Can someone explain it to me, because I'm genuinely baffled that a movie could cost so little and look as good as a $200+ million American production. Where is the money going?
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Japs are just that efficient.
Hollywood is a huge money laundering scheme. Probably andrenochrome money if I'd have to guess.
overpriced filming equipment, and the talent is costly with unions having a stranglehold over who does what for the film and for how long and how much they do it. Nows a good time for international film studios to start making good shit, this year has sucked
>unions
That's a strange way to spell israeli racketeering...
This, the avarage Hollywood blockbuster probably don't cost more than 100 million, they invent a higher budget for taxes purposes, or money laundering and whatever shady stuff that happens there
>they invent a higher budget for taxes purposes
And the IRS lets them get away with it?
It's called
>Hollywood accounting (also known as Hollywood bookkeeping) is the opaque or creative set of accounting methods used by the film, video, television and music industry to budget and record profits for creative projects. Expenditures can be inflated to reduce or eliminate the reported profit of the project, thereby reducing the amount which the corporation must pay in taxes and royalties or other profit-sharing agreements, as these are based on net profit.
According to Hollywood Accounting no movie has ever made it's money back.
why can't the elites be into something hot like /ss/? why is it always murder, satanism, and gayness?
You know why.
Because they are israelites
>The enemy of all mankind
>Synagogue of Satan
>Children of the devil
He warned us
don't the actors pocket a majority of the budget?
Hollywood budgets are money laundering schemes.
Oh look, I don't even have to type in the captcha.
/Thread
Imagine how fricking god damn embarrassing it would be to be a redditor thinking MCU budgets match their actual output.
Slave wages to animators. Really not that hard
Yeah but it's not like American VFX companies are particularly different. Every single one of those marvel movies outsourced to animation sweatshops in India. And they still cost 500 mil a piece
https://www.news18.com/news/movies/meet-indian-vfx-artistes-who-have-worked-on-mcus-avengers-thor-the-dark-world-and-others-2239581.html
It's hilarious to me that they even outsource VFX work. At some point America will collapse, not just because of racial disharmony or inept politicians or war or migrant floods, but because israelites in their endless efforts to save a penny outsource literally everything to the point that there's no jobs left and people finally come to their senses.
>India
That explains the uncanny valley, i bet THE FLUSH also rely on pajeets
Slaves don't get paid a wage.
Yes they do.
you had to feed, clothe, lodge, clean etc the slaves. In a way, employment is cheaper than some (emphasis on this) forms of slavery (ie not USA chattel slavery)
>Where is the money going?
Unions. You cannot just hire one guy to do a job, you are also mandated 15 other cholos with him.
Basically the shit the writers shilled for already works with other crews.
First of all, it doesn't look as good as big Hollywood films. Yeah, it looks shockingly good, but you can still tell it's low budget.
It's set in Japan while the American Godzilla movies globetrot around the world. King of Monsters alone was set in Antarctica, Arizona, Bermuda, Boston, California, China, Colorado, Germany, Massachussets, Mexico, Washington etc. The whole cast in American Godzilla films is like 2-3x the cast of Minus One. Screenwriters in USA make a lot of money due to WGA while in Japan the industry is owned by the Yakuza and the writers are paid pennies.
Hollywood films also spend a lot of money on famous actors because that's what audiences care about. Godzilla Minus One made 30 million less than that shitty Jennifer Lawrence sex comedy because one of the movies had Jennifer Lawrence in it. That's why Rebecca Hall got 3 million for her role in one of the MonsterVerse films.
This too. I'm not saying there isn't a lot of bloat in Hollywood movies. There IS fat to trim but if you think Hollywood could sustain itself by making 15 million dollar "blockbusters", you're drunk.
monke
>but if you think Hollywood could sustain itself by making 15 million dollar "blockbusters", you're drunk
Honestly, I look at a film like The Marvels and then Minus One and it's shocking comparing the two. Legit: The Marvels at most times looks almost TV tier aesthetics wise. Minus One looks better in every way. Legendary Goji still looks the best in his 2014 incarnation in my opinion. That CG still looks fricking magnificent. The Marvels had close to a 200Mil budget and looks CW tier. I don't care what the budget it is as long as it doesn't look lazy and shot completely in a warehouse on a greenscreen.
>I'm not saying there isn't a lot of bloat in Hollywood movies
Yeah, here's someone who works in the biz... from 2013:
>Comparing the budgets of an $85 million movie and a $10 million movie is an eye-opening look at needless studio waste
>To give you a better idea of what I’m talking about, I acquired the budgets of two films of a similar genre that, although tonally different, look to the average moviegoer as if they were made on the same scale. Each had two star lead actors and a cast of secondary players who were well known. Both contained significant action sequences, and they were filmed in the same state under the same incentive program. But the studio film cost about $85 million and the independent film came in at $10 million.
>director gets $5M vs $450k
>lead actors get $22.5M vs $325k
>supporting actors get $1.25M vs $5k/week
>lead producer gets $1.7M vs $750k
>writers and script doctors get $6.25M vs $300k
>cinematographer gets $25k/week vs $6k/week
>below-the-line workers also got $10-20/hour more on studio films
>studio film has "perk packages" for stars like trailers, private jets, exclusive hair & makeup artists instead of sharing, private assistants, personal drivers, personal chefs, personal trainers, personal security, private gyms, yoga mats...
>studio film shot for 65 days, indie film shot for 47 days
https://www.vulture.com/2013/10/polone-why-studios-should-act-like-indies.html
>You only have to pay a director or actor a gigantic salary to get him or her to do a mediocre remake of a TV show or a sequel — not a great original script. It just takes one studio to replace their current culture with more of an indie paradigm: Lose a few projects that are made the old way; keep the rest, but only spend the minimum necessary without sacrificing quality; push people to do things faster and without the decadent add-ons that do nothing to make the film better. Once one studio has done this, the resulting increase in profitability would cause the others to follow and we’d have a healthier business.
Based.
boom this is 100% accurate and actually some hard numbers. this is the problem with all american corporate business, not just hollywood. bloated budgets are there to pad the pockets of the nepotism in crowd, that's it and nothing more. the more money you give americans for a project, the less the end product will be. what we should be doing is giving film studios small budgets and short deadlines, if a director fails to deliver a viable film then the project should be scrapped and written off.
>First of all, it doesn't look as good as big Hollywood films.
Right it looked better. Modern Hollywood blockbusters look like video game cutscenes. Godzilla vs Kong looked fake as hell. Even though some of the destruction scenes looked off in Minus One, Godzilla himself looked far more believable and tangible than his Hollywood counterpart.
People are in denial but yes, even the nips at Toho admit the Legendary movies look better. There is a reason all those israelitetubers refuse to name drop it when talking about this movie.
>First of all, it doesn't look as good as big Hollywood films
Did I miss something? Where the frick is this from?
There are a lot of movies and there will be even more. Forever.
Oh blessed are the ignorant.
truly how can anyone ever hope to surpass season 4 ssj4 (with infinity gauntlet) kong, godzilla is going to job fr ong
Oh lawdy he coming
>King of Monsters alone was set in Antarctica, Arizona, Bermuda, Boston, California, China, Colorado, Germany, Massachussets, Mexico, Washington etc.
KOTM was shot in Atlanta with a few scenes filmed in Mexico and Boston. The "globe trotting" was all done through sound stages and CGI. It's nearly as visually-cartoonish as the Star Wars prequels and it doesn't feel epic at all.
That being said, GMO's CGI doesn't look that good simply judging from the trailers. They didn't even do mo-cap for Godzilla.
>famous actors because that's what audiences care about
Is there any proof to this?
This film also has a famous actor, it's Godzilla
dude the legendary american godzilla series is fricking atrocious. "globetrotting" does not a good film make. a strong, simple story with emotional gravitas is all you need.
america makes this same mistake every time they try to do anything, they think that you have to throw the whole kitchen sink into a product for it to be viable. like their tv shows having every single ethnicity represented in every episode with equal amounts of screen time. or like your stupid globetrotting example where they just HAVE to go to every single country on earth for some reason. just slow down and tell a god damned story
The director's VFX company did all the CG and he pays them salary, they do CG effects for commercials and other films to make money, so the CG budget didn't come out of Toho's pocket.
Easy, by underpaying everyone. Even one of its actors basically say "Yeah nipig companys exploit basically!" and was wondering why westerners were praising this.
>no I need my $40 million for my artistic performance playing myself everytime
>“I wish it were that much”: Godzilla Minus One’s Director Confirms Budget for His Successful Film is Shockingly Lower than $15 Million
yeah, i've been trying to hit them over the head with this fact too, doesn't seem to deter them
Money may be devalued these days but look at the budgets of legends like Star Wars, Alien, Terminator, etc. They didn't cost more than a few million, either.
>let's just ignore inflation LOL
The budget for Star Wars was $60M in today's dollars. Alien was $52M. Terminator was $20M.
None of these even approach the cost of Marvelshlock, though. $20m is kind of tiny for today. Even the Monsterverse movies cost ~$200 million each
And I did say money is worth alot less
There is a lot of bloat but it's also a sort of a "safety in numbers" thing.
Marketing a wide-release in the US is $30 million at the absolute minimum. Soderbergh tried to upend this with some of his films because he thought it was excessive but in the end he had to admit that it's true. Then add another $30 million minimum for foreign markets. That's $60 million for marketing. You need 2.5x because theaters take a cut, taxes and whatever other costs. So just to cover the marketing costs you need to make $150 million.
So if you make a film for $20 million, you need to make $200 million to break even. And if you make a film for $100 million, you need to make $400 million to break even. How many $20 million films make $200 million? Not many. How many $100 million films make $400 million? Many.
>moron math
>arguments: 404
>That's $60 million for marketing
A trailer on Youtube costs that much?
inflation is more extreme than gov calculators provide. Double those numbers and you might be closer.
Lel
Is this meant to disagree with it? I won't be autistic about it but there's absolutely no reason for the US government to be honest about the rate of inflation, is all.
The Creator is another example. It cost "only" 80mil, and it looked better than most 200-300mil Hollywood big movies.
> Where is the money going?
Not to the israelites
>The VFX artist who created this scene is 25 years old.
>400 pajeets chained to computers in Hyderabad
vs
>one Japanese samurai
No stupidly overpaid:
Actors
Directors
Producers
Studio execs
Marketing
It’s not hard when you remove ~~*them*~~))
If it’s so simple why don’t you do it. Has to be better than being social parasites increasing inflation by doing nothing
Good goy.
Yeah right, remove directors and actors and producers and you no longer have a movie at all, you moron.
For the same reason their cars are some of the cheapest to produce yet some of the most reliable that take the most miles.
I owned 2 Hondas. One for 10 years and the other for 8 years. Literally the only thing I had to bring them to the shop was the air conditioning having issues once. Both had close to 200k miles on it.
15 mil are ALOT of money.
If you dont have to overpay an army "actors", directors, screenwriters, bootleg vfx artists, and you dont have to launder a gorillion of money for israeli mafia.
Shin Godzilla was made with 750 thousand yen and made more money than this, especially in nipig land. Funny how Miyazaki's film was forgotten within a week.
shin objectively looks worse and is a worse movie for wider audience
Excuse me?
It’s 10 guys making 150k for one year. Not that much money. Surprisingly easy to blow through.
Umm no its 100 guys.
Don't forget the unions :^)
Not made by israelites
The director is an effects artist, even directly doing some of the work himself with the effects studio he runs.
Before this he had just made a movie about ww2 pilot so they had a lot ready to go.
There was really one one city attack scene, and the two other big scenes were done on open water. Still very well done though
A lot of American producitions go overbudget due to VFX changes. If they are well planned out they can be done efficiently while looking good. With American studio meddling you get a new director coming in with only a few weeks to clean other people's mess who decides things need to be changed up to make sense then the VFX studios get told they have to make changes with little time and the only way to get the changes done in time without looking like complete dogshit is to pay a lot. Sometimes they still look like shit.
as per the director own admission, $15M is the reported budget by Toho for tax purposes. He hinted he had a lot less to work with
Over paid greedy union bums wanting more and more every year because they can never get enough and live in a shit hole that taxes everything to gigh heaven because these same moronic butthole vote for people that make their lives miserable.
Too stupid to be true
This is not just a problem for producers and production companies.
Many American audiences tend to look down on VFX and appreciate the "NO-CGI" marketing slogan.
Everyone is bullying VFX studios.
lot of the budget goes to the actors
One reason is Hollywood has
>Intimacy coordinators
>Ethics committee
>Cheif in charge of diversity and inclusion
Etc, which are all obviously made up jobs. Japs made Minus One with one laser focus: Make it good. In my opinion they made it great. It's my favorite Goji film in decades.
its literally just 1954 godzilla film redux.
And it's amazing for it.
And that's a GOOD thing
And its just as boring as it too.
And better than anything hollywood has made so far this decade
BOGGED
While the movie looks good, it also for the most part looked really bad. Like with the exception of a few shots, the movie looks like it cost $15mil. I feel like I'm taking crazy pills with how much glazing this movie is getting
Anti-woke cucks were praising Sounds of Freedom not too long ago, so they needed another movie to bandwagon.
>Movie that exposes child traffic and explotation
>Pisses off the same people who defended FORBIDDEN NETFLIX MOVIE MADE BY BLACK FRENCH LADY.
>OH MY GAUSH LE ANTI WUUUOOK CHOODS
The world is stupid.
This is what happens when israelites aren't involved in production.
The film itself isn't as successful as it is just because of the VFX.
Even if the quality of CG deteriorates a little, the audience will tolerate it as long as the story is good.
The acting in it was almost perfect from beginning to end. The only issue I had with it is the guy has PSTD from what he went though, so he'd zone out and have panic attacks time to time and those were the only time I felt anyone in the film over-acted. It felt like a Japanese TV show then. This is me looking for things to complain about though. I saw it in theaters twice. I loved it. That moment when the black rain falls is amazing. One of my top moments in a godzilla film ever.
That's kind of what PTSD looks like though. It's not a subtle thing when you have a break.
Not like him. It came across like Gedde Watanabe in Gung Ho. Where he's begging the elders to forgive him.
>ywn hop on a rickety little boat with your bros and coast around the sea blowing up old mines
Peak comfy.
>Within a few years, people building houses out of rubble in the literal ashes of a defeated war-torn country have achieved a comfier standard of living than you will ever know
I don't know, that house was tiny as frick, and I never once saw a bathroom.
Because the cgi looks like shit. It ain’t up the marvel standard and it shows.
Yeah, ok.
It does but its not because of comparisons to modern marvel, nips have always been shit with cgi.
I really just can't agree, I thought it looked great. I don't really feel there were any shots that I thought stood out as being bad either. I was so into the film, maybe I just wasn't being terribly critical, but it really all looked great to me.
There was one scene where Goji is juxtaposed with the shore and the city and he looks off. Again, just searching for things here. Other than that it almost looked like a man in a suit at times. Pretty incredible in my opinion.
>marvel standard
Thats like saying the bethesda standard
HAHAHAAH did you actually say "the marvel standard"? my fricking siiiiiiiiiiiiiiides
>How the FRICK did this movie cost 15 million?
The director said he wished he had that much to make the film, so it didn't even cost that much.
One cour of a Japanese anime is usually 1-2 million iirc. Hollywood is just fricked.
Shadow in the Cloud somehow costed 10 and made less than 1 kek
Due to diversity quotas and demoralization american companies are now filled with incompetent and demotivated people. Thus everything costs 10 times more compared to other countries.
This is why the US NEED to cheat at global economy to protect their rank: with protectionism, forcing other countries to apply their embargoes, wars, blowing up pipelines, spying on allies before negotiations...
Yeah ruskies should stop doing half of those things, its embarrassing really.
Yamazaki is a Spielberg fanboy, so he won't pander to your anti-Semitism.
the movie is literally nip guilt the movie anyways, no idea why anyone would try to put nationalism in this when its shitting on that.
>Hollywood Blockbuster
>The ocean scenes are shot in a studio to prevent the actors from getting wet, and everything around them is CGI.
>Godzilla MO
>Everyone actually got on the boat, shot the film while vomiting from seasickness, and added Godzilla later
I love it when films do on location shooting for the ocean. One of the reasons Waterworld looks so dope, among others.
But isn't Waterworld infamous for the budget bloat? (Though production problems were a major factor)
>The ocean scenes are shot in a studio to prevent the actors from getting wet
Yes because getting wet and drying off for another take costs time and time=money.
Doing everything in a studio with CGI saves so much time. With these revolutionary cost savings the Hollywood films only cost $200-300 million.
>'ate slant eyed nips
>'ate lardass burgers
>'ate ships
>'ate cities
>'ate burgers nuking me
>luv me island
>luv me sea
>luv me turf
simple as
AI can now do a lot of the work for free.
>not understanding that israelitellywood is full of untalented hacks
The Japanese show what is meant to be possible with the budgets they have, whereas the hacks in israelitellywood take as much as they can, beg for even more and don't have the skills they claim to have
Practical effects are cheap. Wires, screws, bolts, spacers, locknuts, and a dude hissen inside is way cheaper than CGI
Using AI for CGI is now a lot cheaper than any kind of fx.
It always looks uncanny but practical is better
So, which one is correct?
CGI created by a team of people working for months is more expensive than practical effects. CGI created by AI within seconds is cheaper than practical effects.
That's because quality isn't hard to achieve if you push people a bit.
You know how you have a group project in highschool and all of you have a week to complete the project? Yeah, most of the time no one does anything except one or two people. However give that project only a day and the group will often complete it as quickly as possible. I think this is a good comparison to movie budgets (and other entertainment media like video games).
Projects with less money have to get creative, while projects with way too much money often try ridiculously expensive methods to get the same fricking quality and most of the time it doesn't even work out. High budget productions (nowadays) rarely ever show that they used their money for the sake of quality.
How much was she paid?
A few million, yen.
They spent all their money on a few CGI shots that look good for the trailer.
Any CGI with actual people in the scene looked pretty crap
The overhead shot of the troop ship at the beginning was awful
What was so bad about it? I saw the movie three times and that shot didn't stand out to me as bad.
The only really "bad" shots were when Shikishima is circling Godzilla on land towards the end, the foot in the dream sequence, and some of Godzilla's weird walk animations.
Why is the schizo posting about israelite shit in a Godzilla thread?
Brain dead incels
Why do you gays keep saying this when they've already said it didn't?
>noooo I can’t get a job I have to sue welfare to take fentanyl and buy fried chicken sandwiches
I actually think it's important to reduce reshoots and VFX changes, but that doesn't seem like the desired answer.
Yeah yet they seem more than happy to give you unlimited welfare. And you seem more than happy to take it and drive up inflation
Most Hollywood movies lie about how much they cost to avoid paying taxes
> What inbreeding does to a motherfricker.
This is pretty normal budget for non Hollywood production. Mugen Train made 500 million on 15 million budget.
Their propaganda is very out dated. It's all 2015 internet memes.
They can't handle the zoomer menace making tiktoks on Israeli warcrimes.
Rodent extermination isn’t war crimes. NTA btw
Why do you think the US establishment wants to ban TikTok so badly?
Wtf I love zooms troonys now #BLM
The Israeli fears the zoomer
>troonys will save us in 20 years inshallah
Grim
>Israel to be ended and given to Hamas
Holy fricking based
They would have to stop being blown up so easily first
God. I want Godzilla to blow this thread up with his radioactive heat ray.
Why are you asking "why is this 15 million" and not "why are they 250 million"?
>and look as good as a $200+ million American production
Take The Marvels as an illustrative examples; that had a casting budget of $14mil. Samuel L Jackson alone got $7mil, Brie got around $5mil. They spent another $30mil on salaries for the rest of the crew, in part because of the choice to film it across several countries (USA, UK, Italy) so needed to keep hiring different teams. ILM set rates of several thousand dollars per minute of footage for their effects work
The better question is why do Hollywood movies have such insanely bloated budgets? For blockbusters specifically you can’t even say better cgi since the standards for acceptable cgi has been consistently dropping for nearly a decade now.
I don’t mind low budget cgi if it at least has competent and inspired direction(Minus One and Shin Kamen Rider are recent examples I can think of). Meanwhile western capeshit has gotten so insanely homogenized and uninspired on top of looking like shit.
CGI is not where the budget is going to.
Unless they mean cocaine gathering initiative
it was less than $15 million, the director said he 'wished he had $15 million'
why did they give him the :3 face?
He cute
>:3
godzilla has always been a big ol' kitty kat
no USA
there is your answer
Why do NPCs think everything is money laundering?
Because most Jap entertainment treats its workers like slaves.
How do you think you can have those shonen anime that ramp up to movie-tier animation scenes on a shoestring budget. These people work 12 to 16 hours a day for 5 to 10k USD a year.
How do you think Hollywood movies make their CGI?
Paieets?
American labor is just simply much more expensive, plus permits, insurances, stunt doubles, etc...
>the Shlomo seething in here
Starting to sweat at how much your control is faltering, huh?
Went to see this last night; I'm not really into kaiju stuff but I was pleasantly surprised, quite probably my movie of the year.
Japanese animators are overworked and underpayed.
The CGI is basically HBO-tier. Godzilla does stick out if you really look- thought this from the first scene on Odo island. Part of the Ginza attack looks solid but the scene of him tearing up the stadium showed their limitations.
That said I don't care, the Godzilla design was cool and it worked well enough not to stick out. The CGI not being the highest quality doesn't impede scenes like the minesweeper boat chase of the final scene of the boats tying him up. Those are all driven by the human actors.
The reason better Hollywood CGI looks worse is because it's treated without any gravity within the movies themselves. They toss in hoards of badguys the good guys just rip through without any sweat or stress. In the stadium scene I mentioned, the lower par CGI doesn't impede the scene because the focus is on the camera crew's dilema. It's the same principle why the suit movies can hold up despite clearly not being real creatures; the movie treats them as such.
>The CGI not being the highest quality doesn't impede scenes like the minesweeper boat chase
I'm not one of those "this is the best Godzilla movie of all time" drones but I will say that scene is one of the best things to grace the series, ever. And the effects were great in that scene, especially the water effects when he swims away, and the closeups of the mine in his mouth which I'm still convinced has to be a model.
I thought the same thing about the mine in his mouth, it looked like a still Godzilla model with a ball rolling around the water/jaw. Saw it 3 times in theaters and spent the 2nd and 3rd times trying to see if there were any shots using rubber suits/minatures/models, that was the only one I could catch.
The tricky thing is, if it were a miniature head, the water would be out of scale and would have to be CG, or else they literally made a full-scale Godzilla mouth and dragged it through the water, which I doubt. Either that or it's just had really effective lighting/shading and since it didn't move, it looked convincing.
>The reason better Hollywood CGI looks worse is because it's treated without any gravity within the movies themselves. They toss in hoards of badguys the good guys just rip through without any sweat or stress.
THIS, oh so much this
Also, the ''camera'' flies all over the place and it fricks up the perspective and space - you don't know what's near, how tall it is etc. if you understand what I mean
everyone knows Hollywood just uses movies as a tax avoidance scheme.
Have to pay 100 million in taxes? Well my movie costs 100 million dollars, voila no taxes.
is it streaming anywhere? dont think it will release in my country
Wait some 4-5 months.
Don’t pay the vfx team that work 24/7 and treat them like shit that’s how
>people saying the CGI wasnt great
It literally looks better than those $300 million dollar Marvel slop movies.
my wife is so beautiful
99% of israelitellywood budget goes to laundering it all for child orgies and drugs and greasing palms.
These Japanese film makers set out to make a cool Godzilla movie and did. Hollywood film makers who make a superhero movie for instance set out to destroy the superhero and piss everyone off and launder blood money and they do.
So, there you go, that’s what happens. Not really a mystery.
they pay everyone like shit.
American movies are just money laundering schemes
hollywood is just a huge nepotism machine. that's why disney tried to hide their huge budgets. everything they can raise money for they milk with pointless jobs and redundancy. those redundant jobs allow them to ask for bigger and bigger budgets for salaries. i'd wager that with modern hollywood, for every million dollars spent you probably see a thousand dollars on the screen
blender and unreal engine
it doesn't look as good. the effects are very cheap looking. but to answer your question: many big budget movies are being reshot and re edited until right before release so the vfx guys don't have time to make the shit look good.
The movie looks so old and dated, actually looks like the old Godzilla movies from back in the day.
Japs are notorious for paying their artists nearly nothing.
They shouldn't be proud about this.
To add
WETA is known to get paid really poorly as well.
I work for the video game industry as a concept artist and get $55 an hour. I imagine people working on big budget films get a lot more. It's not easy doing this shit and takes decades of experience and training.
how dare you say some shit like this? hollywood is skimming 90% of their budgets for their producers and studio execs. do you really think that hollywood is giving their biggest salaries to the visual FX artists?
15 mill is still fricking ridiculous. I could make this godzilla in blender(completely free program) utilizing thousands of hours of free tutorials and resources. only thing holding me back is a high end computer capable of rendering it out, and one of those is no where close to 15 mill.
I would charge a flat rate of 50,000 along with a tiny percentage of box office along with 1/2 cent every frame my work is shown on streaming
I doubt you could do any of it. I went to a great animation school and it takes the last 2 years of a 4 year degree for an animator to complete their thesis and they are like 5 minutes long. And these schools cost like $40k a year.
You can be self taught but you're not going to be anywhere close to pro in the same time frame.
Show us your previous work.
practical effects, actors, purchasing rights to use blah blah, also apparently they got help from square enix. I still don't get what they did to help lol