>white colonization… LE BAD!
>toxic relationships… LE BAD!
woah…
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>white colonization LE BAD! >toxic relationships LE BAD!
>white colonization… LE BAD!
>toxic relationships… LE BAD!
woah…
It's All Fucked Shirt $22.14 |
UFOs Are A Psyop Shirt $21.68 |
It's All Fucked Shirt $22.14 |
which one's the white one?
Would he even be able to frick her or is her vagene also covered in gold scales?
>white
Deaf people are bad. Don't trust them.
ai slop
Cope, troon
>white
What did she even expect even if he was a good guy? That he'd marry her and have children? Live in the water with her?
this short wasnt that great, very few of the shot compositions and specific acting choices felt intentional. its just a blur of motion capture, cuts, and noise
I kept watching hoping something would come out of it but it was just a disjointed mess
>White colonization
why was he a deaf filipino with face tattoos then?
I remember when this trash was being spammed here. funny how it just suddenly stopped
you'd like it if it were still repeatedly posted daily like a couple dozen other Cinemaphile threads are? The show's over, people moved on.
>advertisers moved on
weird ps3 lighting
>white colonization… LE BAD!
....so ?
you didn't colonize shit please stop jerking yourself off the achievement of your betters
JIBARO?
Kino episode
the frick is this ai slop?
frick off and stop being a moron
>people said this goofy ass pseudo intellectual ballerina slop was better than bad travelling
>people
Morons aren't people.
I have no idea what I am looking at OP.
Before we get into your episode, which I loved, I really want to talk about Jibaro.
>FINCHER: It's amazing. He's [episode director Alberto Mielgo] something else. He's otherworldly, this kid.
His episode really blew me away in terms of the story and the animation. I'm just curious, for you as a producer, what is it like watching the finished version of that for the first time? What was your take on it?
>FINCHER: Well, I got forwarded an email that Tim had written. It was the link to the Pinkman.tv [website] because they hadn't uploaded it. It was just their first, "We just finished. We are just online. Take a look." He wrote me and he was like, "You should be sitting down, and don't watch this on your phone." I [have] got to say, I love The Red Balloon, and I love Closed Mondays, and I love Red's Dream. As short films go, I didn't think I would ever see anything better than The Witness, and this is ten times better than that.
>I remember I sent it to Steven Soderbergh, and I said, "I want you to watch this and I want you to write me back.” He wrote me back [and] if the thing's 11 minutes long or something like that, it was like 11 minutes and two seconds later [that] I get this email going, "What the frick is this? I need to know now." So, look, we've all had the same response. It's otherworldly, his skillset.
>It's funny because he's very gregarious and personable. You can't explain what this is going to be. We saw storyboards [and] you kind of go, "All right, yeah.” Then you see the animatic and then you see some of the dancers with the physics simulation of all the beads and things on it. So you're semi-prepared for what you're going to see, [then] you get to that final image of the detritus at the bottom of this lake. No one can prepare you for what this level of artistry can do to you.
>I remember just thinking to myself, you see something like that [and] you just hope that people aren't going to see it on their phone on a bus. You just hope that they're going to have at least a headset on and they're going to watch it at night. It'll be really interesting to see how it plays on a big screen tonight, because it's really assaultive and the audio is very vertical, and the sound pressure of it. It'll be really interesting to see. It’s also upsetting, and it's upsetting for the reasons that great art is upsetting. It kind of goes to a place that we all hope is hidden, and that's where he starts and he just starts excavating.
>He's something else, this Alberto Mielgo. I said to him, "For my money, there's Disney, there's Pixar, and there's you.” In that order. I've never seen anything like it. I've never been that mesmerized. Then when you hear how he makes it; it's literally like it courses through him until it explodes from his fingertips. I'm just happy he's in our lineup, because he not only gets the competitive juices of like, "Frick, I want to do something like that," or "I want to do something in that," but it's cinema-affirming.
I think it's incredible.
>FINCHER: It's the kind of thing that if somebody says to me, "I didn't like it," it's like I get to write that person off. I never have to speak to them again. Just makes my life so much simpler.
Cinemaphile pseuds absolutely btfo. Praised to skies by David Fincher and Steven Soderbergh and yet you idiots try to shit on it.
this episode was the biggest pleb filter in the history of Cinemaphile. It's a literal 11/10 and anyone who doesn't get it is a brainlet
>Playstation 2 graphics le good
kino
>anachronistic mestizō penal unit
I like it.
The director is fricking obsessed with toxic relationships, he said in an interview that he wanted to portray the most toxic relationships possible with red flags all over the place.
I find more interesting the world he creates.
>magical creatures of mass destruction.. le bad
yes