>"Loser-core is a comicbook subgenre where it includes at least a millennial character or a bunch of characters who struggle with life, dead end jobs, drug abuse or housing problems. Stories often take place in big cities and have light comedy, drama or fantasy elements. But most of these stores often provide a social commentary as well. Loser-core is especially popular with young adults as it allows them to relate themselves with the characters and their plights which sometimes hits too close to home."
You're an abomination, you know.
lmao what the frick
I'll carve your head from your shoulders, c**t.
You cheat all the time, how do you throw a shitfit at one of the few exploited people who can see you?
I'm not kidding, you are an abomination. It's a step down from your ancestors. They're not handicapped like you are.
Humans are capable of art ALL THE TIME. Just by themselves in a room somewhere! That's it!
YOU CAN'T DO THAT ANYMORE
WHAT ARE YOU?!!
If you fricking bugs had more imagination, it would be obvious how inhumanly, pathetically rote this is.
Wow did you just turn 14 anon? Grow up, you're not special because you're depressed. Make a boat, learn to shoot a bow and arrow. Plan a surgical strike.
Perfectly needed
I mean you honestly can't push people to accept aliens and while suggesting they're not mentally stable. What a stupid time to be invested in a culture. It really makes me want to exterminate bugs. Thousands of stupid, fricking bugs.
Japan did it better
Man, I only read a bit of My Lesbian Experience and thought the author wasn't *that* much of a wreck, wtf happened?
Author was *that* much of a wreck since the beginning. The issue is that these people clearly have serious mental problems and it's not something that can be solved by drawing it.
You're not an authority. You're not anything.
meredith gran is really good at this stuff. there's something really charming with her characters, it's a perfect mix of dramedy.
take meds.
>meredith gran is really good at this stuff.
Yeah, plus she's pretty low key compared to her artistic peers (hell, even her brother). She's also apparently going to be announcing a new game soon, now that she's finished the first one and her kid is a little older.
She holds her pen like a cave man
>The issue is that these people clearly have serious mental problems and it's not something that can be solved by drawing it.
I don't know, she's been sober for about a year.
Didn't people in the west interpret it differently than people in Japan? I don't personally know, I just read something on Cinemaphile about it.
In "my wandering warrior experience", she reveals she got molested as a kid and japan being japan, didn;t get her any help and she just got lectured by the police
>she reveals she got molested as a kid and japan being japan, didn;t get her any help
Why does this keep happening in East Asia to East Asian artists?
Because mental health and mental illnesses are stigmatized as frick in almost every country, no matter how developed and far ahead they seem. Asian countries like Japan are very hierarchical and homogenous, they dislike anyone who stands out and is different / non conforming to societal norms. Not only mental illnesses and mental care, Asian countries will shit hardcore on people with disability. The things you see in Koe no Katachi and Asper Kanoo are not isolated cases in Japan.
>Asper Kanoo
*Asper Kanojo
https://mangadex.siteunblocked.info/manga/38175/asuperu-kanojo/comments
Japan in particular has a huge problem with sweeping "shameful" things under the rug rather than ever actually addressing the issue directly.
They certainly did.
Except Japanese don't know how to keep a balance between comedy and drama. It's either pure depression or raunchy comedic antics.
Good.
Not everything has to be like the MCU and their half-baked attempts at building tension and drama only to get defused by quips anyway.
The fact that the first thing that comes to mind for you is MCU is your own fault. Better Call Saul is both funny and dramatic and it does both well
Because Better Call Saul is not like Marvel, you damn moron.
You're the one who fricking brought Marvel into this, moron, no one was talking about Marvel except you.
>that the first thing that comes to mind is MCU
If it's the first thing that comes to mind for YOU, because YOU brought up the MCU, you unbelievable Black person. You saw "balance of comedy and drama" and immediately thought of the MCU as if you don't watch anything else. No one else mentioned the MCU before you, no one else even mentioned Marvel.
>"balance of comedy and drama"
What the frick flying circus of a world are you from where Marvel, of all things, can be said to have "balance of comedy and drama"? You're on a whole new level of shill, even for Cinemaphile.
>What the frick flying circus of a world are you from where Marvel, of all things, can be said to have "balance of comedy and drama"
I didn't say it does, I said Better Call Saul does, you illiterate fricking ape. Again, YOU brought up the MCU, I have not given a single fricking opinion of my own on it. You are actually just moronic and misreading my posts.
You're still the only one who brought it up... you fricking idiot, man.
First comment that mentioned it.
See that (You)?
that anon's got a point though, the MCU makes billions every year and draws in audiences like literally no other entry in the same medium does anymore. like it or not, the MCU has become the nucleus of modern storytelling in the west both artistically and industrially.
Clearly you have not watched Welcome To The NHK
You just described most Cinemaphile American media
Isn’t that an autobiography?
It would be a huge relief population-wise.
>open up thread expecting a few short comics or maybe a storytime
>find schizophrenic ramblings instead
???
Cinemaphile™
It's far more important that I further discredit you rather than we pour over another insipid, autobiographical comic. I hear Octopus Pie is good, but many imitators are not.
And I hate you. Your very existence is a curse. You've stepped outside the bounds of humanity, it's not a matter of character anymore. You are a traitor to mankind.
You should talk your teenage angst over with your therapist, son, or maybe your local youth pastor/middle school guidance counselor?
I'd actually storytime some of the arcs of Octopus Pie if I had the time. I posted the entirety of the epilogue comic over a year ago since it was only about 30 or so pages. I like the comic but even the author admits that there's not really an active fandom nor does she really want to cultivate one.
Also, anyone ended up playing Perfect Tides since it kinda falls under this genre and OP's comic artist was the one to create it.
I like Love and Rockets, but this looks girly as hell.
That one was okay, but I got tired of it after three volumes.
>girly as hell
It's drawn and written by a woman. That's why the narrative is a lot more introspective and emotion based compared to works written by men.
>a lot more introspective and emotion based compared to works written by men
Not really.
why do you think that?
You're a coward and your opinion is worthless.
terrible terrible terrible was an excellent example of that.
What exactly happened to Lauren Monger? Both Twitter and Tumblr are dead.
Is there anything archived?
Packed her bags and stopped posting one day after years of extremely high quality angst and watercolor furry art. /haha/ on trash started as a direct result of it being popular on Cinemaphile ages ago.
https://terribleterribleterrible.tumblr.com/
No, because I'll kill you.
How would Frankie fit in that trope? She's in her mid 20's, stuck at being a care taker in her family establishment where she's suffering from mobbing and has a terrible love life.
I think she does fit into the trope, but there's less focus on her perspective and story since it's really the story of Mac and Bloo. She works a taxing, somewhat unfulfilling job, and is navigating that while trying to get a man and shit like that. However, we only get glimpses of that since her issues aren't the focus of the show and it only matters how Mac perceives her.
They're all variations of the Scott Pilgrim formula.
It's a shame all those cool concepts wasted on a comic like Scott Pilgrim.
How the frick Octopus Pie is a variaton of Scott Pilgrim formula? One is a pure SoL while the other is a fighting/fantasy comic. Only thing they share in common is that they both include losers as protagonists.
Doesn't Octopus Pie also have "light" sci-fi elements in the background, though? Near all these SoL comics targeted at a millennial demographic have a casual fantasy element added to it. I believe the term for it is "magic realism".
I think Scott Pilgrim is way too invested in fantasy to be labelled as casual or magic realism.
Maybe, but on the other hand no one comments on nor find anything strange about all the more fantastic events around them - people exploding into coins, the vegan guy's telekinesis, Nega Scott, etc.
You could make the case that these are all more of Scott's own delusions, but either way the Magic of the otherwise mundane setting is silently accepted as part of the world. Which is Magic Realism, which is the opposite of science fiction.
>Doesn't Octopus Pie also have "light" sci-fi elements in the background, though? Near all these SoL comics targeted at a millennial demographic
This has been the case since the beginning man. I mean Peanuts is basically SoL but has an anthropomorphized dog in it. Love and Rockets wasn't just a name, originally the story had sci-fi elements that got phased out overtime. "SoL but there's a secret agent/robot/talking ___in the cast" is just a SoL comic staple.
Can you name a protagonist in a Western alternative comic who isn't a loser to you?
define "western alternative comic".
Scott Pilgrim
Megg Mogg and Owl
Love and Rockets
the fricking OP, you dumb butthole
Octopus Pie delved into some fantastical or absurd sitcomy elements like Scott Pilgrim but I think the big difference is that Scott Pilgrim "gamified" aspects of Scott's growing maturity and life while a comic like Octopus Pie was very much a sitcom up until the final half of the comic where it was very character driven.
Not really, they have more in common with comics like Tina's Groove. They all share that low-key depressing self loathing humor.
What's with the obsession of naming sub-genres "X-core"? What a fricking boring naming scheme.
Be my guest then. What would you like to call these type of comics?
Just "loser comics" already conveys all the info if understood as a genre honestly.
I doubt that. Smiply labelling it as "loser comics" would be way too diverse. Loser-core is particularly about millennial young adults who are struggling in their small everyday world. It conveys a particular genre of comics where this is narrated in a semi humoric and a dramatic fashion. I mean it's not like they're actual losers but more like sympathetic underachievers who deserve for more.
I'd suggest millennial SoL for this particular genre. I think that would be a better labelling.
I agree that Slice of Life is a better genre nomer.
Ghost World was good for this, Scott Pilgrim was a bit too fantastical to be part of the genre.
Octopus Pie is great though.
I think the best term would be 'Misfit'.
The character usually is not depicted as inferior or a deadbeat, but either due to a permanent string of bad luck or unusual aspirations/inability to blend into mainstream society has become a loser.
Btw, this trope is as old as time, the Noir detective is a typical example, as is BCS, as others have mentioned.
Not that anon but I'd say that "Struggling", "Loser's Life", "Going Nowhere", "Losery" etc all kind of capture the feeling. I kind of agree with him too, it's a really boring modern trend to just tack "-core" onto the end of words instead of coming up with names for genres. It's not like they called Rock "Berry-core" or Metal "Loud-core" or Fantasy "Fantastic-core" or something dumb like that.
For some reason reading this post made me think about people in the 80s calling rap talk-core and now I'm laughing like an butthole.
Because labelling it as x-core is simpler than calling them as "I'm stuck at this paycheck dead end job with this stupid student loan and I hate my life except in small moments where I can temporarily escape from my horrible existence"-core.
>Still attaching -core to the end
Lad...
Mate...
Pal...
Art types need to have subgenres of subgenres, and I say this as someone who cares even just a little bit about these subgenres.
I can never read this or the others with female leads, it makes my inner incel sperg out. When I think of "loser", I think of Ronnie from Whomp! (and occasionally real life)
Women can never actually be losers in real life.
I bet *some* are, but they have some kind of drawback like being gay or autistic or deformed or whatever. Those I'd actually like to read
Meg exists, anon.
Wrong.
Indeed anon, so you know what to do... go online, do those tests, order those meds, get that surgery! You can do it anon, you can stop being a loser!!
>loser-core
Just call it Megg, Mogg & Owl-likes
Megg, Mogg & Owl is kinda too heavy for this particular genre. It's like bringing NHK into a Jahy-sama thread.
MMOlikes!
What about some kind of Megg Mogg and Owl Reality Presentation Graphic?
Who does that comic appeal to anyway?
Im actually a lot like the characters, formerly a druggie and a loser by society's standards, but i can't read this shit without thinking of the WORST friends i had during that time of my life and of course how much of a piece of shit i could be. What's the draw? It's like trainspotting minus all of the charm of renton and sick boy.
As a fan of both MMO and Trainspotting, it's because, hoping against hope, I want to see if the characters will better themselves. Sure. some of them are lost causes, like WWJ and Mogg, but I think Megg, Owl, and some of the other supporting characters might have a shot at a better future
How is Octopus Pie losercore? The characters might have been druggies, but that doesn't make them losers. Plenty of normalgays do drugs without being losers.
>The characters might have been druggies, but that doesn't make them losers
I'm sorry anon, but you're loser if you're a druggie and over 18.
Most chads and stacies are doing plenty of drugs at parties. Usually only beta incels, like ourselves, abstain from drugs.
what those chads and stacies do is wall street drugs like cocaine. casuals and losers you read in octopus pie use small drugs like weed.
I feel like Marigold would do coke since she was into the whole party scene in her teens and 20s. Also, in Gran's new game, one of the good endings involves taking mushrooms with your childhood best friend. I don't know where psychedelics fall under in the chad-virgin dynamic though.
>I don't know where psychedelics fall under in the chad-virgin dynamic though.
Same as weed. Look, these are your common college drugs.
Anon, the college I went to had normies with coke. It’s not that fancy.
>one of the good endings involves taking mushrooms with your childhood best friend.
can these people really not imagine a happy life without drugs or something else that will ruin you?
It's more that it's an experience with your friend that she chooses to share with you at the end of the game if you score enough points with her. People try things with their friends.
not everyone who use drugs is a loser, but every loser use a drug.
No i don't
The characters are largely young adults that whine about life and their own selves while struggling with mundane shit like bills, dead-end lives and social ineptness.
>while struggling with mundane shit like bills, dead-end lives and social ineptness
Like the current 90% of young adults?
Exactly. Keyword being: "current".
I actually feel bad when seeing news like teachers, engineers and other educated jobs have to work as servers or uber drivers as second jobs in order to make a living. this entire century is delving into a deep neoliberal dystopian nightmare.
Yeah, it makes me want to kill a lot of posters ITT
Then you'll be like the BLM and Antifa protestors in 2020 that instead of burning down the NY Stock Exchange or Blackstone or any branch of the federal government, went after small businesses and public and residential areas instead.
I've called them off and disowned them. They're your purposeless shitbags now. Frick you I hope they kill you in particular.
>Frick you I hope they kill you in particular.
I'll sleep better now knowing you'll never be a lone gunman.
The real problem was having any kind of support to begin with, you don't just get to disavow them and still act like you have any moral integrity.
It's been like a decade since I've read it, but I remember the characters all being friends and having bfs and gfs. It was like most sitcoms about adults except they smoked weed.
It's just a bunch of small people in a brookyln slum with their small lives. That's what it makes it charming.
That's the comic. It ended 5 years ago though. An epilogue comic dropped last year, focusing on the characters as they're in their mid-30s.
I think it has elements of it. I don't think they're totally losers or anything but I do think they have their own personal issues that makes them "losers" in small ways. Like, Eve and Park's breakup hinged on the fact that Eve's too much of a coward to leave what's comfortable and familiar while Park has aspirations to be something bigger than where he's at when the comic begins. Eve hated working at Olly's but she was too afraid to leave it until Olly basically made the decision for her. Also, she's an English graduate which automatically makes you a loser.
damn, the bottom image feels exactly when i came back from japan and the economy was so fricking shit.
Sadly, we're no doubt going back to that bullshit and shits gonna get ever more soulless and corporate.
things are slowly escalating into dystopian future 80's movies warned us about. I hope i can buy some land real soon because shit is going downhill
It's just another turn of the wheel. If you think everyone is going to suddenly wander around hunting each other for remaining resources like a bunch of feral cats then you've spent too long reading pseudo-expert fanfictions. Having land won't do shit since you'll probably be reliant on some part of our diesel powered, offshore factory society (fertilizer isn't much made in the USA). Also, being feral individuals to one another isn't how humans a special has every acted - people ban together to make shit more livable (like we've always done) either for the community or at least for their little band - either way that benefits individuals/families.
Hmm well it's a good thing no major recent technologies have annihilated the concept of local community.
>projecting this much on octopus pie characters
that's okay anon, not everyone can live as they want.
>makes observations about the comic with evidence to back it up
>"lol bro, why are you projecting so hard"
This comic perfectly captures the late 00s/early 10s so damn well, Christ
This really feels like eating your own shit.
Are there really people who can only identify with a work if the characters have the same loser lives they have.
It's just that the idea of (young) adults being financially, academically, emotionally, and even geographically balanced is getting more and more distant and fantastic all the time, to the point it's becoming bordering on science fiction, like what robot maids or video phone calls were back in the day.
>Are there really people who can only identify with a work if the characters have the same loser lives they have
You ask this on the anime imageboard, the medium where a good chunk of MCs are bland, prospectless losers made so consumers will find them relatable?
Give 400 examples
aside from octopus pie or scott pilgrim, what are some essential millennial sol comics which fit those tropes?
Questionable Content and the 'Walkyverse' come to mind.
Ah, furries in ye Old place, being just as fricking boring somehow.
The "Locas" part of Love and Rockets seems like the earliest example of this sort of comic.
Does Regular Show count?
Also I didn't realize KC Green wrote comics some of the Regular Show comics
A very talented guy on the wrong team
God doesn't like the hellhole I live in????!!!!??? Euuhhh??!!!? But you can't send ME to HELL!
Not me!!
NOT ME!!! (???!!!!??)
>Mordecai scene at the wedding
yes, it does
Yeah, but does Close Enough count too?
well the bits with bridgette and alex maybe
I like the Bridgette and Alex arc. I'm pissed we're not getting more of that despite season 4 already being written.
I've lived the flawless life of a devoted slave to do just that, buddy.
>A very talented guy on the wrong team
I actually like this genre, but I feel like "slice of life" is a pretty sufficient name for the genre.
You state this is specifically a comicbook genre when they've got cartoons that fit that mold. Regular Show is probably the closest for that in terms of children's programming.
Comics can be more personal than cartoons
I agree with that
funnily enough this conversation reminds me of this piece from Simon Hanselmann about dealing with television producers. Gives a lot more legitimacy to these more amateurishly produced comics when you realize that basically everything that makes it to the "big screen" has gone through multiple editors/producers, is likely being written by multiple people with completely different experiences from the creator, and is animated by people who don't even speak the same language. Comics and writing are THE medium for loser-core because nothing else allows for a competent, complete production of it with the hands of one person, everything else requires too much of a group effort for it to truly be the creation of a single person
Any recommendations for this subgenre of comics?
Good luck finding scans, it is one of the few comics I have never found online.
I'd read it, even though it looks like it's trying hard to be NITW
>this subgenre
not so losery, but:
- Bruno by Chris Baldwin: drifter, no fixed abode, often complaining, promiscuous
- John Allison's Solver story with Lottie: quits steady job to couch surf, smart-yet-dumb barista
- Giant Days: slice of life university students, mixed cast: competent handyman; chain-smoking grumpy medical student; ultimately failing goth
oops, meant to reply to
yo where do i begin with john allison's stuff they seem to be connected
>begin with john allison's
His later works like Bad Machinery, Giant Days, and the recent Steeple series, are more self-contained, with clearer story arcs.
This sheet lists probably all strips/arcs in order: https://docs.google.com/spreadsheets/d/17VDepHP6E_WY1kUT-88UMiJxgy76yclaf-RoUWXf240/edit?usp=sharing
this looks extremely generic but i want to read it anyway
Tell me "loser-core" is not tvtropes lingo please
Just searched it up and no results
damn this comic has some pretty good panels. i might give it a chance.
It's definitely worth checking out if you've got the time. The whole comic is about 1000 pages but its broken down into smaller arcs that are pretty manageable. You can check out any of the first 30 chapters and it's pretty easy to keep up with since they're more like a sitcom. Later chapters focus far more on the characters growing up and developing as individuals, so it's a little harder to keep up without having read at least a bit of the comic.
>https://www.octopuspie.com/a-guide-to-octopus-pie/
Page 1 is the best place to start but if you want some suggestions, I'd definitely check out 05-10 for starters. After that, the comics story really starts kicking in.
Anyway, I hope you like it if you decide to check it out.
That's interesting but none of these characters depicted on this comic seem to have obtained class consciousness.
There was an Occupy arc, since the comic was written during that period. However, it’s not a particularly political comic outside the recurring gag of the mom being obsessed with 9/11
Idealism is fricking dead in American comics.
As it should be. The data says infinite growth on a finite planet is impossible and also that human comprehensibility & will power is hard wired.
More gen x than millennial, but Box Office Poison. Originally published in black and white, but theres a colored version too. Some of the characters are actually trying to get into the comics industry in it.
What’re your thoughts on the comic? What do you suggest about it?
Been a while since I read it, but I just remember it being a pretty comfy read honestly.
It was a 2010s kind of feel, a nostalgic sort of hell.
memes
>dude that's so loser core
>haha dude this is so new and modern and millennial, loser core duuude!
>autist core getting posted by a sperging autist
It's almost poetic.
Anon accidentally makes a good point. Most modern SoL webcomics focus on women in their mid 20s and are written from a liberal perspective. We need to reinvigorate an old literary tradition and make webcomics about someone truly relatable: A middle class 20 something straight White man who saw a Ryan Gosling movie and decided to make it his entire personality.
How about SoL comics about former CIA operatives who have involved in south American contra operations and eventually gotten themselves involved with drug business and cartel? I'm tired of reading a bunch of college graduates whose only concern in life is paying bills and getting high.
you seem to have an idea. be the change you want to see in the world.
>CIA operative retires and moves into a complex in LA
>His neighbor is a Black dude whose old neighborhood was destroyed by crack cocaine said agent helped smuggle to America
Could work.
As a Cinemaphilegay I'd personally like to see a SoL comic that's also a period piece. No major action or drama, just some ordinary people trying to get by in Medieval Paris, or something.
Isn't that what Cotugno's webcomic is, the Jekyll and Hyde one?
That's a steampunk type comic IIRC, I was thinking pure historical fiction.
that's because the people writing and reading them are liberal women in their 20's
>sometimes hits too close to home.
The economy has been shit since.. well where I lie it has been shit since 1914, but in the developed world since 2008. People under 40 know nothing but suffering and all the once popular ideological fixes to these issues has been iscredited so throughfully there is no hope left. When millenials hit 50 there will be a storm of suicides, zoomers will join the escape party and the army will be digging mass graves since there will be too many corpses to bury.
It's been shit because the average boomer still loves to get screwed over by right wing populist buttholes.
>people keep saying this
>be third world immigrant, literally grew up in a country that doesn't function anymore and most people I knew just died or moved away
>mfw feel like life is great because my standards are low and as long as I have a roof over my head and food I'm doing alright
I dunno man
>I'm glad I'm allowed to exist
jfc this world is truly fricked
I mean yeah, what can I tell you? I'm glad I don't live in fear of walking two blocks from my house because some butthole drug addict communist decided the entire block was his, and that food's readily available. I get the feeling a lot of people who don't live in like some inner city hellhole take that for granted quite a bit.
I'm not even a wagecuck or anything, I work on commission working from home and live pretty comfortably with low expenses. Its insane that you can even do that, its a lifestyle that didnt exist 30 years ago unless you were already really rich. I still actually look around for weird jobs where I can find them, and they're everywhere, its insane how desperate people are for workers and how well they'll pay you just for showing up, and just doing menial labor stuff can be interesting and you can end up meeting cool people for what's honestly not a lot of real backbreaking work.
I live in a postcommunist shithole, I risk getting beaten or stabbed every time I go outside. life has been shit fricking awful and it's getting progressively worse because of the fricking war in the next country. I'm not okay with "thank frick I still breathe"
I understand your stance, but I can't live with 0 positive things in my life.
>postcommunist
Damn we should stage counter-counterrevoluton, become party members and live like kings (okay, more like barons but still)
Me on the right
I was born in a country that doesn’t exist anymore and live in one that will cease to function soon. Also my employer just went bankrupt.
I kinda know this feel, not from the third world but coming from a poor / broken / abusive home
Can't relate to these comics so well, feels like people projecting their shame at not doing as well as their parents onto the entire world
I dunno mang
NTA but sometimes I feel worse because often the protagonists in the comic will still have at least one parent/relative/significant other that loves them. I basically have no family and have had to forge all of my self-worth alone.
I mean, you can be from a third world country and complain about petty things. The Persepolis chick squeezed like 2 or 3 books out of being sad, feeling fat, doing drugs, and trying to get laid both in Austria and Iran.
Lol. Lmao, even. This is funnier than bronies simping for the small horsies.
This?
This guy once sent in work to Antarctic Press was back in the early 90s. All roads lead to Antarctic Press eventually.
>soulless vs soul
You're confusing the general state of the world for millennials with some kind of bohemian/hipster genre.
This is because you are moronic
Is Scott Pilgrim the most well-known of this genre?
I was gonna say, despite being fantastic and exaggerated, Scott spends most of the series as a jobless loser coasting through life with no direction, no aspirations and very few skills.
Was Lisa on a Degrassi knock-off?
Isn't this already a thing with mumblecore?
Also isn't -core used to describe subgenres of hardcore back in the 90s and has been bastardized since then?
When I think of mumblecore, I think of indie rap though. Maybe I had it wrong?
This is the lizard brain comic right? Yeah it's shit.
t. Park
I really like her artstyle I don’t know why
It’s fine. I like it too.
Meredith probably did this to Joe when they were kids. Shame they hate each other now.
Meredith's new game and a lot of Octopus Pie involves also fighting with your brother. I assume most of their lives involves fighting. You'd think considering all that fighting, he wouldn't be getting pushed around and groped at conventions.
let me introduce you to the classics, boys
Robert Crumb did this stuff 50 years ago.
you think you invented this? you didnt invent nutin'
Robert crumbs style I’d so ugly yet nice
Crumb is literal creep tier and has nothing to do with OP.
>loser-core
you rang?
Now I know to automatically disregard anything from that garbage genre.
Thanks, OP. Very informative.
What kind of datased did they use to train these bots, what the frick is this thread.
knowing will do you no
Should be called "Bryan Lee O'Malley core"
Why give him so much credit?
You misunderstand, I was calling him a loser.
>Loser-core thread
>no one's mentioned Cheap Thrills yet
A comic about Swedish high school girls in the early '80s, getting into 1st wave punk and trying to start a punk band. It was adapted into a live action movie by Lukas Moodysson (who wed the author.)
https://en.wikipedia.org/wiki/We_Are_the_Best!
Where can I read this?
It is not on Read Comics Online or Libgen, you are fricked.
I wanna make a loser comic. Not because I want to be popular, but because as someone who's been a loser all his life, I literally can't write anything else. Can't write about hanging out with friends or doing exciting things when I mostly just sit at home and hang out on Cinemaphile.
Write about the character you want to be
I still need to understand the character I want to be, at least somewhat, or else the series is gonna be disingenuous. Don't get me wrong I have plenty of charismatic outgoing characters. It's moreso that I mostly see them from an outside perspective than an interior one.
>I still need to understand the character I want to be, at least somewhat, or else the series is gonna be disingenuous.
That's correct. Do research on extroverts and hobbies and other things, get into the mindset of competition and why people enjoy certain things, so you can write them more convincingly. It'll be a learning experience for you and your readers