failing to keep the founder of Rome from leaving for Italy-- the way Season 2 panned out with the forced Bob 'reveal', Cooper being trapped in Twin Peaks & Audrey presumed functionally dead/comatose by the bank explosion, and their son ultimately dying in the Return all play into that.)
>missing diary pages >police station stall where Phillip Gerard spazzed out >gas station (convenience store), police station, radio station Tower station, White & Black Lodge stations
They're in the real world - our world - she can't stay here and be Laura at the same time (hence Richard and Carrie Page). NON-EX-IS-TANCE! The Glass Box in the beginning is also in our world, and The Glass Box is The Show. Judy (Parson's prostitute of Babalon ritual at White Sands) is bound to the show, removed from our world-- Laura fulfilled her mission, but she can't stay. The Arms that 'bend back [time]" are Mercy (Phillip) and Severity (Midget): Laura's the Middle Pillar, Balance. The two Venus statues represent this with (modest, veiled) and without Arms. Cooper is the Saturnine reaper & sower moving the story along (hence all black)-- the Green World Fair Saturn Lamp in the lodge by its color subordinates him to Laura, at least in that realm. [Hawk's actor's name is HORSE. He made the map of Twin Peaks in his tribe's style. His character knows more than he lets on.]
She's not the Dreamer Audrey & Monica Belluci, both brunettes
Vertigo is very boring tbqh. the visuals are very good and interesting but it drags on relentlessly. i'm guessing people drink or take a lot of drugs to mellow out during it, but its not a good sober watch.
i like north by northwest a lot actually, its probably my favorite hitchwiener, even if thats a very "normalgay" answer. the ending is kinda meh though, but everything that leads to it is great. the locations alone are a lot more exciting to experience
Jays critique on the essay is mostly correct but you know he said what he said because he's mad somebody can put more effort into a breakdown of media than he ever could
if you explain a mystery, how is it mysterious anymore. if you settle on an explanation, youre ruining the show for you essentially. its like when you explain a joke, its not funny anymore because you didnt get it in the first place.
It's more like a magic show than a joke. The only people who don't appreciate a magic trick after the trick being explained don't have an appreciation for the craft itself.
No. It doesn’t. This is sneed-posting levels of ruining a show’s threads. >durrrr she created this world to escape her dad diddling her hurrr durrrr
Get fricked you unimaginative dipshit
The whole show was the dream laura was having before her mom yelled to wake her up in the pilot. Cooper succeeded in "bringing her back" but all that did was wake her from the dream and send her back to her shit life where her dad rapes and will probably kill her
>Bowie: we live inside a dream >Belluci: we live inside a dream >Gordon: we live inside a dream >Cooper: we live inside a dream >anon: NOOOOOOOOOOOOO IT'S NOT A DREAM IT'S NOT A DREAM
On the one hand, having that line be spoonfed to us so much makes me want to doubt its truthfulness. But on the other, seeing reality glitch out at the diner and at Ed's gas bar in comparatively much more subtle way makes it hard to question
david lynch is a hack
>Frick you, you're never getting a satisfying ending
we literally got it episode earlier
I meant itself.
She heard her mothers voice call her name from the house. She remembered everything in that moment.
Watch Vertigo
/thread
Lynch severely overestimated his audience. It turned out nobody actually saw fricking Vertigo.
I've seen Vertigo. What's the connection?
>I'm gonna take you down there to that mission this afternoon. And when you see it you'll remember when you saw it before. And it'll finish your dream, it'll destroy it. I promise you.
v cool
Based. Does this mean that Carrie Page is a false flag? A fakeout?
Hold up... What if Carrie Page is Judy?
Kim Novak's character is called Judy Barton.
I've always assumed Judy was like an aspect of Laura, but this sorta confirms it.
Judy comes from Fire Walk With Me, the David Bowie scene. I doubt Lynch was thinking that far ahead. It was just a random name. Then, writing season 3, and recycling everything and anything from the previous two seasons, he added much more meaning to that name.
>I doubt Lynch was thinking that far ahead
Your point being? Also, plenty of stuff from the cancelled FWWM sequels ended up on The Return.
My point is Judy has no connection with Judy Barton from Vertigo
homie, you don't know Lynch at all.
>God of Light?
It’s been a minute, but isn’t Judy an interdimensional cosmic being? Everytime it creates something it’s like a backwards understanding of our reality/humans. Like, the loggers saying “got a light?” was just judy or those beings copying something humans say a lot. Also what happened to Chris Isaac’s character?
>isn’t Judy an interdimensional cosmic being?
It depends on what you mean by interdimensional and cosmic.
I'm going to recycle a post I made sometime ago because I'm lazy:
>Judy is an aspect of Laura as THE DREAMER. You could say that she's her subconscious.
>She makes sure the dream never ends and obfuscates any attempt from any dream character to understand that they are part of a dream.
>That is why she and her minions are at war with the Fireman and Blue Rose task force.
>She created BOB to escape from the fact that her father was abusing her and raping her on a usual basis.
>She also created the frogroach to escape from the fact that her mother was turning a blind eye to her abuse.
>The Fireman is Laura's superego, or something like that. I don't know my Freud.
>Carrie Page was Laura's tulpa. Basically Laura's ego, but lobotomized, and the potential destroyer of the dream.
>That is why Judy placed her in an alternate sub-dream that has nothing to do with Twin Peaks.
>Cooper taking her to the Palmer's home was an attempt to make her "remember" and thus end the dream.
>The end of the show was the real Laura waking up to her mother calling her. The audio was taken from the pilot, when Sarah, who assumes Laura is still in her room, calls out to her.
Maybe, maybe not.
I hate your explanation. That is truly “it was all a dream” with a bunch of extra verbiage.
>“it was all a dream”
Dreams and reality are pretty much interchangeable in Twin Peaks (or basically any Lynch movie), so the fact that it was "nothing but a dream" is inconsequential. Twin Peaks was real and the characters were real. They were just in a different layer of reality that was created by the dreamer (Laura).
Nah, you’re interpretation is lazy
I much prefer a "lazy" interpretation that doesn't contradict what's shown and said on the show than something overly contrived and pulled out of someone's ass (like Twin Perfect's 5 hour video).
based
pic related
I like a lot of this explanation. What I keep coming back to with Twin Peaks is that in the original run, BOB is very much a metaphor. You can take the fantasy as literal if you want, but at the end of the day Bob is the face of the sexual abuse that Leland experienced as a child and passed on to his own daughter. The big ending of FWWM being that the only peace for Laura was in death, rather than taking on the abuse and passing it along.
From there, I feel any interpretation of the Lodge and the beings within have to in some way be reflective of some sort of real life parallel. Much like how Sarah Palmer = Judy and Judy = Sarah's turning a blind eye to Laura's suffering. If much of the insanity of the show is simply Laura attempting to rationalize her abuse/life with some sort of fantasy element that makes things feel a lot more consistent.
>Much like how Sarah Palmer = Judy and Judy = Sarah's turning a blind eye to Laura's suffering. If much of the insanity of the show is simply Laura attempting to rationalize her abuse/life with some sort of fantasy element that makes things feel a lot more consistent.
"It's happening again." That's what's unbearable for Sarah Palmer. She can't face it, but Laura-as-Carrie does.
>That is why she and her minions are at war with the Fireman and Blue Rose task force
The Loggers make sure there's always more fuel for the fire [black corn/smoke]. Blue Rose Egyptian Blue Lotus, the mysteries of afterlife
>Laura as THE DREAMER
They tip their hand in the first few episodes, Donna & Audrey in the bathroom, "I feel like I know her ..."
To a clock tower, no less.
Friendly reminder that it's been confirmed that Eddie Vedder recorded a song that plays during the Twin Peaks finale. It confirms Agent Cooper never gets his mind back. (Pic is evil Cooper)
Listen https://youtu.be/pXth84G7dkM
It meant you got L Y N C H E D my man
Alternate reality Laura remembered what happened. Cooper was wondering what year it was, when he should have been asking what reality, which is meant to be our reality, far as I can tell. So Laura and Cooper were transported to the dreamers' reality, the one we live in, where Twin Peaks is just a tv series. Alternate theory: they were transported to yet a different reality created by Judy. Either way seems plausible. I could see Lynch going with either approach. At the very end when it goes dark suddenly, as if the stage lights are all shut off, that's a big clue they're not in Kansas anymore.
Lynch takes his primary inspiration from the abstract impressionists. Much like how Rothko strips away the concreteness of an object in order to reveal the fundamental emotional essence in his paintings, lynch strips away concrete meaning and plot/causality to reveal the same. You're meant to just let Lynch's works wash over you; they aren't riddles to figure out.
I see what you mean but Lynch has said on occasion with regards to his work that he welcomes everyones' subjective interpretations when they try to figure it out.
It's a metaphor for how getting raped by your father is bad.
Clearly more is going on than that ya dope
>Laura is the Dreamer
>Laura hears Sarah's voice telling her to wake up
>she does and the dream ends
Fin.
>“It’s too early to say if there will be a fourth season of the series,” he commented in the past. “If that were the case, we would have to wait a few more years because it took me four and a half years to write and film this season.”
It's not happening, anon.
That's not what I meant. I don't think Lynch or Frost were committed to any particular meaning for the ending. Especially with even the faintest interest in making Season 4.
idk it's 2deep4me
A more apt question might be "What didn't it mean?" if you catch my drift
She realized her career is eternally tied in to a David Lynch production and that is how she'll be remembered
They all pretty much cherish it, aside from the crazy little midget guy. if he's still alive
nothing. the show was a lot of arbitrary events with no significant thread strung through the entire thing.
the last season was self indulgence and a lot of meaningless garbage. if you weren't laughing and shitting your pants during the nuke episode at how pretentious this sack of shit is you're a midwit
Cooper fricked up and made the universe collapse into itself in the process
bump
I legitimately rolled my eyes when she screamed. I've never watched the series again because of how shit the last few episodes were.
Lmao moron
Explain why it's good without referring to me 'not le getting it'.
I adored the Return because it massaged the imaginative part of my brain so well. There’s a ton of crappy art that’s supposed to be “up to interpretation”, but this ain’t one of them. It played with my sense of wonder and fear and emotional response.
I don't have to explain shit. You got mad at Laura screaming, something she's done a gazillion times during the show. You're a tard.
That's why I rolled my eyes, moron. Leaning on a trope of the series because he didn't have an interesting way to end it.
>a trope
You truly are moronic
I used the word correctly, simpleton.
This is Judy btw
Ever see a painting then return to it in a new light because some innocuous inanimate object served some semiotic/mythological function you weren't read into on first viewing? It's like that. There's beauty there hiding in plain site, it's not just some geriatric shitting the cinematic bed.
It meant "kino"
Sheryl Lee is genuinely attractive at any age.
She's mid.
Absolutely wrong
That's a man
All women are just men in wigs if you look hard enough, gay
>The Return still didn't explain Nadine's sudden onset of super-human strength
Wasn’t that Frost trolling because Lynch fricked off to do other stuff and they were both bitter about ABC making them reveal the killer so soon?
She had it since the beginning. She breaks the exercise machine
>norse stuff in the original run
>Odin lost an eye for knowledge
Lynch loves The Wizard of Oz, and Norma's the Good Witch (of the NORTH, Glinda: Richard & Linda). Nadine - unlike Norma - has the original Red Hair described in the Frank Baum novels; she has tulpa-ish attributes like the cartoonish Popeye strength.
Her childishness (and selfishness) is matched by Norma's selflessness & dutifulness (even when not deserved, like jailbird husband returning). Judy's losing control over the 'simulation' when Nadine gets a handle on the situation between the three of them.
The Red & White Upper & Lower Egypt + solar heraldry with the Goose Amun-Ra honking creation into existence frames Ed as the other pillar of the community en par with Norma as The Good Witch of the West. The Red & White is conspicuous as well in the early season 1 episode where Audrey & Donna talk about Laura.
Following the Vertigo post, Laura (or whomever's the Dreamer) cannot return home without destroying the Wicked Witch of the West.
Realities overlap
Nothing. It's all about how it makes you makes you feel.
>it makes you makes
Frick.
It meant Laura Palmer screamed and the world shut down. The world was undoubtedly an evil world. You can tell by the way the car journey was filmed. That was an absolutely amazing section of the show by the way. Just two people driving a car at night in the darkness and crossing a bridge, but you could tell they were descending into the lair of the beast.
Are the Lodge entities necessarily good? Don't they all technically feed on pain/suffering aka Garmanbozia?
It seems like their beef with BOB might've just been that he was soloing people and hogging a bunch of it for himself, rather than that he was doing it at all. Perhaps they delight in fricking with Cooper and making him think he can fix things and solve them. His hopelessness would probably make for some delicious suffering to them.
Also always found it interesting how Mike/Bob were partners in crime for a while as Lodge entities. But then "Bobby" and Mike were inseparable best buds on the football field. Always felt like that was a parallel that was deliberate but went nowhere.
all of the black lodge spirits are evil/amoral at least. the only good spirits that we saw were the people from twin peaks that died like jefferies and Laura, and the tall man. they never explain if the good spirits feed like the evil ones
I meant to say the fire man instead of “tall man”
I don't think even the Fireman/Giant was 100% "good". He had an agenda of his own, which was defeating BOB and Judy, and used humans, including Cooper, as disposable pawns.
I mean what else was he going to do? if you’re some timeless interdimensional being, people dying doesn’t matter in the long run
I always assumed they come from the same kind of place and do the same kind of thing but slightly different, like cinema vs television
>Are the Lodge entities necessarily good? Don't they all technically feed on pain/suffering aka Garmanbozia?
White Lodge yes. But that could be debated to the degree that they're aspects of the Dreamer. Lady Dido being a short cut brunette is ... unexpected i.e. doesn't perfectly mirror Ed & Norma/Nadine, or Laura ... rather-- Audrey Frost probably had in mind Marlowe's Dido, Queen of Carthage play. (where Cooper is Aeneas & Audrey's Dido; latter kills herself after failing to keep the founder of Rome from leaving for Italy-- the way Season 2 panned out with the forced Bob 'reveal', Cooper being trapped in Twin Peaks & Audrey presumed functionally dead/comatose by the bank explosion, and their son ultimately dying in the Return all play into that.)
>missing diary pages
>police station stall where Phillip Gerard spazzed out
>gas station (convenience store), police station, radio station Tower station, White & Black Lodge stations
They're in the real world - our world - she can't stay here and be Laura at the same time (hence Richard and Carrie Page). NON-EX-IS-TANCE! The Glass Box in the beginning is also in our world, and The Glass Box is The Show. Judy (Parson's prostitute of Babalon ritual at White Sands) is bound to the show, removed from our world-- Laura fulfilled her mission, but she can't stay. The Arms that 'bend back [time]" are Mercy (Phillip) and Severity (Midget): Laura's the Middle Pillar, Balance. The two Venus statues represent this with (modest, veiled) and without Arms. Cooper is the Saturnine reaper & sower moving the story along (hence all black)-- the Green World Fair Saturn Lamp in the lodge by its color subordinates him to Laura, at least in that realm. [Hawk's actor's name is HORSE. He made the map of Twin Peaks in his tribe's style. His character knows more than he lets on.]
She's not the Dreamer Audrey & Monica Belluci, both brunettes
Vertigo is very boring tbqh. the visuals are very good and interesting but it drags on relentlessly. i'm guessing people drink or take a lot of drugs to mellow out during it, but its not a good sober watch.
North by Northwest is way better.
i like north by northwest a lot actually, its probably my favorite hitchwiener, even if thats a very "normalgay" answer. the ending is kinda meh though, but everything that leads to it is great. the locations alone are a lot more exciting to experience
>but its not a good sober watch.
lol, take the adhd out of your brain
A Twin Peaks thread is never complete without the schizoposter. I love him.
I'm going to go on vacation soon and I'm considering buying Dougie's suit to wear. Need it or keep it?
Unironically watch this
Just power through the beginning and his terrible Lynch impersonations,
he literally explains everything
"No."
I remember rlm scoffing at this, and then watching it out of curiosity and I'm so glad I did.
Jay you stupid dumb hack
Jays critique on the essay is mostly correct but you know he said what he said because he's mad somebody can put more effort into a breakdown of media than he ever could
if you explain a mystery, how is it mysterious anymore. if you settle on an explanation, youre ruining the show for you essentially. its like when you explain a joke, its not funny anymore because you didnt get it in the first place.
It's more like a magic show than a joke. The only people who don't appreciate a magic trick after the trick being explained don't have an appreciation for the craft itself.
No.
This guys wrong about fricking everything though which makes it hilarious
>le woman screaming at the camera trope
is there anything more hack than this?
Is this dream-explanation homosexual in every twin peaks thread? It’s nauseating. Stop.
Lmao cope dumb homosexual. The show literally spells it out for you.
No. It doesn’t. This is sneed-posting levels of ruining a show’s threads.
>durrrr she created this world to escape her dad diddling her hurrr durrrr
Get fricked you unimaginative dipshit
I don't know. And you know what else? You know what else? I'm going to say it...I don't care.
The log lady explains what happens at the end in one of her monologues.
Nothing, probably.
The whole show was the dream laura was having before her mom yelled to wake her up in the pilot. Cooper succeeded in "bringing her back" but all that did was wake her from the dream and send her back to her shit life where her dad rapes and will probably kill her
I hate you
>nooooo they're stuck in jow days world noooo
lynched
>Bowie: we live inside a dream
>Belluci: we live inside a dream
>Gordon: we live inside a dream
>Cooper: we live inside a dream
>anon: NOOOOOOOOOOOOO IT'S NOT A DREAM IT'S NOT A DREAM
On the one hand, having that line be spoonfed to us so much makes me want to doubt its truthfulness. But on the other, seeing reality glitch out at the diner and at Ed's gas bar in comparatively much more subtle way makes it hard to question
It's because it's all a dream is one of the shittiest tropes
>SQUEEZE HIS HAND OFF