lol that anon that posted about how much he has researched into SHane Carruths now ex wife that I think was also in upstream color. dude had deep details about her life
"If the film language and sensibility are not integrated somewhere in the narrative, then they are inconsequential, separate. And if you have one point of view, one aesthetic, one sensibility throughout everything you do, and you don't let people sway you away from that, especially your cinematographer, then the film develops a soul." - Vincent Gallo
"I feel very happy that Bush is our president. One way that you can tell we have a good president, is by how much the French dislike him. The more the French hate him, the better he must be. And they hate this one."
I think it's how he sees himself and how he wishes his life was. The movie might've been shot at his childhood home and used his dad's real music, but Vinnie isn't some small time incel loser who went to prison to cover a bet, he's a male model film director and millionaire real estate investor. He sees himself as weak and ugly though, and the movie's a fantasy about true love actually existing.
I'm not really a collage artist like Quentin Tarantino or Wes Anderson. I'm not like those other guys, Spike Jonze, too, guys who watch things and take notes. I'm trapped in my own stubborn world over-and-over, looking for a similar insight,
Vincent hated Ricci because she was fat, annoying and didn't take it seriously. I don't think that was the point, Vincent was supposed to be the villain and Ricci was supposed to be terrified, but it came across that way.
the whole movie boils down to the scenes at his familys house, the bowling alley, and then the diner when he calls his friend. Those all reveal the true spirit and soul of his character and the world depicted
I hate her already, and you for facilitating such pseud c**t thinking. The frick does that even mean anyway? It had a happy ending for fricks sake, how is that eMoTiONaL gOrE? His parents were not even that bad compared to some other peoples awful childhoods. Was it the fact he made a dumb spite bet and lost so he landed himself in prison that is supposed to be le emotional gore?
If you are going to use that homosexual term, apply it to something like "Happiness" or "The Heart Is Deceitful Above All Things" or one of those fricked up Korean movies.
thanks for posting what I wanted to say to that guy, my woman likes Buffalo 66 too but she doesn't use such ridiculous sounding terms all pretentiously
"I’m not against celebrating the differences of individuals. What I’m against is the homogeny of mankind because that’s regressive. To celebrate the differences of people is fantastic, but to blend them all together… You know, the same homosexual community that I found such compassion from, I don’t feel that camaraderie from them anymore; I don’t feel it in the social scene; I don’t feel it in the arts. That’s weird to me. Because that was the group that I learned the most from, because they were certainly the most open-minded at that time. But if I say things about the mainstreaming of homosexuals, it’s because I don’t believe in mainstreaming or special interests legislating for themselves. What has happened with gays in America is that they pander so much to the heterosexual mainstream that they’ve taken on the complexes of the heterosexual mainstream."
What the frick are you on about? Who is seething aside from me at that stupid emotional gore comment. Buffalo 66 does not evoke that strong of an emotion, whether it be anger or joy.
Name a bigger red flag than a director starring in his/her/xer own movie, especially in a major role.
Give another example
Primer was good
lol that anon that posted about how much he has researched into SHane Carruths now ex wife that I think was also in upstream color. dude had deep details about her life
"If the film language and sensibility are not integrated somewhere in the narrative, then they are inconsequential, separate. And if you have one point of view, one aesthetic, one sensibility throughout everything you do, and you don't let people sway you away from that, especially your cinematographer, then the film develops a soul." - Vincent Gallo
Red flag for what, identifying an auteur?
>christina ricci blue mascara
that’s the only enjoyable part of this movie
"I feel very happy that Bush is our president. One way that you can tell we have a good president, is by how much the French dislike him. The more the French hate him, the better he must be. And they hate this one."
It Vincent using the movie to validate himself. I like the first half but got bored with it in the second half
He's literally me
this movie sucked, had to shut it off after like 20 mins
it gets really emotionally deep in a unique way that really relates to Cinemaphile loner types who had fricked childhoods
Anon may have shut it off because it was creeping a little too close to home plate.
I think it's how he sees himself and how he wishes his life was. The movie might've been shot at his childhood home and used his dad's real music, but Vinnie isn't some small time incel loser who went to prison to cover a bet, he's a male model film director and millionaire real estate investor. He sees himself as weak and ugly though, and the movie's a fantasy about true love actually existing.
>and the movie's a fantasy about true love actually existing
why cant it exist anon
Amen. And that's what ever movie is about. As is life.
i really liked this movie then the gay dream sequence played and i remembered this is art house slop
Prime Ricci.
that would be '95-97. it was over after Fear and Loathing.
I'm not really a collage artist like Quentin Tarantino or Wes Anderson. I'm not like those other guys, Spike Jonze, too, guys who watch things and take notes. I'm trapped in my own stubborn world over-and-over, looking for a similar insight,
Hi, Vincent
Vincent hated Ricci because she was fat, annoying and didn't take it seriously. I don't think that was the point, Vincent was supposed to be the villain and Ricci was supposed to be terrified, but it came across that way.
the whole movie boils down to the scenes at his familys house, the bowling alley, and then the diner when he calls his friend. Those all reveal the true spirit and soul of his character and the world depicted
>Goon. Goon. Goon. Goon. Goon.
there's no "point". it's just an exploration of what would happen given the circumstances
A woman I'm in love with who also loved the movie called it "emotional gore". I think that's apt.
Any other similar movies this egore girl would recommend?
I hate her already, and you for facilitating such pseud c**t thinking. The frick does that even mean anyway? It had a happy ending for fricks sake, how is that eMoTiONaL gOrE? His parents were not even that bad compared to some other peoples awful childhoods. Was it the fact he made a dumb spite bet and lost so he landed himself in prison that is supposed to be le emotional gore?
If you are going to use that homosexual term, apply it to something like "Happiness" or "The Heart Is Deceitful Above All Things" or one of those fricked up Korean movies.
thanks for posting what I wanted to say to that guy, my woman likes Buffalo 66 too but she doesn't use such ridiculous sounding terms all pretentiously
anon his parents neglected him because of a football game
i happen to find that phrase quite startling
would definitely consider marrying any woman who could come up with such a thing
You have no idea, she's perfect
overrated wankery
The incel protagonist drops his mask and in turn receives love and thus redemption
It was an ode from Vincent Gallo to Vincent Gallo. It is one of my favorite movies, he plays such an unlikable butthole, it grows on you by the end.
"I’m not against celebrating the differences of individuals. What I’m against is the homogeny of mankind because that’s regressive. To celebrate the differences of people is fantastic, but to blend them all together… You know, the same homosexual community that I found such compassion from, I don’t feel that camaraderie from them anymore; I don’t feel it in the social scene; I don’t feel it in the arts. That’s weird to me. Because that was the group that I learned the most from, because they were certainly the most open-minded at that time. But if I say things about the mainstreaming of homosexuals, it’s because I don’t believe in mainstreaming or special interests legislating for themselves. What has happened with gays in America is that they pander so much to the heterosexual mainstream that they’ve taken on the complexes of the heterosexual mainstream."
Chubby Ricci was the best Ricci, I thought she cut her breasts off but it was all due to weight loss.
Fat Bonbibonkers has pretty much the same body type now
This is chubby? What isn't chubby? Calista Flockhart?
Unfortunately Flockhart mode is exactly what she ended up going for.
Compared to her at her absolute peak
Well, she doesn't look terrible. But her bone structure is more flattering with a bit more volume in her cheeks, if you follow me.
only took two words from a woman, and praising the movie no less, to set the incels to frothing at the mouth, lmao
What the frick are you on about? Who is seething aside from me at that stupid emotional gore comment. Buffalo 66 does not evoke that strong of an emotion, whether it be anger or joy.
I felt pretty joyful at the end. Buying that other guy at the shop something too was heart warming.
Any time I watch this movie with a girl, when it zooms back from the cemetery and reveals he didn't kill himself they're fricking elated