I personally like the sequel more. It felt like I was taken back to a time of old action films. The tone was shifted. There was just a lot of ass kicking going down with both dudes no longer even remotely being bad, just kicking ass and taking names. Although I did think it was bullshit how the reason the US invaded Mexico is because a seemingly middle eastern terrorist blows up a store in America. Then it turns out after everything’s already gone down, the dude was actually from New Jersey. How would nobody recognize the guy if he was all over the news like that? but I got over it
I love the fact that one of the guys we just saw 10 minutes ago gun down multiple people with zero reaction or emotion nopes the frick out before whatever is about to happen here.
He could have turned the camera off and still participated in the interrogation. He was clearly uncomfortable about the proceedings. His tone of voice seems to indicate this.
>shootout in first movie >ramps up the tension >scenes stay on the relevant participants >keeps the audience involved in what's happening >when the bullets fly it's clear, sharp, and quick
>shootout in second movie >schizophrenic mess >random shit exploding >no rhyme or reason for the audience to follow >majority of it follows dora the explorer as she hyperventilates in a car
Why was the new director such a fricking hack? What a downgrade.
People acting on their maxim and did the right thing because it was the right thing to do even if she couldn't understand at first. Everything was logical even if it clashes with the logical model we are conditioned to use.
I get that but I feel that the Cartel boss' little speech at the end is too frequently ignored in terms of interpreting this movie. How much of the militarization of the cartels is a direct result of the militarization of the response to cartels?
>giant international crisis.
Who would the aggrieved parties be? The smalltime group those gangbangers were affiliated with? None of the major cartels would shed a tear over those scrubs and the "legitimate" Mexican govt sure as shit wouldn't give a damn about those nobodies.
>no citizens died >wasn't even an illegal operation they conducted because the Mexican "government" knew about it and issued police backup/to keep an eye on them if they went of course
define in your own words the word kino
I cant I am a reddtior that's come on here and just parrots popular buzzwords I see on here.
Why is *sabela Moaner, star of this movie, not on the poster?
Because she was in the sequel which had a different poster, as sequels often do.
Cause you're moronic thinking of another movie
It was good but Emily Blunt’s acting brought it down a notch.
>is so brainwashed by shitty girlboss movies that a woman who acts natural bothers him
I personally like the sequel more. It felt like I was taken back to a time of old action films. The tone was shifted. There was just a lot of ass kicking going down with both dudes no longer even remotely being bad, just kicking ass and taking names. Although I did think it was bullshit how the reason the US invaded Mexico is because a seemingly middle eastern terrorist blows up a store in America. Then it turns out after everything’s already gone down, the dude was actually from New Jersey. How would nobody recognize the guy if he was all over the news like that? but I got over it
>Yo onions CIA.
>Previously, on Sicaro.
I love the fact that one of the guys we just saw 10 minutes ago gun down multiple people with zero reaction or emotion nopes the frick out before whatever is about to happen here.
>bonerman
>leaves during sexual tension
no, if you didn't notice he turns off the camera so alejandro can do his thing and they cant get tied back to it for breaking the law
He could have turned the camera off and still participated in the interrogation. He was clearly uncomfortable about the proceedings. His tone of voice seems to indicate this.
The kino speaks for itself
That was a great scene
name a better shot composition you can't
>.gif
cmon anon
kino
>shootout in first movie
>ramps up the tension
>scenes stay on the relevant participants
>keeps the audience involved in what's happening
>when the bullets fly it's clear, sharp, and quick
>shootout in second movie
>schizophrenic mess
>random shit exploding
>no rhyme or reason for the audience to follow
>majority of it follows dora the explorer as she hyperventilates in a car
Why was the new director such a fricking hack? What a downgrade.
ront be sad that its ober. be happy that it happened
I read this in Scooby Doo's voice.
zoinks!
It wasn't the acting. Good pacing, good cinematography.
I didn't like the lone-superhero shit at the end. The extradition scene was great.
Because the main character is not Emily blunt.
Because it had the balls to depict idealistic women like Emily Blunt as moronic children
The spooks are just as idealistic on the opposite spectrum though.
People acting on their maxim and did the right thing because it was the right thing to do even if she couldn't understand at first. Everything was logical even if it clashes with the logical model we are conditioned to use.
I get that but I feel that the Cartel boss' little speech at the end is too frequently ignored in terms of interpreting this movie. How much of the militarization of the cartels is a direct result of the militarization of the response to cartels?
OPERATOR MOVIE WITH GOOD SHOTS AND SOUNDTRACK
I liked the part where they shot a bunch of beaners at a border checkpoint like it wouldn't cause a giant international crisis.
CIA were the ones who did it. It unironically wouldn't be.
>giant international crisis.
Who would the aggrieved parties be? The smalltime group those gangbangers were affiliated with? None of the major cartels would shed a tear over those scrubs and the "legitimate" Mexican govt sure as shit wouldn't give a damn about those nobodies.
>no citizens died
>wasn't even an illegal operation they conducted because the Mexican "government" knew about it and issued police backup/to keep an eye on them if they went of course
>Villneuve movies pre-Sicario
>:^)
>Villneuve movies post-Sicario
>D^:)
polytechnic and indecies are cinema
meh, the movie peaks with the highway scene and it's a gradual decline from there