I like what I imagined this film would be like based on the original image shown of the Gepetto and Pinocchio models when it was stuck in production hell a lot more than what it turned out like.
I'll be happy to shit on all of illumination, modern pixar and most of dreamworks and disney, but what was wrong with How to Train Your Dragon?
That was a genuine departure from the shit Dreamworks was making at the time and a breathe of fresh air compared to Shrek and kung fu Panda
>That was a genuine departure from the shit Dreamworks was making at the time and a breathe of fresh air compared to Shrek and Kung Fu Panda
Guillermo was actually executive producer for two of the Kung Fu panda movies. And also Puss in Boots. The first one, not the new one that people actually liked
>The acting has been dictated by a pantomime style that has been handed over and over through the decades, and it’s this super hip, super cute, suburban style, you know, or these super cool kids from the Valley that are sassy, and skateboard, and have one-liners—who the frick is that? Number one. And number two, that has been codified almost to [emoji]: you see the same faces, and the same poses in all the goddamn animated movies
That's from an interview or something back in december. It's true, modern animation is super symbol-based. It's often methods rather than actual expression. He gets a bit soundbitey about it, but I fully agree.
I wish there was a middle ground in animation between soulless children's cartoons and pretentious artsy-fartsy shit.
There are so few animations just telling mature (or at least not purposefully safe) stories in America.
i never got this "muh pure art" discourse from Del Gordo, he has some great movies but most of his projects are schlock for the average coomsomer he's not Herzog or jodorowsky to be such a prick on other creators that are only trying to survive on the market
The movie mind broke you because it was well received and you don’t honk it was deserved. Your hatred won’t stop me from having enjoyed the film I saw.
Fart jokes and poop jokes are okay but two characters interacting that's wrong and childish. Oh and people with different political views are bad real adult guys
Del Toro is a hack. He took a story set in the 19th century and forced Mussolini into it for no other reason than he can get some cheap applause that way.
If he wants to make animated kino then let him do it.
He wants genuine emotion in animation.
>Animation is a mature medium
>Proceeds to make a movie with an entire segment dedicated to poop jokes.
I mean Pinochio IS a child. A child would totally do that, because they don't mind being embarrasing.
Sure, but the whole point of that was Pinocchio trying to offend and humiliate.
Being a kid, poop was all he could think of.
Wtf is with Pinocchio and shit? Even the Disney one had a poop scene (no I do not have the screencap, nor will I waste time looking for it)
No it didn't.
?
I like what I imagined this film would be like based on the original image shown of the Gepetto and Pinocchio models when it was stuck in production hell a lot more than what it turned out like.
I'll be happy to shit on all of illumination, modern pixar and most of dreamworks and disney, but what was wrong with How to Train Your Dragon?
That was a genuine departure from the shit Dreamworks was making at the time and a breathe of fresh air compared to Shrek and kung fu Panda
>That was a genuine departure from the shit Dreamworks was making at the time and a breathe of fresh air compared to Shrek and Kung Fu Panda
Guillermo was actually executive producer for two of the Kung Fu panda movies. And also Puss in Boots. The first one, not the new one that people actually liked
>executive producer
The biggest nothing burger title you could have in a production.
So? He still put his name on it and approved it.
>The first one, not the new one that people actually liked
I really question that considering the new one bombed while the first one actually made a profit.
>b-b-but muh internet grifters kept creaming themselves over how good it was!
And how much of that do you think reflects the casual audience?
This is what he meant
This guy is alright and by that I mean he is fricking based
Arcadia has all of this stuff in it
I'm assuming Del Toro was barely involved in it even though his name was plastered everywhere
>Del Toro was barely involved but his name was plastered everywhere
Isn't this about half of his fricking resume at this point
>The acting has been dictated by a pantomime style that has been handed over and over through the decades, and it’s this super hip, super cute, suburban style, you know, or these super cool kids from the Valley that are sassy, and skateboard, and have one-liners—who the frick is that? Number one. And number two, that has been codified almost to [emoji]: you see the same faces, and the same poses in all the goddamn animated movies
That's from an interview or something back in december. It's true, modern animation is super symbol-based. It's often methods rather than actual expression. He gets a bit soundbitey about it, but I fully agree.
He is Mexican?
>raising his fricking eyebrow or crossing his arms
this man speaks the truth.
>Trojan-horse a lot of good shit
Judging by his movies he means antifa shit.
Replace one-liner with quipping and this may as well be a Cinemaphile post.
And that's a good thing.
This. Cinemaphile is always right about the industry. I'm surprised more people aren't coming to us for advice.
They do but they pretend they dont
They really don't; if they did the industry would be all bangers.
that's just dreamworks movies and their copycats
I love this new trend of Del Toro unleashing against animation hackery every time he’s asked.
Yeah true emotiom but the same SJW shit. At least the emoji are as fake as the message
He also said he wants to make cartoons now and its done with live action.
He finally realized drawings are better
He's just mad that studios are supporting his live action endeavors anymore.
>record scratch
>Awkwarrrrd
That's a bit outdated, it would be
>music stops
>*Seriously*?
Mexico is evil
I wish there was a middle ground in animation between soulless children's cartoons and pretentious artsy-fartsy shit.
There are so few animations just telling mature (or at least not purposefully safe) stories in America.
i never got this "muh pure art" discourse from Del Gordo, he has some great movies but most of his projects are schlock for the average coomsomer he's not Herzog or jodorowsky to be such a prick on other creators that are only trying to survive on the market
He's mad that nobody outside of his Hollywood friends cared about his Pinocchio movie.
The movie mind broke you because it was well received and you don’t honk it was deserved. Your hatred won’t stop me from having enjoyed the film I saw.
>Yeah. I'm gonna do my own thing!
>DreamWorks face
>mumble rap intensifies
He wasn’t the first to say it
Ren and Stimpy is not realistic.
Nobody gives a frick about the pedophile rapist's opinions
She's not calling the human resources because of his opinions she's calling human resources because John K is a rapist.
John K rarely practiced what he preached though
He wants genuine emotion in animation.
Fart jokes and poop jokes are okay but two characters interacting that's wrong and childish. Oh and people with different political views are bad real adult guys
You made The Shape of Water STFU.
He’s right and I hope the industry goes in the direction he wants but also I hated Pinocchio that movie sucked ass
He's talking about Family Guy
Del Toro is a hack. He took a story set in the 19th century and forced Mussolini into it for no other reason than he can get some cheap applause that way.