that’s not asking for a political message but just some kind of theme or “point” to the story. you can blow a midwit gale all you like about stories not needing to be about something but at the end of the day people forget those stories.
>some kind of theme or “point” to the story
if william afton was meant to allude to trump being bad (maybe william afton says animatronic lives matter during the final act) it'd be hitting at least 54% on RT for critics
you’re too directionbrained and buck broken by politics to understand. look at old fairy tales and medieval romances. they’re silly stories on the surface but touch on universal themes and always have something to say about human existence in some way which keeps them relevant and enjoyable
>look at old fairy tales
not being overly trusting of a witch in the woods not to assrape you is analogous to not being overly trusting of pizza robots not to assrape you. the examples you brought up are not faulkner
it's the other way around, people forget that stories have political messages, points or themes because quality transcends that
it's the reason why 120 days of sodom is remembered and know as a grotesque story instead of a critique of nobility and the upper class
If you think people still read de Sade because it appeals primarily to their prurient interests you are either the biggest midwit to ever post on this site or a Mennonite.
De Sade wrote about the rape and torture of children, I really don't know what to say if you want to claim this is some kind of thing nobody has a problem with.
No, it's just a regular indie horror game that 12 and 13 year olds a decade ago got into because it was popular at the right time. It's not for kids any more than any other horror game was.
the scene of him releasing his brother is the message, don't stay on the past and care about the present, if not you get stuck in a role like Vanessa, Afron and the robots
I understand it can be enjoyable to watch a pointless run-of-the-mill action/thriller and just enjoy the ride but he’s a critic. His job is to dig a little deeper than that.
This and I think it represents a sort of cultural connection to a type of childhood that is foreign to them. Chuck E. Cheeses have all been gutted and stripped of anything that could possibly make it fun or memorable. The arcade games are mostly ports of mobile games, theres no playground, the animatronics are gone, replaced by a wagie in a costume that comes out to sing happy birthday. This is after multiple lawsuits directed at chuck e cheese over safety. Kids getting stuck in the ball pit, moms being offended by violent light gun games in the arcade, kids crying about the animatronics being creepy. Basically, this modern, commercial, cultural temple of childhood fun has been sanitized beyond recognition for gen z, so when they form this parasocial, little brother relationship with someone like pewdiepie, they see the fnaf world as this time capsule of a dangerous, frightening and exciting world that they never knew and grow to feel somehow nostalgic for through cultural osmosis.
the 'message' of the film is kind of generic, but's it's still there. The message is to appreciate your family and the little moments with them, and get over your grief and feel grateful for what you still have. The film has a bit of a Christian undertone, especially where the MC is talking about the joy of saying grace around the dinner table with his family.
I’m so sick of you juveniles insisting that there’s any such thing as apolitical art. All art is political. Even art that was made in a concerted effort to be apolitical. Do you know what the point of Rococo art was? To say nothing and look pretty for the ruling class. You know who that didn’t sit right with? Everyone in France who wasn’t in the ruling class.
>all art is le political
Please explain the political implications of that image of a giant Sandy Cheeks sucking a car up her dick and the hidden Marxist subtexts in that image of Spyro taking a shit into a subway footlong.
Every artist is inextricable from the political climate they exist in. Even if that artist is just making the grossest thing imaginable and sharing it with the world “for the lols” that’s a reflection of the artist’s personal politics (I guess nihilism in this case if I’m right although most cartoon porn is made for a paying audience).
what are the political implications of random mentally ill artists making fetish porn so they can jack off?
nobody makes ratatouille cucumber to make their internet pals laugh
If anything provocative art like that is the most political. To make such an affront to God one would have to know the societal mores they were subverting in doing so. A true naive artist can paint a tiger in a forest without knowing who their president is and still have critics suggest their subconscious reasoning for choosing to depict predator instead of prey or choosing to paint the tropics when they're from colonial era metropolitan France, those same critics would have have a field day if they discovered an artist far gone enough to wonder what Sonic would be like as a toilet.
I'll tackle the spyro one. Its an indictment of commercial hyper consumerism. The log that hunter is squeezing out represents the quality of the fast food industry and what its leaders think of their customers and that symbol contrasts with the presence of the spyro cast to extend to a commentary on the videogame industry. Its literal shit being served by marketable, mascot platformer characters. Its saying that the rush to compete with mario to produce a mascot for sony's consoles denigrated the quality and identity of the work of up and coming developers of fifth generation vidya.
>a person being indifferent to politics is still being a proponent of the status quo
sort of, maybe the person is just blackpilled or lazy or busy >a piece of art that is indifferent to politics is still a proponent of the status quo, "To say nothing and look pretty for the ruling class"
Not every piece of art needs to say something political. Imagine being such a tribal mongoloid that you can only understand art in terms of either supporting or going against your moronic political group. Someone who decides the paint the Grand Canyon would be guilty of supporting the political status quo according to your bullshit instead of, you know, painting it for the obvious reason that it looks nice.
Reminder that the guy on the left is technically responsible for Fnaf's existence. He was the guy who shat on Scott's old game for being creepy and unintentionally gave him the idea for Fnaf.
He's lost over 250K subs ever since he trooned out and spends every video reeeing over culture war homosexualry and how he's being genocide by a harry potter video game.
Reminder that the guy on the left is technically responsible for Fnaf's existence. He was the guy who shat on Scott's old game for being creepy and unintentionally gave him the idea for Fnaf.
He's lost over 250K subs ever since he trooned out and spends every video reeeing over culture war homosexualry and how he's being genocide by a harry potter video game.
Sterling's Greenlight stuff where he played and made fun of terrible asset flips was low key enjoyable. But the b***h was always a socialist drama queen.
Moral lesson from FNAF is that children should trust strangers hiding behind the fascad of children's media. Afton murdering kids in a mascot suit is an analogy for Disney and similar entities putting demoralisation slop in cartoons aimed at kids.
Yeah, I get major pedo vibes from Afton, there’s no way a child murderer that kidnaps children before the fact wasn’t also fricking them on the side, otherwise why not kill them on the spot? The fact that it’s a pizzeria of all places that they disappear in is the cherry on top, wonder is Scott was aware of pizzagate and wanted to alert the masses about it.
I remember seeing a review for Godzilla vs Kong, where the " "critic" " complained that the plot was bare bones and there wasn't any underlying message, just three CGI monsters fighting each other.
>Godzilla represents the allegedly oppressive White man. >Kong is black. >Godzilla is actually angry at MechaGodzilla (jews) who gaslights Kong and Godzilla into fighting but everyone just thinks Godzilla is racist against Kong for no reason other than the color of his skin. >Godzilla and Kong team up to kill MechaGodzilla in the end.
Quite wholesome. Imagine being filtered by Godzilla vs Kong.
Film critics job is something literally anyone and everyone can do. It has no value. So they throw as much psued weasel words to the wall to bamboozle fricks even dumber than they are.
>noooo critics don't like what I like!!!!!
Who in the frick gives a shit about what moronic critics have to say about anything? You should be able to have opinions and not have them fly out the window when someone has even a slightly different one.
They don't want normies thinking too hard about the creepy "ironic" pizza joints media types frequent. Especially in conjunction with the theme of missing children.
That is not an untrue statement. If I read a review for a movie I was considering seeing, whether or not it carries a message or explores its themes is something I would expect to be informed about.
What the critic is trying to say is that the movie is just a soulless cash grab. There isn't anything in this movie for anyone but child fans of FNAF who want to see their characters.
Even in how obvious the Mario movie was just an advertisement for Mario games and a cash grab, it at least had a message about how brothers should stay together.
>What the critic is trying to say is that the movie is just a soulless cash grab
Interesting. So what was the underlying theme or message behind Taylor Swift: The Eras Tour?
that’s not asking for a political message but just some kind of theme or “point” to the story. you can blow a midwit gale all you like about stories not needing to be about something but at the end of the day people forget those stories.
>some kind of theme or “point” to the story
if william afton was meant to allude to trump being bad (maybe william afton says animatronic lives matter during the final act) it'd be hitting at least 54% on RT for critics
you’re too directionbrained and buck broken by politics to understand. look at old fairy tales and medieval romances. they’re silly stories on the surface but touch on universal themes and always have something to say about human existence in some way which keeps them relevant and enjoyable
i accept your concession
>look at old fairy tales
not being overly trusting of a witch in the woods not to assrape you is analogous to not being overly trusting of pizza robots not to assrape you. the examples you brought up are not faulkner
You're both right and are talking past each other. Readers, synthesize these viewpoints and you'll be edified.
What about John Wick
it's an exception because of wholesome chungus
I would argue the love for that movie is more about Keanu Reeves and less about the actual movie.
it's the other way around, people forget that stories have political messages, points or themes because quality transcends that
it's the reason why 120 days of sodom is remembered and know as a grotesque story instead of a critique of nobility and the upper class
If you think people still read de Sade because it appeals primarily to their prurient interests you are either the biggest midwit to ever post on this site or a Mennonite.
De Sade wrote about the rape and torture of children, I really don't know what to say if you want to claim this is some kind of thing nobody has a problem with.
you are black, aren't you?
It's got themes of familial love. The reviewer wants social commentary.
>STILL NO Black folk
>that feel when "five nights at freddy's" does not enter the greats' hall of fame next to brothers karamazov and don quixote
Chuddie would be glad there's a movie that doesn't try to shove a message down his throat thougheverbeit
Themes are for 8th grade book reports
It's a game made for 8th graders lol
No, it's just a regular indie horror game that 12 and 13 year olds a decade ago got into because it was popular at the right time. It's not for kids any more than any other horror game was.
That's probably how it started, then it was marketed to children when it became obvious who the target audience was.
the scene of him releasing his brother is the message, don't stay on the past and care about the present, if not you get stuck in a role like Vanessa, Afron and the robots
The 3rd world zoomers here watch maybe two films a year. Even if the film had a point, it would likely go over their very low heads.
normal movies, yeah, horror flicks? idk I think they're just supposed to scare you
>day people forget those stories.
tears in rain
why are fnaf fans so homosexual?
literal children
I understand it can be enjoyable to watch a pointless run-of-the-mill action/thriller and just enjoy the ride but he’s a critic. His job is to dig a little deeper than that.
His job is to suck wiener and lose his job in the coming recession.
lol movie critic is like
"What am I, a 40 year old cereal-eating man, supposed to LEARN from the Five Nights at Freddies movie?"
zoomers stay winning frfr
Whatever happened to the wacky shape comics guy
imprisoned for poopy rapey
an hero
FNAF is a movie about nothing. He is right.
Truly the Seinfeld of movies
why are zoomers so obsessed with fnaf?
Because they all watched PewDiePie play it when they were kids.
This and I think it represents a sort of cultural connection to a type of childhood that is foreign to them. Chuck E. Cheeses have all been gutted and stripped of anything that could possibly make it fun or memorable. The arcade games are mostly ports of mobile games, theres no playground, the animatronics are gone, replaced by a wagie in a costume that comes out to sing happy birthday. This is after multiple lawsuits directed at chuck e cheese over safety. Kids getting stuck in the ball pit, moms being offended by violent light gun games in the arcade, kids crying about the animatronics being creepy. Basically, this modern, commercial, cultural temple of childhood fun has been sanitized beyond recognition for gen z, so when they form this parasocial, little brother relationship with someone like pewdiepie, they see the fnaf world as this time capsule of a dangerous, frightening and exciting world that they never knew and grow to feel somehow nostalgic for through cultural osmosis.
not readin all that
congratz or sorry about that though
is good
warm regards
>why are zoomers so obsessed with fnaf?
Where is it?
Keyboard in first panel
They're the last generation who went to Chuck E Cheese as a normal thing.
the 'message' of the film is kind of generic, but's it's still there. The message is to appreciate your family and the little moments with them, and get over your grief and feel grateful for what you still have. The film has a bit of a Christian undertone, especially where the MC is talking about the joy of saying grace around the dinner table with his family.
Ok but how does this uplift black lives personally?
Its not that pozzed. Theres a scene where a trans kid sucks off a softball team in the ball pit, but its actually really wholesome.
There is no message in fnaf. It was a shitty jumpscare game made in 2014.
I’m so sick of you juveniles insisting that there’s any such thing as apolitical art. All art is political. Even art that was made in a concerted effort to be apolitical. Do you know what the point of Rococo art was? To say nothing and look pretty for the ruling class. You know who that didn’t sit right with? Everyone in France who wasn’t in the ruling class.
>all art is le political
Please explain the political implications of that image of a giant Sandy Cheeks sucking a car up her dick and the hidden Marxist subtexts in that image of Spyro taking a shit into a subway footlong.
Every artist is inextricable from the political climate they exist in. Even if that artist is just making the grossest thing imaginable and sharing it with the world “for the lols” that’s a reflection of the artist’s personal politics (I guess nihilism in this case if I’m right although most cartoon porn is made for a paying audience).
what are the political implications of random mentally ill artists making fetish porn so they can jack off?
nobody makes ratatouille cucumber to make their internet pals laugh
You're trying to conflate your own personal interpretation with artists' intentions because you're a dishonest person.
I remember when I went to school and wrote a shitty story and the teacher found meaning in it that was never there and I never intended, lol
If anything provocative art like that is the most political. To make such an affront to God one would have to know the societal mores they were subverting in doing so. A true naive artist can paint a tiger in a forest without knowing who their president is and still have critics suggest their subconscious reasoning for choosing to depict predator instead of prey or choosing to paint the tropics when they're from colonial era metropolitan France, those same critics would have have a field day if they discovered an artist far gone enough to wonder what Sonic would be like as a toilet.
I'll tackle the spyro one. Its an indictment of commercial hyper consumerism. The log that hunter is squeezing out represents the quality of the fast food industry and what its leaders think of their customers and that symbol contrasts with the presence of the spyro cast to extend to a commentary on the videogame industry. Its literal shit being served by marketable, mascot platformer characters. Its saying that the rush to compete with mario to produce a mascot for sony's consoles denigrated the quality and identity of the work of up and coming developers of fifth generation vidya.
>a person being indifferent to politics is still being a proponent of the status quo
sort of, maybe the person is just blackpilled or lazy or busy
>a piece of art that is indifferent to politics is still a proponent of the status quo, "To say nothing and look pretty for the ruling class"
Not every piece of art needs to say something political. Imagine being such a tribal mongoloid that you can only understand art in terms of either supporting or going against your moronic political group. Someone who decides the paint the Grand Canyon would be guilty of supporting the political status quo according to your bullshit instead of, you know, painting it for the obvious reason that it looks nice.
Reminder that the guy on the left is technically responsible for Fnaf's existence. He was the guy who shat on Scott's old game for being creepy and unintentionally gave him the idea for Fnaf.
He's lost over 250K subs ever since he trooned out and spends every video reeeing over culture war homosexualry and how he's being genocide by a harry potter video game.
Why are you following the life of a troon and giving out updates as if anyone asked for them?
I asked for them
Thanks for the update bud, keep me posted.
Cinemaphile worshipped them years ago
I used to hate Sterling.
Now I just pity him.
Sterling's Greenlight stuff where he played and made fun of terrible asset flips was low key enjoyable. But the b***h was always a socialist drama queen.
Moral lesson from FNAF is that children should trust strangers hiding behind the fascad of children's media. Afton murdering kids in a mascot suit is an analogy for Disney and similar entities putting demoralisation slop in cartoons aimed at kids.
Yeah, I get major pedo vibes from Afton, there’s no way a child murderer that kidnaps children before the fact wasn’t also fricking them on the side, otherwise why not kill them on the spot? The fact that it’s a pizzeria of all places that they disappear in is the cherry on top, wonder is Scott was aware of pizzagate and wanted to alert the masses about it.
I remember seeing a review for Godzilla vs Kong, where the " "critic" " complained that the plot was bare bones and there wasn't any underlying message, just three CGI monsters fighting each other.
>Godzilla represents the allegedly oppressive White man.
>Kong is black.
>Godzilla is actually angry at MechaGodzilla (jews) who gaslights Kong and Godzilla into fighting but everyone just thinks Godzilla is racist against Kong for no reason other than the color of his skin.
>Godzilla and Kong team up to kill MechaGodzilla in the end.
Quite wholesome. Imagine being filtered by Godzilla vs Kong.
>ITT Cinemaphile defends rotten tomatoes critic
The path of contrarianism leads only to cringe.
>pizza robots
so the whole thing is a riff on chuck e cheese?
No, its a riff on showbiz pizza. You have to be over 18 to post here, kid
Film critics job is something literally anyone and everyone can do. It has no value. So they throw as much psued weasel words to the wall to bamboozle fricks even dumber than they are.
The same reason poltards (KGBots) are detached from reality.
Ukraine lost.
Because most, if not all, movie critics are leftists.
>noooo critics don't like what I like!!!!!
Who in the frick gives a shit about what moronic critics have to say about anything? You should be able to have opinions and not have them fly out the window when someone has even a slightly different one.
>implying you’re on this website because you don’t care about other people’s opinions
come on
I wasn't implying jackshit, I come here to talk about movies I like and to laugh at architect memes
They don't want normies thinking too hard about the creepy "ironic" pizza joints media types frequent. Especially in conjunction with the theme of missing children.
is this homie seriously looking for a deeper meaning to a horror flick for teenagers?
They don't watch movies to be entertained, they watch them to confirm their political biases and use them as a backdrop to b***h about life.
Film critics are useless morons that can't simply enjoy a fun movie. They hated Congo ffs
That is not an untrue statement. If I read a review for a movie I was considering seeing, whether or not it carries a message or explores its themes is something I would expect to be informed about.
The themes that gay wants are politics and race commentary.
>wants
You're too internet mindfricked to comprehend the purpose of review.
You're oblivious if you haven't seen the type of shit "critics" push nowadays.
Letting other people decide your taste for you is gay shit anyway.
It's up
I don’t like the movie. But I don’t like it because it did literally the opposite of what he says it did. It had too much of a drama story.
What the critic is trying to say is that the movie is just a soulless cash grab. There isn't anything in this movie for anyone but child fans of FNAF who want to see their characters.
Even in how obvious the Mario movie was just an advertisement for Mario games and a cash grab, it at least had a message about how brothers should stay together.
>What the critic is trying to say is that the movie is just a soulless cash grab
Interesting. So what was the underlying theme or message behind Taylor Swift: The Eras Tour?